The Complete Guide to Mastering Script Breakdown Elements

Cast. Props. Animal Trainers. Child Actor Trainers. They’re all production elements that make up a scene breakdown sheet, which is an organizational document with categorized lists that you need for each scene of your film.

In our previous article, we went through the process of breaking down a script. Now we’re going to dive into the details and guide you through the complex process of sorting and categorizing your elements.

Is sound the same as music? Where does set dressing end and props begin?

Don’t fret.

We’ve broken down how to identify the most common production elements below.

Use StudioBinder’s script breakdown feature to effortlessly break down your script.

What’s in a script breakdown sheet?

A script breakdown sheet is one page (or one group of pages) from your scene breakdown.

Each breakdown sheet corresponds to just one scene in your film. The script breakdown sheet usually has a bunch of boxes, each one containing a list of elements in a category.

StudioBinder auto-generates your script breakdown sheet, which looks like this:

StudioBinder’s Breakdown sheet summary

What is a Production Element?

An element is an object, person, or process that you need in order to produce a specific scene.

Props, picture vehicles, actors, and stunts are all elements. Pieces of production equipment are not elements, unless they are specific to certain scenes (so, your A-Camera isn’t an element, but the GoPro you’re using for the action scene is an element).

This can get a little confusing, so we’ll go through the entire script breakdown sheet, category-by-category, to help figure out what goes where.

Here is how simple StudioBinder makes marking up your script:

What is a Category?

Let’s take a look at common script breakdown sheet categories.

  1. Cast Members
  2. Extras
  3. Stunts
  4. Vehicles
  5. Props
  6. Special Effects
  7. Costumes
  8. Makeup
  9. Livestock
  10. Animal Handler
  11. Music
  12. Sound
  13. Set Dressing
  14. Greenery
  15. Special Equipment
  16. Security
  17. Additional Labor
  18. Optical FX
  19. Mechanical FX
  20. Miscellaneous
  21. Notes

This is the default list of script breakdown sheet categories that film production scheduling software such as Final Draft Tagger provides. A category is a grouping of elements by type.

Film production software like StudioBinder allows you to customize your categories by changing category names or by adding and deleting categories. Here’s what it looks like:

StudioBinder’s Category page

Now that we’re oriented, let’s go through these, one-by-one!

Cast Members: What is it?

When you make your scene breakdown sheet one of the first element categories you list is Cast Members. These are the characters in your script that speak at some point during the movie.

Sometimes characters who don’t speak are cast members as well. They often appear in many scenes and play important an important role in the plot. A perfect example of this is Maggie Simpson. While never uttering a line, the family baby is most certainly a cast member.

Use StudioBinder’s script breakdown feature to effortlessly break down your script.

StudioBinder’s Script Breakdown breaking down cast member elements

Extras: What are they?

Characters who don’t speak in the entire film are usually Extras. They are the people in the back of a shot, citizens of your cast members’ world.

Extras can be divided into subcategories, such as Atmosphere, which refers to people who simply fill a space (like a crowd in a subway station), and Featured Extras, characters who interact within a scene, but who don’t have any real importance to the story (like the cashier in a grocery scene).

Featured extras are usually identified not by name, but by the function or role that they play (“Police Officer” or “Panhandler”).

Stunts: Why is it a scene breakdown category?

While a Stunt is neither an object or a person, it still gets listed on your script breakdown sheet. Stunts require extra equipment and personnel, and as a result, are called process elements.

There are two approaches to breaking down stunts:

  1. Mark each stunt (“hero gets thrown through a window!) as one element. Leave it up to your stunt coordinator to make sure all the required things to make that happen arrive.
  2. Break down each subelement of the stunt (stunt double, breakaway window, crash pad, etc.).

I recommend the first option, as long as your stunt coordinator is organized and stays on top of the stunts unique logistics. This is recommended for all process elements, to keep your breakdown sheets from getting too cluttered.

Vehicles: What should be included?

As a general rule, the Vehicles category only includes picture vehicles, not production ones.

Picture vehicles can include cars, trucks, motorcycles, boats, or any large object that could transport characters or objects within a scene. Roller skates, skateboards and other such small transportation devices are not vehicles.

There’s a ‘gray area’ when it comes to slightly larger objects such as electric scooters or bicycles. Exercise discretion when determining whether such elements are vehicles or props.

When it comes to very large vehicles, such as ocean liners or planes, you should treat them as a filming locations. The exception, of course, is if it’s being operated.

Use StudioBinder’s script breakdown feature to effortlessly break down your script.

