Roc SuMinari: Finding Faith in Family and FortuneA character study of Steven Yeun’s character in Lee Isaac Chung’s new filmFeb 26, 2021Feb 26, 2021
Roc SuThe Half of It: A Modern Symposium on LoveHow Plato’s The Symposium encapsulates Alice Wu’s exploration of loveMay 29, 20201May 29, 20201
Roc SuYour Guide to Bong Joon HoFrom “Barking Dogs” to “Parasite,” every film in Bong Joon Ho’s filmography is worth a watchMay 29, 2020May 29, 2020
Roc SuAbominable: Nine Dashes of ControversyCapitalism has made Hollywood complicit in Chinese propagandaMay 21, 2020May 21, 2020
Roc SuThree Recommendations and a Belt of Faith: How “Parasite” Uses Music to Build its ConAn analysis of four pieces from the Parasite soundtrackApr 4, 2020Apr 4, 2020
Roc Su“Parasite,” Ki-Woo, and the Filial Pressure of Being Compared“Why can’t you be more like Min?”Feb 28, 20201Feb 28, 20201
Roc SuBarking Dogs Never Bite: Five Elements of the Bong StyleHow Bong Joon-Ho’s first film establishes his distinctive styleMay 14, 20201May 14, 20201
Roc Su“Tigertail” is the Immigration Film I’ve Been Waiting ForAlan Yang’s debut film is a window into his father’s life, as well as my ownMay 6, 2020May 6, 2020