Rio de Janeiro Highs
Getting high in Rio de Janeiro, one of the world’s most topographically majestic cities, is an adventure that’s legal, scenic, and sublime–-or as the Cariocas might say, “Legal!” (pronounced “lay-gao” and meaning “Cool!”)
Story and Photos By Carol Canter
The recent passing of noted samba and bossa nova singer Astrud Gilberto has turned my thoughts to Brazil and especially to Rio de Janeiro. I fell madly in love with A Cidade Maravilhosa (marvelous city) half a century before I ever set foot there, when I saw Black Orpheus (Orfeu Negro) for the first time. The 1959 film, directed by French director Marcel Camus, plays out the tragic Greek love story of Orpheus and Eurydice in a modern favela (shantytown) overlooking Brazil’s legendary city. Along with the arresting visuals and pounding rhythms of Carnival, the film introduced to the world a New Beat called Bossa Nova, with a soundtrack of classics like “Mañha de Carnaval” and “A Felicidade” that to this day are beloved worldwide.
It took me nearly five decades to finally get this far south of the border, despite the lure of Rio’s own Carmen Miranda, the “Lady in the Tutti-Frutti Hat,” and other Cariocas that have long embodied the exuberance of their sensual city-by-the-bay. I finally arrived, healthy and fit, though no longer able to pose as my long-held fantasy of “The Girl From Ipanema,” (Garota de Ipanema), an image immortalized in one of the most popular Bossa Nova tunes of all time, with beguiling vocals by Astrud Gilberto, music by Antonio Carlos Jobim, and lyrics by poet Vinicius de Moraes:
Tall and tan and young and lovely
The girl from Ipanema goes walking
And when she passes
Each one she passes goes, “Ah”
I could instead stroll the sands with my daughter, watch her join a beach volleyball game, sip nectar from a cool coconut and learn the lilting language of the Carioca. Best of all, my daughter helped her father and me strategize how to enjoy the best of Rio. So, with her help, I present:
Our Top 3 Rio de Janeiro Highs
1. Strut your stuff by the sea
Find your own inner Girl or Guy as you stroll the sands of Rio’s legendary beaches. Stretching east from the tony neighborhoods of Leblon and Ipanema to celebrated Copacabana Beach, Rio’s sweeping seaside playground is the envy of cities worldwide. Each section of beach, called a “posto” and numbered, has a different personality, in part reflecting the communities they serve– single, gay, hipster, beautiful people.
Black and white mosaic-tiled walkways undulate in wave-like patterns that delineate one beach from the next. Designed by South America’s most important landscape architect, Robert Burle Marx, the boardwalk’s striking patterns are the stage-set for bikers, skaters, joggers and those out strolling daily, dawn to dusk. Sundays, when Avenida Atlantica is closed to traffic, Cariocas are out en masse enjoying their city.
Getting high in Rio de Janeiro, one of the world’s most topographically majestic cities, is an adventure that’s legal, scenic and sublime– or as the Cariocas might say, “Legal!” (pronounced “Legao” and meaning “Cool!”) Mountains of granite with distinctive profiles and evocative names thrust skyward, shaping Rio’s dramatic contours and offering incomparable vantage points to the photographer, artist and dreamer within us all.
Whether you take the cable car to Pão de Açúcar (Sugarloaf), streetcar/bonde to Santa Teresa, wheel and pinion train to Corcovado, or hang glide off Pedra Bonita cliff 1700 feet to the beach below at Sao Conrado, you’re guaranteed a chance to rise above the Cidade Maravilhosa where the air is clear, the views unmatched. Each is a classic Rio de Janeiro high.
