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Love is in the air when five sisters discover that a wealthy and eligible bachelor is suddenly within reach. But it is his friend, the haughty Mr. Darcy, who becomes smitten. Unfortunately for him, the object of his affection is not so easily swayed.

One of the most popular characters in English literature, Elizabeth Bennet is intelligent, witty, well-spoken and ahead of her time. If the terrible rumors about Mr. Darcy are true, he doesn’t stand a chance. Yet not all gossip is to be believed when marriage, money, and reputations are on the line. Will Elizabeth and Mr. Darcy circumvent her haste, his ego, and society’s expect

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Pride and Prejudice (AmazonClassics Edition) by Jane Austen Book Review

Name: Eric
Rating: 1.0 out of 5 stars
Title: Perhaps a fourteen year old girl will enjoy it, but I, for one, did not
Date: Reviewed in the United States on February 23, 2015
Review: My impression is that it is a farce written for the pleasure of young women, with just enough politics and class distinctions to make it notable to critics, but represents nothing significant in terms of historical importance. Austen took advantage of the new medium of public print houses to distribute this shallow silliness, and nothing of this base level nature would have become famous previous to this development that made literature accessible to the untested, and therefore low, standards of the general populous of Britain.

Like a sitcom of modern television, the delivery of romantic drama depends entirely upon our connection to the characters: no one remembers the plot lines of individual “Friends” episodes so much as the attachments developed with the characters over time. The whole of Elizabeth, from whose viewpoint we experience the plot of “Pride and Prejudice”, is dull in comparison to the depth of characters created by Austen’s peers. Examples of superior characterization include those in early Gothic literature like Ann Radcliffe’s “The Mysteries of Udolpho” (1793) or in American literature like Hannah Webster Foster’s “The Coquette” (1797). Elizabeth’s disposition bores against those of Shakespeare’s female characters — I don’t need Elizabeth to kill herself to prove her love, but Austen leaves us with nothing but a walk in a park to the same end. Uncomplex, unchanging in nature, and poorly portrayed, her character creates no real emotional attachment to the reader, leaving the reader just distant enough to never emotionally invest themselves into the novel. By extension, the plot can be labeled with an equal degree of removal and distance, leaving the critical reader with a shallow and wholly unsatisfactory sense of experience. The plot — and by extension theme — are straightforward: politics and tradition must be navigated as young people discover romance. The depth of the complexity of that romance can certainly be argued, but I do not think a girl changing her “first impression” (the original title of the work) of a man to be much to get excited about. The mistaken first impression never really presents itself as a character flaw to be overcome, but rather ends up being justified as a wholly honest, logical, and (therefore) unflawed judgement.

Upon this end, Elizabeth is completely flat: she (as a character) possesses no “philosophical” complexities that imply any remarkable degree of enlightened thought outside of ideology in regards to marriage and other romantic topics. She certainly has a nature to imply that she could extend her logical personality to the world outside of romance, but Austen “condescends” only to represent Elizabeth’s logical nature in romantic situations. Elizabeth, then, becomes not a symbol of female intellectual empowerment but a symbol of the delusioned and inconsequential nature of intelligence possessed by women. A high regard for logic gives Elizabeth no real power, neither over her station in life nor over Darcy, and certainly not in the ability to attain anything more than the honour of being wife to a man whose own logical sensibilities grant him much in both real and subjective terms.

Darcy persuades Elizabeth, and as a consequence attempts to persuade the reader, that Elizabeth’s initial refusal of him causes him to change his character. But in reality, it does not, though Austen does everything she can to argue the contrary. Elizabeth’s frank refusal of him only convinces him that he can have power over Elizabeth by being less hidden about the character he already possesses. He too, then, has no innate flaws he must overcome to win her and undergoes no real character shifts besides being less hidden. Don’t get me wrong, I love Darcy — an introspective character who certainly had the possibility to be complex — but instead Austen shovels this “lifting of the mask” into our mouths with no real sense of plot to explain it. He may acknowledge the fact that he has flaws, but instead of being provided with the subtleties of these flaws, we are only left with little more than an archetypical character; if a man who comes to terms with his pride and station was new to literature, throw this response away, but otherwise Darcy is about as uncreatively represented as he could be.

