Review: Power Through Color

AS | MAG
AS | MAG
Published in
3 min readJul 4, 2018

Serena Bocchino. Extravagant. 2018. Oil, enamel, and gold leaf on canvas. 65" x 55".

Summer is the muse of Power Through Color a two-person exhibition featuring new paintings by Serena Bocchino and Nola Zirin, on view at the
J. Cacciola • Gallery W located in Bernardsville, New Jersey. For over 25 years both Bocchino and Zirin have explored different trajectories within the genre of abstract painting. Power Through Color marks the first time that both artists have shown their work together.

The paintings on view in this exhibition reflect both artists’ interest in the legacy of New York City, when it was the center of American cultural identity and presented an even mix of fine art, performance, poetry, jazz and theater. While Bocchino and Zirin often suggest the figure, they both reference back to the era of the jazz by utilizing color and motifs that create an atmosphere suggesting musical notes, deep rhythmic sounds and naturalism.

Black and Blue // Yellow (2017) by Nola Zirin appears inside the gallery’s main entrance and opens the exhibition with a spectrum of yellow and blue hues that gradually appear through dense layers of black paint. A collection of shapes are complemented by gestural and geometric lines, functioning as shadows of absent objects. Zirin’s sweeping renderings begin to trace the industrial tread of vehicular traffic.

The red, white and black layers of Interior (2016) reveals the diagonal-patterned tread seen on tires. The three colors also intersect, creating a sense of suspended, three-dimensional space. This motif is echoed in two smaller works titled Zig Zag and One Way Home, both from 2017. Construction (2018) is a large-scale piece that shows a collection of sharp arrows and angles of machine-made traction. In other paintings such as Glass Ceiling (2016), Blue Eclipse (2017) and Sky Hook (2018) Zirin’s bold colors take the viewer into pure atmosphere.

While Zirin’s paintings appeal strongly to geometric complexity, Bocchino’s are more spontaneous and free-flowing. Spring Up and Extravagant from 2018 are Monet-like, and portray layers of blues, purples and greens that are shaped by light blue lines of paint. However Bocchino does not render a response to…

AS | MAG
AS | MAG

Edited by Jill Conner, discover emerging artists at www.artists-studios.com