A Deep Dive into Madness and Despair: “Possession” (1981)
Andrzej Żuławski’s “Possession,” released in 1981, is a profoundly unsettling and polarizing cinematic experience that leaves an indelible mark on those who venture into its dark and surreal world. This psychological horror-thriller is not for the faint of heart, as it plunges its audience into a nightmarish journey through the disintegration of a marriage, while simultaneously delving into themes of identity, madness, and the grotesque.
One cannot discuss “Possession” without acknowledging the extraordinary performances delivered by the two leading actors, Isabelle Adjani and Sam Neill. Their raw and emotionally charged portrayals of Anna and Mark, respectively, are nothing short of astonishing. Adjani, in particular, is a revelation, showcasing an incredible range that spans from intense vulnerability to unhinged hysteria. Her performance as Anna’s descent into madness is visceral and unforgettable, leaving the audience in awe of her talent. Sam Neill’s Mark, equally haunted and confused, provides a strong counterbalance to Adjani’s intensity. The chemistry between the two leads is palpable, even when their interactions veer into the bizarre and grotesque.
Żuławski’s visual and directorial style in “Possession” is a remarkable testament to his unique and avant-garde sensibilities. The film’s cinematography, spearheaded by Bruno Nuytten, is both visually arresting and deeply unsettling. Unconventional camera angles, intense close-ups, and innovative tracking shots immerse the audience in the psychological turmoil of the characters. The use of color and lighting contributes to the overall sense of unease, with red tones and stark contrasts creating an otherworldly atmosphere. The film’s nightmarish sequences are masterfully crafted, enveloping the viewer in a surreal and hallucinatory experience that is both disturbing and mesmerizing.
The narrative of “Possession” is a complex, symbolic puzzle that challenges viewers to unravel its enigmatic layers. The film explores themes of duality, identity, and the grotesque, making heavy use of surreal and abstract elements. The plot revolves around the dissolution of Anna and Mark’s marriage, but it is quickly apparent that this is merely the tip of the iceberg. Symbolism is woven into every scene, making the narrative a dense and intricate tapestry of ideas.
As Anna’s life spirals into madness, her mysterious lover takes center stage. This doppelganger, played by an unrecognizable Adjani, adds an extra layer of ambiguity to the film’s themes. Is he a manifestation of Anna’s own descent into darkness, a reflection of Mark’s inner turmoil, or a supernatural entity in his own right? The film’s reluctance to provide clear answers is both a strength and a weakness, as it allows for a range of interpretations but also leaves some viewers bewildered and unsatisfied.
The symbolic elements in “Possession” extend to the film’s setting and props. A mysterious and grotesque subway tunnel, an abandoned apartment, and the bizarre creatures that inhabit them all contribute to the sense of disorientation and unease. These elements serve as visual metaphors for the characters’ internal struggles and deteriorating psyches.
Though, I found that one of the most significant drawbacks in the film is the lack of coherency in the plot. The film’s narrative can be difficult to follow, as it meanders through a series of surreal and symbolic sequences. Viewers may find themselves grappling with the disjointed nature of the story, making it challenging to discern the true motivations and intentions of the characters.
The film’s commitment to ambiguity and symbolism, while admirable in its depth, can make it a challenging and at times frustrating watch. Viewers expecting a clear and straightforward narrative may find themselves bewildered by the film’s meandering plot and its refusal to provide concrete explanations for its events. “Possession” demands patience and active engagement from its audience, which might alienate those seeking a more conventional cinematic experience.
It’s essential to note that “Possession” is not a film for everyone. Its intense and graphic scenes, including moments of extreme violence and sexual grotesquery, push the boundaries of comfort for many viewers. These scenes are not only unsettling but also central to the film’s thematic exploration of the grotesque and the dark recesses of the human psyche. Those sensitive to such content may find “Possession” to be an emotionally draining and disturbing experience.
“Possession” is a film that deserves attention and discussion, but it’s also a film that requires careful consideration and a strong stomach to fully appreciate its depths. For those willing to dive into the abyss of madness and despair that Żuławski presents, “Possession” can be a singular and unforgettable experience, but it’s a path fraught with ambiguity and discomfort.
Rating: ★★★½
