Published inStoryStruckTime Out: At 25, “Out of Sight” Still Takes Its Lovers Beyond TimeSteven Soderbergh toys with time by stopping the story in freeze frames, flashing into the past, even skipping forward — like memories do.Jun 29, 2023Jun 29, 2023
Published inStoryStruckReview: “Guillermo del Toro’s Pinocchio”The best kind of reimagining, this stop-motion film transforms a familiar tale into a passionate fable of compassion and tendernessDec 23, 2022Dec 23, 2022
Published inStoryStruckReview: “Emily the Criminal”Aubrey Plaza is riveting as a woman who dips into credit card fraud in this unflinching debut feature with no simple answersAug 26, 2022Aug 26, 2022
Published inStoryStruck“Maybe I Can Take Up This Space in the World”Geena Davis on “A League of Their Own” and helping others be seenAug 21, 2022Aug 21, 2022
Published inStoryStruckReview: “Prey”This prequel flips the script on the “Predator” franchise with a fierce, intelligent woman at the centerAug 20, 2022Aug 20, 2022
Published inStoryStruckReview: “I Didn’t See You There”This Sundance 2022 documentary offers a nuanced and empathetic look at life with a physical disabilityFeb 13, 2022Feb 13, 2022
Published inStoryStruckReview: “Leonor Will Never Die”This winsomely offbeat adventure from the 2022 Sundance Film Festival shows the power of stories to connect and healFeb 11, 2022Feb 11, 2022
Published inStoryStruck“I’m Into an Individual Gaze”Director Nina Menkes and colleagues at Sundance 2022 talk about sexist filmmaking techniques and being “Brainwashed”Jan 31, 2022Jan 31, 2022
Published inStoryStruckReview: “Brainwashed: Sex-Camera-Power”This 2022 Sundance documentary from director Nina Menkes analyzes sexism in shot design and its falloutJan 27, 2022Jan 27, 2022
Review: “The 355”This wannabe thriller assembles an impressive team of talented women, then gives their characters inconsistent intelligence and instincts.Jan 14, 2022Jan 14, 2022