10 Designers Share Their Secret Color Theory Techniques

Learn from the Pros and Take Your Design Skills to the Next Level

Sibgha graphics
3 min readApr 8, 2023
Photo by moren hsu on Unsplash

Color theory is an essential part of graphic design. It can make or break a design, and mastering it is key to creating visually appealing and effective designs. But where do you start? With so many colors to choose from and countless color combinations, it can be overwhelming to know where to begin.

By implementing 10 successful designers secret color theory techniques. You’ll learn tips and tricks from the masters that you can apply to your own designs to take them to the next level.

1.Paula Scher, Pentagram

“Use color to create hierarchy and organize information. Brighter colors will draw the eye and should be reserved for the most important information. Use darker or more muted colors for supporting elements.”

Example: Scher’s use of bright, contrasting colors in her poster design for the Public Theater in New York City.

2.Josef Muller-Brockmann

“Use color to create contrast and balance in your design. Black and white can be just as powerful as color, and should be used intentionally to create contrast and emphasis.”

Example: Muller-Brockmann’s use of black and white in his poster designs, such as “Zurich Tonhalle Concerts.”

3.Milton Glaser

“Use color to create emotion and communicate your message. Certain colors are associated with specific emotions, and can be used to evoke feelings in your audience.”

Example: Glaser’s use of vibrant, warm colors in his iconic “I ❤ NY” design.

4.Ellen Lupton

“Use color to create mood and atmosphere in your design. Color can be used to set the tone for your design and create a specific mood or atmosphere.”

Example: Lupton’s use of muted, earthy tones in her book design for “Indie Publishing.”

5.David Carson

“Break the rules and experiment with color. Sometimes the most unexpected color combinations can be the most striking and memorable.”

Example: Carson’s use of bold, contrasting colors and typography in his Ray Gun magazine designs.

6.Lance Wyman

“Use color to reflect culture and context. Different cultures have different color associations, and it’s important to consider these when designing for a specific audience.”

Example: Wyman’s use of bright, bold colors and patterns in his Mexico ’68 Olympics designs.

7.Massimo Vignelli

“Use color to create simplicity and clarity in your design. Color can be used to simplify complex information and make it more digestible for your audience.”

Example: Vignelli’s use of a simple color palette and typography in his NYC Subway map design.

8.Jessica Walsh

“Use color to create a cohesive brand identity. Consistency in color choices can help establish a recognizable and memorable brand.”

Example: Walsh’s use of a consistent pink color palette in her branding for the Women’s March.

9.Alex Trochut

“Use color to create depth and dimension in your design. Color can be used to create the illusion of depth and make your design more dynamic.”

Example: Trochut’s use of bright, overlapping colors in his lettering designs.

10.Michael Bierut, Pentagram

“Use color to create a visual hierarchy and order in your design. Different shades and tones of the same color can be used to create depth and visual interest.”

Example: Bierut’s use of varying shades of blue in his branding for Saks Fifth Avenue.

With these tips from 10 successful designers, you can take your color theory skills to the next level and create more visually appealing and effective designs. Remember to experiment, consider your audience Color theory is an essential skill for any graphic designer.Comment below your favorite tip.

As a graphic designer, I can help you create designs that stand out and effectively communicate your message. Contact me today to learn how I can help you with your design needs.

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Email: info@sibghaamin.com

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Sibgha graphics

I am graphic designer with 4+ years of experience .I write blog with the help of AI that resonate with graphic design audiences.