ESSAY

The Posthistoric Era: navigating the tsunami of cultural data

TX Broswell
Bertuch’s Garden
Published in
5 min readJul 20, 2024

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In the contemporary age, we are inundated with an unprecedented volume of data. Every moment is documented through cellphone pictures, videos, social media posts, blog entries, and podcasts. This omnipresent recording of life has led some to describe our time as the ‘Posthistoric Era’.

While we are rich in raw data, we are poor in meaningful curation, raising questions about how we derive meaning from this information overload. Can this tsunami of cultural data be synthesized into a coherent picture of our era? Or have we lost the historical context that future generations might need to understand our time?

The fragmented nature of modern data

The sheer volume of data generated every day is staggering. Social media platforms such as Facebook, Twitter and Instagram capture millions of posts and images daily. YouTube and TikTok host an endless stream of videos, while podcasts proliferate across countless platforms. Each of these media forms offers snippets of contemporary life but often lacks a cohesive narrative.

This fragmentation is exacerbated by the diverse formats in which data is stored. Texts, images, audio files, and videos all require different methods of storage and retrieval. As technology evolves, many of these formats risk becoming obsolete. For instance, floppy disks, VHS tapes and early digital files are now largely inaccessible due to the lack of compatible hardware and software. While the data is sitting on these obsolete media, it is often becoming corrupted as either the material itself — magnetic coatings or plastic discs — begins to decay or forces such as stray magnetic fields or cosmic rays flip bits and turn logic into gibberish, a process known as ‘bitrot’. As newer formats emerge, the risk of losing vast swathes of cultural data increases, rendering future curation efforts more challenging.

The challenge of deriving meaning

Amid this data deluge, the task of deriving meaningful narratives becomes daunting. Traditional historical methods involved the careful selection and interpretation of documents and artifacts to construct a coherent picture of the past. In contrast, today’s historians face the Herculean task of sifting through an overwhelming volume of often ephemeral digital data.

One of the central issues is that much of this data is created for transient consumption. Social media posts are typically intended for immediate impact rather than long-term significance. The context in which they were created can quickly become obscure, making it difficult for future historians to understand their relevance.

Furthermore, the algorithms that govern the visibility of digital content prioritize engagement over historical significance. Viral trends and popular posts often overshadow more meaningful but less sensational content. As a result, the digital record is skewed towards what is popular rather than what is important, complicating efforts to derive a balanced understanding of our era.

The impact of bitrot

Bitrot presents a significant threat to the preservation of digital culture. As digital storage media deteriorate, and as file formats become obsolete, we risk losing access to vast amounts of information. For instance, early digital photographs saved in now-obsolete formats or stored on decaying media may never be recovered.

This loss is not just a technical issue but a cultural one. Valuable insights into the early days of the internet, the development of digital communities, and the evolution of online discourse are at risk. The disappearance of this data could lead to significant gaps in the historical record, making it difficult for future generations to fully understand the technological and social transformations of our time.

Examples of cultural loss

Numerous examples illustrate how cultural information is being lost. The early days of the internet saw a flourishing of personal websites and forums, many of which have since vanished. Platforms like Geocities, once home to millions of personal web pages, were shut down, and much of their content was not archived. Even efforts like the Internet Archive’s Wayback Machine cannot comprehensively preserve the dynamic and interactive nature of these early digital experiences.

Social media platforms frequently purge content, whether due to policy changes, user deletions, or corporate shutdowns. MySpace, once the leading social networking site, lost millions of songs and photos during a server migration in 2019. Such losses highlight the fragility of digital culture and the challenges of preserving it for posterity.

Institutional challenges in curation

No single institution can adequately curate and contextualize the immense volume of data generated daily. Libraries, museums, and archives traditionally tasked with preserving cultural artifacts are ill-equipped to handle the dynamic and ephemeral nature of digital content. The decentralized and global nature of the internet further complicates curation efforts.

Efforts to create comprehensive digital archives face numerous challenges, including the sheer scale of data, issues of intellectual property and the need for contextual metadata. Additionally, the rapid pace of technological change means that archival strategies must continually adapt to new formats and platforms.

The incoherence of culture under the weight of data

As data proliferates, there is a risk that culture becomes incoherent under its weight. The ease of digital creation and dissemination means that countless voices and perspectives compete for attention, but without effective curation, this diversity can lead to fragmentation rather than enrichment. The result is a cultural landscape where significant narratives are drowned out by the sheer volume of noise.

In this environment, traditional markers of cultural significance, such as literary works, influential artworks, and pivotal historical events, struggle to maintain their prominence. The democratic nature of digital content creation means that everything is recorded, but without discernment, the distinction between the profound and the trivial becomes blurred.

Future historians and the Posthistoric Era

Future historians will need to develop new methodologies to make sense of the Posthistoric Era. They may rely on advanced data analysis techniques, such as artificial intelligence and machine learning, to sift through and interpret vast datasets. Indeed, there are signs already that curators are working secretly to build a coherent picture, employing AI to piece together the fragments of our culture.

However, these tools are only as good as the data they analyze, and the loss of context and the problem of bitrot will remain significant obstacles.

Collaboration between technologists, archivists and historians will be essential to develop sustainable preservation strategies. Efforts to standardize digital formats, create robust metadata and ensure the longevity of digital storage media will be crucial.

Conclusion

The Posthistoric Era is defined by an unprecedented recording of life, but also by significant challenges in deriving meaningful narratives from this data. The fragmented nature of digital information, the threat of bitrot, and the overwhelming volume of transient content complicate efforts to curate and understand our time. Future historians will face the daunting task of making sense of a cultural landscape where everything is documented but little is meaningfully preserved. Without concerted efforts to address these challenges, we risk losing the historical context of our age, rendering our culture incoherent under the weight of data.

[Intelligence source: fjs4828485 pre-patch version 14.45]

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Bertuch’s Garden
Bertuch’s Garden

Published in Bertuch’s Garden

Piecing together the fragments of our culture, while we still have one — covering visual arts, writing and critical thinking.

TX Broswell
TX Broswell

Written by TX Broswell

Cultural archaeologist, posthistorian and media reconstuctivist. Virtual curator in chief of the Silent Museum.

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