A Script Breakdown Example: The Pirate Ship
I am breaking down a script for a pirate film that takes place entirely on a pirate ship. How do I categorize the ship?
In this case, we’re bringing production to the ship, and we’re simply shooting onboard while the ship remains docked. We’re not operating the ship, nor are we causing it to move anywhere. We’re treating it as a location, so in my script breakdown example, I do not list the pirate ship as a vehicle element.
If, however, the film included a naval battle that featured the ship in open water, we’d have to cause the ship to move, and it would move under orders from our production — in that case, it would be a vehicle element, and should be listed.

Props: How not to get overwhelmed

The Props category can easily get cluttered. Every scene seems to have oodles of small objects that somehow fall into the props category if you’re not paying attention.

The truth is, this is a big category, but not every small object in a scene is a prop. The general rule is that if a character interacts with an object, that object is a prop, otherwise it’s something else.

But this rule can get confusing. If a character interacts with part of the set that might otherwise be considered set dressing — does that change the category of that object?

Here’s what you’ll need to ask yourself.

Is the object part of the set? If not, it’s a prop. If it is part of the set, then…Is the object being handled in the usual manner? If not, it’s a prop. If it is being handled in the usual manner, then it’s not a prop.

A Script Breakdown Example: The Pirate Curtains
In this hypothetical scene from my pirate film, the pirate captain hears a noise outside his cabin and pulls aside the curtains to look out the window.
The curtains are part of the set, so we must ask if they’re being handled in the usual manner. There’s nothing unusual about pulling aside the curtains, so, in this scene, the curtains are not a prop. (They’re set dressing, which is a category we’ll discuss soon!)
But what if the pirate captain tears the curtain off the wall in his zeal? At that point, the curtains are no longer being handled in a usual manner — they are props.
But there’s a kicker: unless the curtains that are ripped off the window are different than the curtains that will appear on that window at other times in the film, those curtains are ALWAYS props, even in the breakdown sheets for scenes where they simply hang there looking pretty. This script breakdown example is a good time to review a basic rule of breakdown sheets:
Every element can appear in only one category.
We’ve encountered this rule before: if a character has a line in one scene, but no lines in another scene, that character isn’t categorized as “cast” in one breakdown sheet and “extra” in another. That character is “cast” in every scene where she appears, even those where she’s just another face in the crowd.

Special Effects: It’s a process

Much like stunts, Special Effects are process elements. Instead of listing all of the different components that go into a special effect shot, you can simply list the effect as an element, and trust your special effects supervisor to know what the effect requires.

Special effects are effects that are achieved on-set, rather than during post-production. Weather effects such as rain, wind, or snow fall under the “special effects” category, as do certain pyrotechnics and explosions. Squib hits are special effects, too.

Use StudioBinder’s script breakdown feature to effortlessly break down your script.

Costumes: Develop a system

For each story day in your script, your characters are (presumably!) wearing Costumes. In big productions that span many script days, this can become very challenging to track and organize.

You should develop a system for labeling each of your wardrobe elements to keep track of them all. Each wardrobe element should be labeled with (at least):

  • Character Name
  • Script Day
  • Outfit Number

So, instead of listing:

  • Fedora
  • Denim shirt
  • Cargo Shorts
  • Button-down Shirt

You would list:

  • Alan Grant — Day 2 — Outfit 1
  • Ellie Sattler — Day 2 — Outfit 1

You can trust your costumer to keep track of which individual pieces of clothing correspond to each outfit combination.

But as always, there are two exceptions to this:

  • If a specific piece of clothing is unusual or hard to find, it may be useful to list it separately in the breakdown, as it may be important information for budgeting or even scheduling.
  • If a piece of clothing is supposed to get ruined (maybe someone spills coffee during the scene?) it may be beneficial to list multiples of that piece of clothing as separate items in the breakdown.

Pro tip: Using an element-naming system such as StudioBinder film production scheduling software can be incredibly powerful because most film production software can sort your element list alphabetically. You can get a list of each actor’s individual costume changes at the click of a button.

Makeup: Only list the unusual

The Makeup category is really just for unusual makeup (prosthetics, wounds, blood, things that come up only for some scenes and not for others).

If you’re working on a film with a heavy makeup load, consider naming makeup elements purposefully to keep the list organized.

Livestock: These are usually big animals

In this category, you list big animals — the sorts of animals that might require their own vehicle to transport to and from set. Horses, cows, sheep and goats fall into this category.

As a result, some script breakdown templates and film production software list animals in the same category as vehicles.

Seabiscuit (2003)

Animal Handlers: They only handle small animals

Dogs, cats, other small creatures that could be brought to set in a crate get listed in the Animal Handlers category because, typically, they are brought to set by their handlers.

Having live animals on set will impact both your insurance and budget, as the position requires an Animal Trainer, which often costs around $600-$1000/day, not including the cost of the animal.

