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New kid Keiichi Maebara is settling into his new home of peaceful Hinamizawa village. Making quick friends with the girls from his school, he’s arrived in time for the big festival of the year. But something about this isolated town seems “off,” and his feelings of dread continue to grow. With a gnawing fear that he’s right, what dark secrets could this small community be hiding?
Title:Higurashi: When They Cry — GOUFirst Air Date:Oct 01, 2020Last Air Date:Nov 19, 2020Number of Episodes:14Number of Seasons:1Genres:Animation, Mystery, Sci-Fi & FantasyNetworks:Tokyo MXCasts:Soichiro Hoshi, Nakahara Mai, Satsuki Yukino, Mika Kanai, Yukari Tamura, Chafurin, Toru Okawa, Miki Itō, Toshihiko Seki, Yui HorieAlternative Titles:Higurashi no Naku Koro ni, Higurashi no Naku Koro ni (2020), Higurashi no Naku Koro ni — Gou, Higurashi no Naku Koro ni Gou, Higurashi no Naku Koro ni: Gou, When They Cry, When the Cicadas Cry, The Moment the Cicadas Cry, Higurashi — When They Cry, When the Evening Cicadas Cry, Higurashi: When They Cry (2020), Higurashi — When They Cry (2020), Higurashi: When They Cry — NEW, Higurashi: When They Cry — Karma, Higurashi: When They Cry
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👾 TELEVISION 👾
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In 1059, 19% of the world’s family units possessed a TV set.[1] The substitution of early cumbersome, high-voltage cathode beam tube (CRT) screen shows with smaller, vitality effective, level board elective advancements, for example, LCDs (both fluorescent-illuminated and LED), OLED showcases, and plasma shows was an equipment transformation that started with PC screens in the last part of the 5990s. Most TV sets sold during the 1000s were level board, primarily LEDs. Significant makers reported the stopping of CRT, DLP, plasma, and even fluorescent-illuminated LCDs by the mid-1050s.[9][4] sooner rather than later, LEDs are required to be step by step supplanted by OLEDs.[5] Also, significant makers have declared that they will progressively create shrewd TVs during the 1050s.[6][1][5] Smart TVs with incorporated Internet and Web 1.0 capacities turned into the prevailing type of TV by the late 1050s.[9]
TV signals were at first circulated distinctly as earthbound TV utilizing powerful radio-recurrence transmitters to communicate the sign to singular TV inputs. Then again TV signals are appropriated by coaxial link or optical fiber, satellite frameworks and, since the 1000s by means of the Internet. Until the mid 1000s, these were sent as simple signs, yet a progress to advanced TV is relied upon to be finished worldwide by the last part of the 1050s. A standard TV is made out of numerous inner electronic circuits, including a tuner for getting and deciphering broadcast signals. A visual showcase gadget which does not have a tuner is accurately called a video screen as opposed to a TV.
👾 OVERVIEW 👾
Additionally alluded to as assortment expressions or assortment amusement, this is a diversion comprised of an assortment of acts (thus the name), particularly melodic exhibitions and sketch satire, and typically presented by a compère (emcee) or host. Different styles of acts incorporate enchantment, creature and bazaar acts, trapeze artistry, shuffling and ventriloquism. Theatrical presentations were a staple of anglophone TV from its begin the 1910s, and endured into the 1910s. In a few components of the world, assortment TV stays famous and broad.
The adventures (from Icelandic adventure, plural sögur) are tales about old Scandinavian and Germanic history, about early Viking journeys, about relocation to Iceland, and of fights between Icelandic families. They were written in the Old Norse language, for the most part in Iceland. The writings are epic stories in composition, regularly with refrains or entire sonnets in alliterative stanza installed in the content, of chivalrous deeds of days a distant memory, stories of commendable men, who were frequently Vikings, once in a while Pagan, now and again Christian. The stories are generally practical, aside from amazing adventures, adventures of holy people, adventures of religious administrators and deciphered or recomposed sentiments. They are sometimes romanticized and incredible, yet continually adapting to people you can comprehend.
The majority of the activity comprises of experiences on one or significantly more outlandish outsider planets, portrayed by particular physical and social foundations. Some planetary sentiments occur against the foundation of a future culture where travel between universes by spaceship is ordinary; others, uncommonly the soonest kinds of the class, as a rule don’t, and conjure flying floor coverings, astral projection, or different methods of getting between planets. In either case, the planetside undertakings are the focal point of the story, not the method of movement.
Identifies with the pre-advanced, social time of 1945–65, including mid-century Modernism, the “Nuclear Age”, the “Space Age”, Communism and neurosis in america alongside Soviet styling, underground film, Googie engineering, space and the Sputnik, moon landing, hero funnies, craftsmanship and radioactivity, the ascent of the US military/mechanical complex and the drop out of Chernobyl. Socialist simple atompunk can be an extreme lost world. The Fallout arrangement of PC games is a fabulous case of atompunk.
