PinnedString Figures: Living Now and Living OtherwiseEditorial“not the tracking, but rather the actual thing, the pattern and assembly that solicits response, the thing that is not oneself but with…Jan 11, 2022Jan 11, 2022
String Figures: Living Now and Living Otherwiseresting & dreaming: an assemblage of black feminist futurity— Qwin Werle, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseManufacturing the delay in crisis context— Tanguy Le Meur, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseMoment Markers: Voices from Inhabited Urgencies— Guillermo Valladares López, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseThe Importance of Grieving In the Absence of Loss— Ozan Erkovan, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseReturning to the sites of Resonance: in search of the sound of the (un)foreseeable— Veronika Ustimenko, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseInhaling the Memory of Future: Timing odor— Alla Sønderholm, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseI belong entirely to wartime…— Turkan Mammadli, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseSlowing down in times of crisis— Savannah Prutzer, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022
String Figures: Living Now and Living OtherwiseTime and memory…— Okezi Orobo Otuoba, Master’s student in Cultural StudiesJan 11, 2022Jan 11, 2022