The right to Anonymity; Elena Ferrante
The fact that Ferrante has chosen to be anonymous has become part of this contract, and has put readers and writer on a rare, equal plane. Ferrante doesn’t know the details of our lives, and doesn’t care to. We don’t know those of hers. We meet on an imaginative neutral ground, open to all.
the right to publish anonymously as a choice — an internal, artistic prerogative rather than an externally imposed condition — is one that women have only recently earned.
Ferrante’s steadfast artistic choice to be anonymous can only be that: an artistic choice, made at the beginning of her writing career for private reasons that she deemed essential. The cost of anonymity is high; she told her publisher that she would do nothing to promote her books, and, indeed, they could well have sunk to the bottom of the literary river without a trace. That they succeeded, and reached the kind of audience they have, has happened, if anything, in spite of Ferrante’s anonymity, not because of it.
— Alexandra Schwartz staff writer at The New Yorker.