The burning issue in Banksy’s Graffiti

Rowan Salim
ART + marketing
Published in
8 min readJun 15, 2016

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Banksy’s mural at Bridge Farm Primary School

Over half term Banksy broke into Bridge Farm Primary School in Bristol and drew a giant image of a girl rolling a burning tyre away from a distant school house. Media coverage of this event has, perhaps inevitably, gravitated towards the price of the art work and the disciplinary implications of Banksy’s letter to the children telling them that it’s “always easier to get forgiveness than permission”. What is less covered, and what is perhaps more worthy of a national discussion, are the subversive criticisms of the state of formal education and the lives of children in the UK and around the world which are evident in Banksy’s latest piece of work.

Banksy’s painting depicts a 14 foot stick figure girl with her back to a school house. The school, also drawn in simple lines, appears small and insignificant in the background. Its windows are barred. The one element of the painting that appears vivid and real is the burning tyre, with smoke billowing up into the air. The girl holds a stick in her hand and is pushing the tyre along, away from the school and towards a solitary flower. Her expression is blank and somewhat confused. The game she is playing is hoop rolling, where children use a stick to tap a hoop or tyre along, rolling it forward and preventing it from toppling over. Children used to play it on the streets of England as early as the 15th century, though you are unlikely to encounter a hoop roller on the streets today. Children in many parts of the world, especially in less economically developed countries, can still be seen rolling and racing tyres down the road for fun. The difference in Banksy’s image is that the tyre is billowing in flames.

One’s initial instinct upon seeing the image may be concern for the child. The fire appears large and out of control and the girl is blindly ploughing forward pushing it away from the seemingly safe space of the school building. Does the tyre represent the world outside the school walls? Have we created a world that is so hostile to children that we have to keep them cocooned in schools for 13 years of their lives before they are equipped enough to survive it? Is this why we have created schools that compartmentalize and pre-package the world into safe and “useful” learning parcels rather than letting children learn and be inspired first hand?

Education and learning have always been around in one form or another, yet the ways in which we learned in the past were more diverse, local, contextual, culturally and ecologically sound. However mass compulsory schooling, the idea that every child must spend a vast chunk of their lives in an institution, is a very new idea. It originated in Prussia in the 19th century in order to produce obedient and disciplined soldiers following Prussia’s defeat in the Napoleonic wars. Men did not know how to fight, or perhaps did not want to fight, so they were bred to fight. The model worked well for the industrial revolution as well, freeing parents from childcare in order to work in the factories, and breeding children with basic skills and literacy who would follow in their parents’ footsteps, working for others. During the colonial era, education was used intentionally to wipe out indigenous cultures and create subservient clerks for the colonial administration. As Thomas Macaulay, who was largely responsible for the development of modern schooling in India put it, schools needed to create “a class of persons Indian in blood and colour, but English in tastes, in opinions, in morals and in intellect”. Today, we imagine that schools are more liberating and have a broader curriculum, but perhaps we need to look again.

I have a vested interest in the different ways formal schooling has been designed and accessed around the world. In 2004, fresh out of university, I went to work in Yemen, on the island of Socotra. I had visited the island in 1997 on a school trip from the capital, Sanaa, and it had left a deep impact on my learning. Socotra is an island of extreme botanical diversity and natural beauty, and one where traditional environmental management systems had maintained harmony between human needs and the balance of the ecosystems which sustained them. When I arrived, Socotra was going through its first real boom in development. An airport had been built, tourists were starting to arrive, and villagers and nomads were settling in towns and sending their children to schools. The schools that were being built were of two types: government schools that promised students a path towards a secure government or private sector job, or faith schools that promised parents and children a route towards a secure religious identity. Both types of schools removed children from the land, the forests, the streams and the beaches they used to roam, play on and learn from. Slowly, children who used to know the names of all the plants and their uses and who used to follow generations old customs to preserve the unique diversity of the island forgot the names of the plants, they forgot how to scramble up the mountains and dive for seashells, and they happily started driving their 4x4s, playing loud music and chucking litter out the windows. The new environmental management system for the island then had to be imported, with computers, international experts, degrees from western universities, and more 4x4s.

My experience watching this transformation in Socotra has remained with me. Since then, I’ve worked and visited schools in other parts of Yemen, in Jordan, in Morocco, in Chad, in India, in the UK and in refugee camps from Algeria to Palestine. Around the world, a similar story can be seen. A story where children’s connection to place and to community is being replaced by a connection to a very narrow idea of what success and happiness looks like. A vision of identity and status being linked to consumption, where learning “useful” knowledge is done in classrooms and not in the real world.

