rhysome part 1 — first 50 plateaus
1 Solid and substantial, something in which to reintegrate and repose for a[1]
2 Language; it is, on the contrary, language that must follow them, it is[2]
3 Semiotic systems, etc. Desire is never an undifferentiated instinctual [3]
4 Liferate into microfigures impossible to recognize or identify, discernible[4]
5 Knowing how “man” constituted a standard in the universe in relation[5]
6 To Varuna no less than to Mitra. He can no more be reduced to one or[6]
7 second fisherman remains within Byzantine code).[7]
8 The four principal flows that torment the representatives of the world[8]
9 the chief, who has no instituted weapon other than its prestige , no other[9]
10 A ciphered, rhythmic, directional, autonomous movable, numbering[10]
11 Expression — the articulation of content is double in its own right and[11]
12 Organ. Piierre Rosensiehl and Jean Petitot, in a fine article denouncing[12]
13 Every kind of destruction, extinction, breakate, dislocation. Is that not its[13]
14 turning away on a line of flight.[14]
15 ritorialized refrain).[15]
16 assemblade, as interassemblage.[16]
17 be transported, the old, children…).[17]
18 Smooth space and striated space — nomad space and sedentary space — [18]
19 of destruction pure and simple (fascism).[19]
20 and the relations between them.[20]
21(or nonbattle) in war depends.[21]
22 ern geometry.”[22]
23 or customs.[23]
24 else. The three lines, however, continually intermingle. [24]
25 particular animal spirit (snake-spirit, woodpecker-spirit, cayman-spirit[25]
26 Kierkegaard relates in his story about the “knight of the faith,” the man of[26]
27 binary distinctions.[27]
28 crosses a threshold[28]
29 to come[29]
30 virtual yet real.[30]
31 Kafka put it[31]
32 life[32]
33 disconinuous epistrata[33]
34 cult.[34]
35 ”Primitive art begins with the abstract, and even the prefigurative…[35]
36 Doubtless Arminius heralds a Germanic war machine that breaks with the [36]
37 morphosis and State apparatuses of identity, bands and kingdoms[37]
38 semiological.[38]
39 between set B and Set A, between the distributed set and the undivided[39]
40 Becoming-animal, becoming molecular[40]
41 are affects and affects weapons. From this standpoint, the most absolute[41]
42 supple.[42]
43 Assemblages are passional, they are compositions of desire. Desire has[43]
44 organs, animated by various intensive movements that determine the[44]
45 action-work), the expression (jewelry-signs), and the passional or[45]
46 better[46]
47of the animal that does the slaying.” We will follow, we will wed the[47]
48 Speak white and loud[48]
49”iIam this, I am that”)[49]
50 the kennel, the analyst’s bow-wow.[50]
[1] Pp207
[2] pp224
[3] 237
[4] 214
[5] 321
[6] 388
[7] 205
[8] 517
[9] 394
[10] 430
[11] 50
[12] 18
[13] 330
[14] 137
[15] 361
[16] 360
[17] 542
[18] 524
[19] 558
[20] 524
[21] 630
[22] 618
[23] 38
[24] 219
[25] 232
[26] 308
[27] 392
[28] 69
[29] 5
[30] 105
[31] 85
[32] 281
[33] 57
[34] 141
[35] 548
[36] 392
[37] 398
[38] 492
[39] 492
[40] 38
[41] 441
[42] 234
[43] 440
[44] 190
[45] 444
[46] 217
[47] 135
[48] 112
[49] 33
[50] 32