Use StudioBinder’s script breakdown feature to effortlessly break down your script.

Music: Don’t confuse this with a soundtrack

I’ve seen this category in film production scheduling software for years, but it took a while before I learned what it was for. If you have a scene in your film where characters listen to Music, it’s often helpful to have that music available on-set for the actors to hear.

This becomes even more important in movie musicals or music videos, where actors need to perform with playback of the song they’re performing.

La La Land (2016)

Sound: Any unusual sound effects or equipment

In this category, you can list any unusual Sound recording or playback equipment that the production might need for the scene that you’re currently breaking down.

Set Dressing: All the stuff that makes the set look normal

When your script describes a room, that room is full of Set Dressing, from the decorations to the furniture to the light fixtures. As we discussed above (about “props”), if your characters interact with the set dressing in a room, it’s still set dressing, unless the interaction is unusual.

Greenery: This is just a specific type of Set Dressing

Greenery is the category for all of the potted plants, shrubs, small trees and jungle vines that might grace your set.

In a way, these are a type of set dressing. They get their own category, however, because sometimes these are actual plants and require a different level of care and maintenance. Once again, if a character interacts with a plant in an unusual way, that plant becomes a prop.

Special Equipment: List key production equipment

At last, we’ve come to the place where you can note the camera crane, or the doorway dolly that your director really wants to use!

List any of the unusual equipment required to achieve the director’s vision that hasn’t already been included in the Special Equipment section of your breakdown sheet.

Camera vehicles such as dollies or camera-toting ATVs get listed here, too.

Security: They’re needed on-set in some situations

You may find that you need Security on set if you’re using certain expensive props (huge stacks of real money, for example). In such cases, the need for security comes indirectly from the script (the script calls for an expensive element which triggers the security need). That gets listed here.

You may need security if you’re shooting at a location where you need non-production people off your set. Here, the need for security is not being triggered by a script element, so it should not be listed in the breakdown sheet.

Additional Labor: This includes miscellaneous personnel

The Additional Labor category gives you an opportunity to list any unusual personnel that you might need on set. Perhaps you’ll need a medic during a dangerous stunt sequence, or a medical advisor when you shoot the surgery scene.

This section is for miscellaneous personnel who don’t fit anywhere else.

Optical Effects: These aren’t Special Effects

Although my film production scheduling software calls this category Optical Effects, it’s really the same thing as Visual Effects. This is where you list any VFX requirements for the scene. Green screens are probably the most common element in this category these days.

If you have a good VFX coordinator, you can treat this category as a process category, and list process elements rather than individual pieces of equipment.

Mechanical Effects: Here There Be Dragons!

The Mechanical Effects category is where your animatronics go. Shooting a scene with a giant, practical T-Rex puppet? This is where to list it!

Jurassic World (2015)

If you’re shooting a scene in an elevator set, and the set is built on a rocker so the elevator looks like it’s moving back and forth, that rocker is a mechanical effect, too.

Miscellaneous: Last call for Production Elements!

If you get to the end of your script breakdown, and there are a few stray elements left that you’re not sure how to categorize, you can stick ’em here, in the Miscellaneous category.

Notes: Everyone has an opinion

Ah, the Notes category. This isn’t really a breakdown category so much as an opportunity for production to leave little reminders for itself about production details or ideas. You can use this section however you’d like!

If you get to the end of your script breakdown, and there are a few stray elements left that you’re not sure how to categorize, you can stick ’em here, in the Miscellaneous category.

Breaking down a script is serious stuff!

We’ve gone through lots of breakdown categories in this article, but they’re just the default categories in most script breakdown software.

StudioBinder lets you customize your script breakdown templates, which means there could be dozens more possible categories into which you can sort your elements.

Don’t drive yourself crazy with the details. There’s a point of diminishing returns when it comes to the level of organization when breaking down a script. Add too many categories, and you might as well not have categories at all.

Breakdown sheets are the first step in a long production process. The information that you organize will travel from department to department, where your department heads will process it in different ways. And they’ll be sure to tell you if you missed anything.

Use StudioBinder’s script breakdown feature to effortlessly break down your script.

Arnon Shorr

Filmmaker, New & Traditional Media at OxRock Productions, LLC

Arnon Z. Shorr was born in Haifa, Israel, and grew up outside of Boston, where he developed a passion for filmmaking. Over the years, through stints in Boston, Baltimore and Los Angeles, Arnon directed and produced over 100 shorts, web series episodes, corporate videos and indie features. His shorts have appeared in festivals from coast to coast, and have literally crossed the country as in-flight entertainment. He lives and works in Los Angeles.