Children in schools today wear school uniforms, blazers, suits and ties. We teach them that in order to be successful they must sit behind a desk and use a computer. School children don’t wear dungarees as uniforms. Most don’t learn that they can be happy being woodworkers or growing food or fixing bikes. They by and large don’t get the chance to learn about deciduous forests by being in them, smelling them, feeling them and playing in them. They learn about deciduous forests by reading about them and answering exam questions about them. When we took a group of year 11 students from my school in London to the south coast, one of them looked at the English channel and asked “is that the river?” One in four of the children in my Modern Foreign Languages class had never seen the River Thames, despite living within a half hour’s walk from it. These children attend a school that sets very high expectations and cares incredibly about the wellbeing of its students. The same children would go on to achieve GCSE results which place them in the top 10% in the country. They are highly successful students.

Schools have discipline and authority. Some schools may have active student councils, but by no stretch of the imagination are our schools democratic structures. We tell our children that we live in a democracy but children know fully well that they have no power to change the status quo, or to challenge authority. I understood this very quickly teaching in London. The school rules stated that “I do as I’m asked the first time I’m asked”. There was no room for negotiation, it was for the greater good of maintaining discipline and not “disrupting learning”. The unwritten rules were even more disconcerting. I quickly learnt that as a teacher, if I were to witness a dispute between a teacher and a student, it was my job to back my colleagues regardless of the situation. It was for the greater good of maintaining discipline. Perhaps we need to look at these dynamics to understand why Britain is struggling to get its youth to vote in the European referendum.

We give lessons about sustainability, and some schools may even have recycling bins and green clubs, but the environmental footprint of schools from construction to transport, energy and water has a long way to go to meet sustainability parameters. Seeing the smoke billowing out of Banky’s tyre, one cannot but think of environmental damage, pollution and global warming. Does the tyre represent the environmental destruction that we as humans are creating? Does it represent the mindset that we instill in our children during their schooling where we are inherently taught to blindly plough forward, producing waste and consuming fossil fuels, because that is the path to growth?

In the international development agenda, the goal of ‘Education for All’ is inseparable from the development path of nations. Children have to learn their Maths and their English. They forget about traditional knowledge systems, local food sources, water resources, languages and community cohesion. The world is a competitive place and they must learn the skills to allow them to move to cities where they too will consume and fuel our endless growth and our endless piles of burning tyres. It is also clear that a lot of very well intentioned work is being done. For example, when I worked on education in refugee camps in Jordan, people were thinking about psychosocial care for children affected by trauma, on creating safe spaces and child friendly spaces for children and on equipping them with the skills they would need to move on after devastating conflict. All of this is important and invaluable work, but where are these learning models coming from? How do they connect to local identities, and what vision of a happy, successful and ecologically sound future do they aspire to?

Maybe Banksy was being kind by sending us a note along with his art. He gave us a red herring to tend to our sensibilities, in case we are not quite ready to face the art. But perhaps one can hope that, rather than focus on the amount of money the painting is worth, that Banksy’s latest piece can begin a much needed discussion about the state of education and childhood in British society and in the world at large.

Luckily, there are many innovative and inspiring examples from the UK and around the world where people are experimenting and living with alternatives. The UK’s first democratic school, Summerhill, which was founded in 1921 by A.S. Niel and which still runs on democratic principles remains a model for others to follow. In higher education, the Schumacher College in Devon is a center for nature-based education for people who want to make a positive change in the world. In Canada, Logan LaPlante, a 13 year old boy who dropped out of school has had nine million views for his TED talk on what he calls hack-schooling, his own self designed learning journey, tailored by himself and his community to suit his own interests and learning style. In India, Shikshantar, or the People’s Institute for Rethinking Education and Development, has been working for 18 years to challenge mass compulsory schooling which it sees as suppressing diverse forms of learning and expression as well as much needed local and organic processes for social and environmental regeneration.

We dream of a world that is happy, healthy and ecologically sound for our children’s futures. Children learn from what they see, feel and live. Let’s create that world in our schools and spaces of learning now and make our spaces of learning reflect the world we want to see, not the world we want to change. In his letter, Banksy told the children at Bridge Farm Primary School that “if you don’t like it (the graffiti), feel free to add stuff. I’m sure the teachers won’t mind”. I hope that some of the children at Bridge Farm will be inspired and empowered to do so.

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