Exploring the Emotional Depths of Woody Allen’s Film “September”
Woody Allen’s 1987 film “September” presents a stark departure from the director’s typical comedic style, delving into the realm of serious drama with a nuanced portrayal of personal turmoil and complex relationships. Set in a Vermont country house, the film gathers a small group of characters whose intertwined lives and emotional struggles unfold in a narrative reminiscent of a Chekhovian chamber piece. Despite being less well-known than some of Allen’s other works, 1987’s “September” offers a rich, introspective look into the human psyche.
Character Dynamics and Performances
“September” centres around Lane (Mia Farrow), a troubled woman who has retreated to her childhood home in Vermont after a suicide attempt. Her story is complicated by the arrival of various friends and family members, each bringing their own emotional baggage. The ensemble cast includes Dianne Wiest as Lane’s best friend Stephanie, Sam Waterston as Peter, a writer torn between Lane and Stephanie, and Elaine Stritch as Lane’s flamboyant, former movie star mother, Diane. The cast’s performances, particularly those of Wiest and Stritch, are highlights of the film, bringing depth and authenticity to their roles.
Stylistic Choices and Influences
In crafting “September,” Allen adopts a minimalist approach that strips away the comedic elements familiar to his audience, opting instead for a serious and introspective tone. This stylistic choice aligns “September” more closely with Allen’s earlier work “Interiors,” another film heavily influenced by Ingmar Bergman. However, unlike “Interiors,” which faced criticism by some (not me) for an overtly Bergmanesque style, critics have said “September” stands out as a more self-assured work, marked by its own unique identity within Allen’s filmography.
DYK … Director Woody Allen cast and shot this film twice, without telling the original cast.
Themes and Setting
The film’s narrative structure and thematic focus reflect a clear Chekhovian influence, with its emphasis on character interactions and emotional complexity. The characters’ struggles are deeply personal, yet universally relatable, touching on themes of unrequited love, familial discord, and the search for meaning. The setting — a serene yet isolated Vermont house — serves as the perfect backdrop for these intimate dramas to unfold, enhancing the film’s claustrophobic atmosphere and the characters’ sense of entrapment within their own lives.
Critical Reception
Despite these strengths, “September” has not been universally acclaimed. Some critics argue that the film’s heavy reliance on dialogue and its introspective nature make it less accessible to a broader audience. I would think Allen knew this from the beginning but luckily for us he doesn’t let that affect his artistic choices. Additionally, Mia Farrow’s portrayal of Lane has been described as overly melancholic, to the point of becoming irritating to some viewers. However, these criticisms are balanced by praise for Allen’s directorial precision and the exceptional performances from the supporting cast, which help to sustain the film’s emotional intensity and narrative drive.
DYK … Mia Farrow (Lane) and Dianne Wiest (Stephanie) are the only actors to appear in both versions of the film.
Context within Woody Allen’s Filmography
In the broader context of Woody Allen’s work, “September” occupies an interesting position. It is often overshadowed by his more popular films, yet it provides a vital insight into his evolution as a filmmaker. By stepping away from comedy, Allen demonstrates his versatility and his ability to tackle complex emotional landscapes with sensitivity and depth. This makes “September” (followed by 1988’s “Another Woman”) a significant, albeit understated, part of his filmography.
Have You Seen It?
“September” is a film that deserves more recognition for its bold departure from Woody Allen’s usual style and its profound exploration of human emotions. Its Chekhovian influences, strong performances, and Allen’s assured direction make it a compelling watch for those willing to engage with its serious tone and introspective narrative. Whether you are a long-time fan of Woody Allen or new to his work, “September” offers a unique and thought-provoking cinematic experience.
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