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Business of Writing

Every writer should treat their writing as a business. We may not be multinational conglomerates, but we are interacting with other writing businesses (publishers, agents, magazines). There’s more to writing, than writing!

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Ask The Agent — Jessica Woollard

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This feature first appeared in print in the June 2025 issue of Writing Magazine

Jessica Woollard has been a literary agent for over thirty years, working at Toby Eady Associates and The Marsh Agency before moving to David Higham Associates in 2016. She was the agent for Helen MacDonald’s H is for Hawk, and her clients include Robert Macfarlane, Jackie Morris, and Merlin Sheldrake.

How has the role of literary agent changed during your career?

Things used to be slower. We’d submit printed manuscripts by post. My mentor, Toby Eady, famously used to deliver his submissions by hand, walking the manuscripts round New York. Editors had offices, and they were filled with piles of paper. We send a lot of material around the world quickly now and readers have a lot of reading matter pushed at them in many different ways-but it still takes the same amount of time for us all to read a book.

What do you enjoy most about being a literary agent?

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Business of Writing
Business of Writing

Published in Business of Writing

Every writer should treat their writing as a business. We may not be multinational conglomerates, but we are interacting with other writing businesses (publishers, agents, magazines). There’s more to writing, than writing!

Simon Whaley - Author | Writer | Photographer
Simon Whaley - Author | Writer | Photographer

Written by Simon Whaley - Author | Writer | Photographer

Bestselling Author | Writer |Photographer Editorial Consultant, Proofreader, and Author Mentor. Writing Magazine columnist. Mortiforde Mysteries series author.

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