Zay AmsburyinNo ProsceniumInteractive Fun with ‘Teknopolis’ (Review)Kids’ excitement shakes off the dust at BAM’s interactive art festivalMar 5, 2020Mar 5, 2020
Zay AmsburyinNo Proscenium‘PURE’ Abducts Audiences into a Lo-Fi, High Intimacy Journey to Nowhere (Review)Remarkable DIY tools and skilled guides create a visually compelling, tactile experienceJan 21, 2020Jan 21, 2020
Zay AmsburyinNo Proscenium‘Hidden Stories’ Reveals the Intimate Secrets of Strangers (The NoPro Review)Begat Theater turns its audience into telepathic voyeurs on the streets of Downtown BrooklynNov 25, 2019Nov 25, 2019
Zay AmsburyinNo ProsceniumResurrect the Voices of Our Traumatic Past in ‘The Black History Museum…’ (The NoPro Review)Zoey Martinson and company deploy a staggering array of styles to bring history to lifeNov 25, 2019Nov 25, 2019
Zay AmsburyinNo Proscenium‘Oasis Time Travel’ Turns the Line Between Party and Theatre into Its Own Medium (Review)Silver Dream Projects takes you to the disco past from the future present in their new transmedia projectOct 28, 2019Oct 28, 2019
Zay AmsburyinNo Proscenium‘Last Audience’ Grapples With What to Do with an Audience (The NoPro Review)a canary torsi’s latest participatory work has an unfinished qualityOct 26, 2019Oct 26, 2019
Zay AmsburyinNo ProsceniumA Farewell Letter From Zay and Thoughts on Immersive Theatre in New York CityMusings on NYC’s immersive past, present, and futureNov 10, 2017Nov 10, 2017
Zay AmsburyinNo ProsceniumCafé Play: The Way We Dine Now (The NoPro Review)A feast of many delights at the historic Cornelia Street CafeOct 11, 2017Oct 11, 2017
Zay AmsburyinNo ProsceniumSeeing You: The Phantasmagoric WWII Crucible We NeedThe No Proscenium ReviewJul 9, 2017Jul 9, 2017
Zay AmsburyNow Playing: New York City (Updated 11/10/2017)Immersive theatre, installation art, pod plays, site-specific dance & art, and more in NYC.Jun 1, 2017Jun 1, 2017