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(Guitar Book). One of the most common questions Pat is asked by students is, “What kinds of things do you do to warm up before a concert?” Over the years, in many master classes and workshops around the world, Pat has demonstrated the kind of daily workout he puts himself through. This book includes a collection of 14 guitar etudes he created to help you limber up, improve picking technique and build finger independence.
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Book ID Asin: 1458411737
Book Title: Pat Metheny Guitar Etudes — Warmup Exercises For Guitar
Book Author: Pat Metheny
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $14.71
Book Format Name: Paperback
Book Format Price: $14.91
Book Price: $14.91
Book Category: Books, Arts & Photography, Music and unknown
Book Rating: 165 ratings
Pat Metheny Guitar Etudes — Warmup Exercises For Guitar by Pat Metheny Book Review
Name: Rio
Rating: 3.0 out of 5 stars
Title: Nice ideas, but needs to go somewhere…
Date: Reviewed in the United States on November 14, 2020
Review: PM was/is still one of the leading jazz players from the 80’s to the present. These etudes do precisely as described. They’re warmups and can definitely be used in your playing, but they don’t appear to be interesting musically short pieces meant to teach a specific technique or improv. The chord structure’s not included above the phrases. If they were you’d be able to see how he uses for example, scale substitutions over the chord progression. If you know your chord theory, you can certainly figure out the chords based on the lines written. A brief read-through tells me PM likes to use mostly scale-like or step-wise runs throughout. An absolute plus in this book is PM’s use of flat key signatures. Many guitarists aren’t good sight readers and they freak over flat notes/keys. Horn players read/play flat keys all the time.
In contrast, jazz guitar books by W Marshall give short analyses of what players are thinking as they play scales or licks over the chords. Ditto for S Kahn, who’s transcribed other players work. Just depends what you’re looking for. For my preference as a classical guitar player who was trained to use etudes and plays varied styles, the title should be amended to say guitar warmups.
Name: frankp93
Rating: 5.0 out of 5 stars
Title: Worthwhile Peek Inside Metheny’s Woodshed
Date: Reviewed in the United States on February 12, 2014
Review: I may be out on a limb here but I don’t think Metheny’s intention is for people to learn and play these pieces note-for-note — the most obvious hint of that is the omission of an included or downloadable recording. For a guy who routinely allows publishing of transcriptions and scores it would just be too inconsistent. Reedling in-between the lines of his preface I think he’s got something else in mind and it assumes a certain maturity on the player’s part and a self-awareness of one’s learning style.
From a technical standpoint, one way to view ‘Guitar Etudes’ is as a rolling thesaurus of Pat’s picking technique and applications of it to
the raw material of improvisation. While you may not find many of his ‘licks’ per se in these pages, you may come to recognize the landscape and soil they germinate from. And that’s the first step to appreciate how improbable it would be, without the ability to spin these lines freely and consciously, for the vocabulary Pat crafts from them to arise spontaneously during actual playing.
For me, that’s primarily what’s revealed here. Musically, the etudes are by-and-large diatonic ‘vanilla’ streams of steady eighth notes and triplets in scalar and wide-interval forms that, while technically challenging, don’t do justice to Pat’s colorful sense of harmony and rhythmic subtlety — but that’s not the point here.
What I would suggest is playing loosely through these pieces and allowing yourself to be drawn to smaller segments you then isolate and use as jumping off points to problem-solve and expand your technique (write your own etudes) or develop the segments into musical phrases of your own, integrated with your own vocabulary.
From that point of view, I found a lot here — but unlike many books it’s not laid out in small-bite exercises. I think Pat assumes players approaching this book have travelled the path awhile and can reflect upon what they need to advance their playing. He’s just presenting himself as a fellow traveller and giving a glimpse into his practice routine at some of the solutions he’s come up with.
Name: Rhett Ballew
Rating: 5.0 out of 5 stars
Title: You know you want it.
Date: Reviewed in the United States on February 17, 2017
Review: Buy this book. Now. Especially if you’re an experienced player. The overwhelming positive reviews speak for themselves. There are endless nuggets of gold for those of us looking for new ideas for your melodic sequence playing (Metheny, as you know, is a bonafide master of this). Intended for the experienced player, though. Some less than positive reviews complained that there are no chord symbols to provide context. Quite true. Again, the experienced player won’t need them. Each etude is written in a particular key; G, Bb, Ab, etc.. An etude with #’s and b’s shows the outside harmony. Simple, really. There are also no fingerings (i.e. 1,2,3,4). No worries for the experienced player, right? Do you expect the book to play them for you? (!) Challenging? Yes. But you expected this, right? Buy it now. Clear out you woodshed (and your calendar). A lifetime of study. But, of course, all the greats are.
