Bye-bye, Carrie Bradshaw.

In The new HBO series “Divorce,” which premiered Sunday night time, Sarah Jessica Parker ditches the stilettos, tutus and sequined numbers her personality made famous on “Intercourse and town” in prefer of real-global cable-knit oatmeal sweaters, sensible brown boots and nubby wool tights.

“This isn’t like anything else she’s performed in the prior,” Arjun Bhasin, the show’s dress designer, tells The Post. He helped become the famed fashionista into Frances, a stylish but approachable suburban mommy.

“Parker had a powerful idea of what she wanted the character to be,” Bhasin says, “but she was once extraordinarily open to what I desired to do in terms of color palette and silhouette.”

To get Frances’ authentic running-mom taste, Bhasin and Parker grew to become to films of the seventies, akin to “Annie Hall” and “An Unmarried Girl,” which portrayed impartial New York girls in swaggering separates, tweed blazers and dramatic camel-colored coats.

That intended none of Bradshaw’s trademark Manolo Blahnik heels or Dolce & Gabbana frocks. “We made up our minds early in the procedure that we wouldn’t do so much of big-identify-logo model buying groceries,” says Bhasin, who found the character’s ’70s print blouses, ’80s silk clothes and worn-leather-based equipment at flea markets and vintage shops within the us of a.

“we needed these to be garments that a girl would have in her closet for years, so they had to look lived-in to give a way of historical past for her character,” Bhasin says.

He cites Frances’ vintage dusty-crimson overcoat as a particular instance.

“the speculation of a coat for a woman in Ny is so vital,” he says. “It’s what you wear while you’re dealing with the weather . . . that coat is Frances’ favorite — she wears it on a daily basis. we might build entire appears around it.”

Bhasin, then again, additionally had to be certain that the garments instructed the character’s story. “Subdued and muted” colours — beige, brown, darkish plum — show Frances’ depression, however he could incessantly throw in busy prints to shake issues up.

“It conveys the inner turmoil and confusion occurring in the personality’s existence,” Bhasin adds. “She has a lot going on in her thoughts.”

Still, relying only on antique reveals had its demanding situations. For a scene through which Frances goes to an art gallery, the petite Parker is wearing a eighties white silk Ungaro dress with an summary black print that Bhasin discovered at a flea market — in size 16.

“I had to reduce the entire factor down to make it have compatibility her!” he says. “but it surely’s my favorite glance from the whole show.”