I’ve been out of my blog for too long, and to decide to write in english is a try to give me a reason to blog again : I know it’s a little childish, but sometimes I need challenges to do things, and to be able to write in english is a big one for me.
Another fact gives me a reason to re-open my blog : the reading, yesterday, of two texts, that surprisingly collided in my mind.
- One was posted on Medium, and has been written by a Medium’s developer, Marcin Wichary . I’ve blogged about Medium at the opening of this platform, when it was still invite-only. It opened up to every one in October, and there is now a Medium’s app.
- The other text is from Liza Daily, and you can read it on the Safari Flow blog.
Marcin Wichary describes in detail all the steps needed by the author to find the best solution to improve the rendering of underlining on Medium. As Marcin explains in the introduction : “This is a story on how a quick evening project to fix the appearance of underlined Medium links turned into a month-long endeavour.” I will not summarize here the post that you can read (Medium tells us it is a 12 min read). Why is this text interesting for you, bookish people caring about digital publishing? Web developers, when building a platform dedicated to publishing, even if it’s web based only, become more and more like books editors are : obsessed with details other people don’t have any idea about, asking themselves a lot of questions with the only goal of improving the readers comfort and pleasure. They also have to use the toolbox the web is giving them, and, because the purpose of this toolbox is very different from the purpose of publishing tools used for print publishing, they have in most cases to find creative ways to control the appearance of things.
The web toolbox priority was clearly not the appearance of text. It had more to do with ability to display text in different contexts, browsers, running on different OS, on screens with different sizes. And underlining is emblematic of web-culture : blue and underlined is the original code to indicate that by clicking on words you will access to another part of a document or to another document. Links were so magic for everybody in the beginning, that almost nobody did notice how ugly were these blue-underlined text. It was the indication of linking, and had, and has no equivalent in the printed world. But the testimony of Marcin is precious : it shows how seriously these questions are now taken by people that traditional publishers qualify as “pure-players” — when they don’t think to them as “barbarians”. Developers can revisit typography and lay out with fresh eyes, Hadrien Gardeur, who is in the list of the 100 french developers you must count with established by Tarik Krim in his report to Fleur Pellerin, is a good example of a computer engineer passionate by books and how to make them look beautiful on screens, and he is doing a lot to make to books a right place on the web.
As Hadrian, Liza is a very well known developer and entrepreneur in the digital publishing community. She is one of the excellent people you are never tired to hear in digital publishing conferences. Her post is (involuntarily) answering to Marcin’s one, even if Marcin is not using any ebook format: Medium is 100% web, and has nothing to do with ebooks (until somebody decides to publish some Medium posts as anthologies, as ebooks, and realize it could be part of Medium’s business model…)
But ebooks have more and more to do with the web, and Liza is very well placed to know it, managing Safari Books Online and co-chairing the W3C Digital Publishing Interest Group. Among the questions that Liza is asking, one echoes to Marcin’s concern : “How can we preserve the beauty and order of professional typography in web-based books?” As she says, the web is not entirely ready for books, and a lot of work has to be done to fix this.
Don’t you think it is more crucial to make the web ready for books, than to make books ready for the web? To make the web ready for books will improve it. To try to make books ready for the web will make them run the risk of losing what makes them books. The real challenge is to keep the best of both worlds, not to merge them. And if new forms are invented, new kind of ways of sharing thoughts — and it’s already the case: that’s perfect.
(This post is simultaneously published on my blog).