I agree with Sérgio that the photo-as-rough draft for film comparison is highly problematic. Kubrick didn’t even storyboard his films. Yes, he knows how to frame a shot, but his films are dynamic and exploit the unique qualities of the moving image. Pawel Pawlikowski’s film Ada is a good example of what you’re saying because photographs storyboard each shot and in all but two shots the camera was static almost as if the film were a photo album. Brian De Palma, on the other hand, did obsessive stroyboarding but the shots are all about movement.