“Pride and Prejudice” is only entertaining for its shallow drama and the resultant comedic episodes in reference to its setting in the “era of enlightenment”; the novel relates the basic ideology of enlightened thinkers questioning the arbitrary nature of social institutions. Austen never delves into these ideologies beyond the most basic and shallow interpretations of the principles of Voltaire and Kant (it would be worth pursuing how much of these men’s work she would have been familiar with). Austen does prove that she can poke fun at the illogical nature of the periods social structures, but she does it so subtly and rarely that the novel only reaches any real depth when presented with the witticisms of Mr. Bennet. Mr. Bennett, and no other character, made me laugh, made me think, or made me care. He, above all others, presents the readers with politics, familial duty, depth of philosophical discussion, witty observation, and real character complexity. He has flaws we can laugh at and identify with, attributes we can respect, and subtleties to get attached to; too bad we only get a mere glimpse, then, of his character! It’s as if intelligence pokes its way into the novel and goes back into hiding lest it offend anyone.

Jane and Bingley are base archetypes with so little interesting about them that they could be omitted and nothing significant about the novel would change. They may stand to contrast Elizabeth and Darcy, but its like contrasting grey with white: an empty canvas does not so much contrast a dull painting as make us appreciate that at least the painting isn’t nothing at all. I don’t think Mrs. Bennett can be omitted, though Austen certainly didn’t have to characterize her as so obviously the opposite to her husband, losing all subtly in place of absurd stupidity. Elizabeth’s three other sisters are so well ignored, it leads the reader to believe these characters not ‘worth the time.’ My guess is that Austen herself identified with Elizabeth and therefore is entirely self absorbed and absent in her depiction of Mary, who I thought was the only other character besides Darcy with potential. Kitty and Lydia represent the idiocracy that deserves no place in annals of literary history. They are the prime time television idiots who we love to laugh at for their drama and shallowness; the reader never has to think in regard to these characters. One dimensional, ‘silly’ in the most uncreative fashions, they are the cheap candy at the gas station; Austen never raises them to the true characters of passion these sisters ought to be, never to be decadent desserts of a master confectioner. Mr. Collins is perhaps the only character who is actually funny, in the outright sense of comedy (compared to the more subtle wit of Mr. Bennett), but where Austen had potential to make him controversial, he is clearly everyone’s enemy, an impossible character who could never really be seen as a criticism of the English church.

I must, then, ask myself why I rank Ang Lee’s “Sense and Sensibility” so high in terms of English film. I can only conclude, not having actually read the novel, that it is the complexities that Ang Lee and the cast bring to the characters that elevate it above the mediocrity of the novel. From this, one might conclude that the only kind of readers who could attribute any significance to “Pride and Prejudice” are those who possess the depth of romantic spirit and imagination to make Austen’s characters and plot have more complexity than the author writes into them. For instance, I love the English film “Love Actually” which requires a certain amount of life experience to truly appreciate the diverse frustrations of love expressed in a multitude of different forms; I can connect and enjoy some subplots of the film more than others, particularly the younger characters rather than older. The kind of readers who would find entertainment value (or historical value) of “Pride and Prejudice” are those who have experienced or have desired to experience that “thrill of being chased” and therefore have a connection with Elizabeth, placing upon the character their own complexities which the character herself lacks. As a man who has never experienced such emotion as to want be “chased,” “in waiting,” or (as Austen puts it) “out”, I have very little imagination to add to Elizabeth’s character. I could most definitely relate with Darcy if only Austen had taken the time to develop his character (how utterly disappointing!).

All in all, I cannot say I enjoyed this novel beyond the witticisms of Mr. Bennet. I found myself bored, distant, and unsympathetic, waiting for the next punch of subtle wit with such pretension that the novel was painful to finish. There was more plot and characterization in the denouement than the whole of the novel. I can only be glad that the device of the novel advanced itself beyond Austen’s limited and childish writing, although certainly my mother (being, like many older women, always searching for the lost romance of her youth) reads these kind of novels like she eats M&Ms. I for one do not care to waste my time on such shallow, “girlish” (in the most sexist interpretation of the term) literature but prefer instead for my characters to show me something new, to give me greater insight into the complexity of the mind and world. Instead, Austen has simplified the mind and dulled the world to the point of being accessible to even the most basic level of reader. Perhaps a fourteen year old girl will enjoy it, or a person who wishes to recapture (or has never ventured beyond) that period of life, but I, for one, did not.

Name: Maureen K. Lane
Rating: 5.0 out of 5 stars
Title: Book was in perfect condition
Date: Reviewed in the United States on February 16, 2023
Review: Book was better than advertised.

