There’s a framework here that I think it’s important to be conscious of.
Andrew Howley
883

I used the narrative of “nobody” to frame the general argument, but it’s not meant to be taken too literally. The main point is to be able to decipher between what’s real and what isn’t. What objectively exists and what doesn’t. And my target is essentially our illusionary sense of “self” or “ego” or whatever you want to call it. Does that make sense?

One clap, two clap, three clap, forty?

By clapping more or less, you can signal to us which stories really stand out.