2. Pão de Açúcar (Sugarloaf)
At nearly 1,300 feet above Rio, Pão de Açúcar (Sugarloaf) is surely the ultimate high, and well worth the $30 ticket on the cable car that ascends two separate mountains. Ride the car up in the late afternoon, in time to take in the sweeping 360-degree-panorama in daylight, to comprehend Rio’s amazing topography. Listen in as a guide explains key landmarks in three languages, pointing out the two forts below that guard the entrance to Rio’s Guanabara Bay. When Gaspar de Lemos arrived from Portugal in January of 1502, he and his crew mistook the expansive bay for a huge river — hence the name Rio de Janeiro or River of January.
Sunset turns the sky aflame, giving an appropriate halo effect to Rio’s other icon, Cristo Redentor, who looms over the city at 2,330 feet above sea level, with arms outstretched atop Corcovado. Stay to watch nightfall with its million twinkling lights.
Precede your visit to Sugarloaf with a walk through Urca, the leafy seaside residential neighborhood at its base. We followed our own walking tour, enjoying the gracious mansions with their decorative tile work and flowering gardens, watching fishermen cast their lines beyond the seawall. The casino where Carmen Miranda was discovered performing has been restored, and as the road winds uphill, you’ll pass the house where she once lived. It’s marked by a plaque, set across from thick tangled forest at the base of SugarLoaf Mountain.
Capuchin monkeys scamper along the branches and power lines overhead. Some of Urca’s elegant mansions have become clinics for plastic surgery, big business in today’s Brazil! Stop for a chope (draft beer) and empada de camarao (shrimp turnover) at Bar Urca, an award-winning botequim (bodega or bar) with a view. Begin and end your trip at lovely Praia Vermelha, named Vermilion Beach for the color of its sands. It’s located right beside the Cable Car ticket office.
3. Corcovado and Cristo Redentor, overlooking Rio de Janeiro from the heights
Cristo Redentor, the iconic art deco statue of Christ the Redeemer, looms large atop Rio’s tallest mountain, Corcovado, the “Hunchback” Mountain immortalized in song “Corcovado” with music and lyrics by Antonio Carlos Jobim:
Quiet nights of quiet stars
Quiet chords from my guitar
Floating on the silence that surrounds us
Quiet thoughts and quiet dreams
Quiet walks by quiet streams
And a window that looks out on Corcovado
Oh, how lovely.
Standing almost anywhere in the city, one looks up to see the monolithic statue, arms outstretched in benediction. Built in 1931 of 1145 tons of stone, Cristo is omnipresent, nearly 100 feet tall, and night-lit for round-the-clock inspiration. He stands on a 26-foot pedestal containing a chapel that can hold 150 people.
The scale of the statue, the height of the mountain and the sweep of the panorama of Rio de Janeiro combine to create a dizzying experience. Visitors speaking every language pose in front of the Cristo, arms outstretched like his. They follow his gaze to Pão de Açúςar/Sugar Loaf, Rio’s other majestic vista point, circle the viewing platform at the summit, and discover the layout of the city at their feet.
From 2,330 feet above sea level, the view is memorable, especially early or late in the day when the light is soft and dreamy. Rio’s legendary beaches, Copacabana and Ipanema, lie below the outstretched right arm; the downtown and harbor areas are stage left. Plaques designate Rio’s many landmarks and features.
The best ascent of Corcovado is by cog train. The historic electric train chugs its way up the mountain through Tijuca National Park, deemed the largest urban forest in the world. Rio’s largest park covers 8,000 acres of Atlantic Forest, laced with hiking trails through flora and fauna that includes over 100 species of animals and over 30 waterfalls.
More than 600,000 visitors arrive each year at the summit on Brazil’s first electrified railway, opened in 1884 by Emperor D. Pedro II. The train departs every half hour; grab a seat on the right for the best views.
Save time for a stroll near the train station in the neighborhood of Cosme Velho, past lovely old mansions and the picturesque square, Largo do Boticario, dating from the early 19th century.
If You Go
An earlier version of this story appears on Travel Examiner, where you can view dozens of award-winning national and international travel destination articles. Visit here: https://travelexaminer.net
