The maker movement as I understand it isn’t about robots or 3D Printing or STEM or even building things. It’s a new Renaissance, post-industrial, that is led by each person and every person being fluent with the idea of meaning making, ethics, politics of technology, and conscientization.
Hands on project based learning is a primary example of the reawakening process in action. It is like a school which doesn’t have text books going back to first sources only reading actual authors. But there is a source even more primary which is the conversation with material itself, probing human psychology and social reality directly through action and experimentation, through projects and so vicscerally: the creation of physical artifacts, which is just the most concrete expression of the making of meaning.
The maker movement is not about the *stuff* we can make, it’s about the *meaning* we can make. That’s what’s being made by makers — meaning, which can be thought to have a physicalized representation in each person’s own neuronal structure which I might call “World View.” The new rebirth allows not just the sharing of scientific information for verifiable experimentation, but allows for the instantaneous iteration upon any experiment by anyone connected to the Internet, and this low cost to entry allows not just for consensus, but for something I’ll call divercensus, a divergent fabric of complex consensus where differences are not just acknowledged but where the strength of multiple representations of truth is celebrated as being even MORE true. Making is about making our world, all together, a direct superdemocracy of creation without permission.
Other articles on this topic by Jay Silver:
- The Maker Movement is Not about 3D Printers El Pais
- Trees of Knowledge, Edutopia
- The Future of Education Demands More Questions, not Answers Edsurge
- Seven Billion Pairs of Hands TED
- World as Construction Kit MIT Thesis
See also: Ivan Illich, Rudolf Steiner, Seymour Papert, Eleanor Duckworth, John Holt, John Taylor Gatto, Grace Llewellyn, Paulo Freire
Art at top is by Sophie Diehl in collaboration with Jay Silver.