Name: Amazon Customer
Rating: 5.0 out of 5 stars
Title: A Rightful Classic
Date: Reviewed in the United States on January 29, 2023
Review: Witty, charming, and easy to read! More slow-moving than modern novels but in the best kind of way. I enjoyed every minute of it!

Name: Nerine Dorman
Rating: 5.0 out of 5 stars
Title: A time capsule for an era
Date: Reviewed in the United States on April 10, 2020
Review: I’ll admit, the thing that made this novel easier for me to figure out was that I’d watched Pride and Prejudice (2005) starring Keira Knightley. I’d put off reading the actual Jane Austen novel for most of my life. This is not my usual fare, at all, but because a good friend of mine, Helen Moffett, is seeing the release of her P&P sequel Charlotte, I figured I’d better get reading so that I could have the background.

Historical fiction written during contemporary times is one thing, but actual fiction from more than hundred years ago is quite another. Austen writes for an audience that would take conventions in clothing and the environment for granted, focusing instead of dialogue and mannerisms. So we’re left with a kind of shallow, limited third person that doesn’t feed readers who’re used to a deeper point of view. So it helps immensely for folks like me, who honestly don’t have a clue, to have watched that film. It gave me useful context. Don’t be ashamed to watch the film before reading the novel.

I believe it does the book a disservice to evaluate it using contemporary standards. Authors these days have a deep well of literary conventions to draw from, so applying those to Austen will rob the book of much of its character. For me, P&P exists as a time capsule, offering a glimpse into particular cultural and social mores prevalent within English society at the time. We step into a world where characters are trapped by their status within society, and while it can be argued that many of Austen’s characters are shallow (um, hello, Mr Collins much), I feel that Austen is taking stabs at society. And it makes me also realise how much society has changed, and what we, as women, take for granted in terms of our liberties and empowerment in contemporary times.

While I didn’t gain the same sort of enjoyment from Pride and Prejudice as I would from the usual titles I’ll slide onto my Kindle, I nonetheless walked away from this novel feeling as if I’d gained a better understanding as to why Regency-era stories have carved themselves such a beloved niche among readers. It’s easy to loathe some of the characters, and at a glance, people like Mrs Bennett seem facile and annoying, but if you dig a little deeper, the social commentary becomes crystal clear. Sure, Mrs Bennett’s obsession with marrying off her daughters seems exhausting, but if you understand her very real fears that she would not be able to care for them if they never got married — for there were no prospects for a woman in those days to have a career — then it’s possible to be more sympathetic towards her. Despite each character having perceived privileges, they themselves are trapped by their social standing. And don’t get me started on Mr Collins, and especially his appalling commentary when one of Elizabeth’s sisters elopes.

It took me some time to get used to Austen’s style, and now that I’m done with the novel, I also realise it’s a story that begs being reread at some point. The beauty of the telling lies in what the characters have to say to each other, and how they respond to circumstances, and I feel on the first read through there were many subtleties that I may have missed.

Name: Angelgirl19
Rating: 5.0 out of 5 stars
Title: beautiful for a classical read
Date: Reviewed in the United States on December 24, 2022
Review: I’m in love with both the BBC and feature film rendition of Pride & Prejudice so it was just a matter of time before I read the book. It really brought everything full scope, especially in the end. Highly recommend as a leisurely read.

Name: EAY
Rating: 5.0 out of 5 stars
Title: great read
Date: Reviewed in the United States on December 29, 2022
Review: Although this book was written many years ago it was easy to read and interpret. Glad I finally read it. Highly recommend.

Name: MelodyTregear
Rating: 3.0 out of 5 stars
Title: Not my cup of tea
Date: Reviewed in the United States on January 17, 2023
Review: I finally decided to purchase Jane Austen’s Pride & Prejudice. In the first couple chapters I had two lol moments. Apart from that, I found it rather boring and painful. The old English didn’t help. Eventually I was skimming and reading a few chapters here and there (something I don’t usually do). I read enough of the beginning, middle and end to have a fairly good idea what the story is about, but it was a relief to finally close the book. For me there were copious amounts of superfluous details and it could all have been said in a much shorter book. So no, this one’s not my cup of tea, though I did enjoy small parts here and there. But kudos to all those who read and understood every word and enjoyed it in its entirety!

Name: Ashton B.
Rating: 4.0 out of 5 stars
Title: Mr Darcy *swoon*
Date: Reviewed in the United States on November 4, 2022
Review: Always wanted to read a classic. I’m glad that I finally dove in to read my favorite classic story. Loved the movie. The book, as always, was better.

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