Is Portraying the Classic Superman in Our Modern World Really Such a Problem?

Robbie Blasser
CineNation
Published in
8 min readNov 26, 2016
Credit: DC Comics

In a previous piece, I examined the very special (and what I would consider necessary) place that the time-honored Superman has in not just the universe of comics, but also our popular culture as well. However, this unwavering attachment to his traditional identity that I advocate so passionately for, on its own, still doesn’t get us away from the apparent challenge writers, artists, and directors have been facing since around the 1970s:

What do we do with a character like this in today’s world?

Credit: Warner Bros.

I’ve mostly rejected this question, because I’ve read and watched many stories rise to the challenge right properly (e.g. Superman: Red Son, Kingdom Come, Injustice: Gods Among Us, Superman vs The Elite, and especially All-Star Superman, just to name a few). But for the purposes of being constructive, let’s play out the premise: If we really wanted to place the classic Superman character in today’s modern world, how could we go about doing so in a way general audiences will find both engaging and entertaining? How do we get an awesome trilogy of full-length, live-action features from a character who seemingly never needs to grow or adapt, without it getting boring? It’s a fair question (even for someone like me who can no longer hear the words “Superman” and “boring” in the same sentence without my eyes instantaneously twitching from frustration).

So here’s what you do: You take the narrative focus off of Superman, because Superman is Superman and he’s always gonna do Superman things, meaning he’s somewhat prohibited from having multiple compelling arcs. In other words, with this noble reliability serving as his defining characteristic, there just isn’t a whole lot you can do with that over the span of three full movies, other than deepen it. To be clear: this is that titular riddle of the classic Superman in the modern world that just can’t seem to be solved.

So how about we finally stop trying?

Nothing About Superman Is Really About Superman

Credit: Warner Bros.

Where should the narrative focus go then? If we really are conceding that Superman as is, by himself, may no longer be a viable thematic centerpiece for what is still a billion dollar franchise, then who should fill that role? Well, hold onto your butts here:

How about us?

I mean, remember for a second that this whole dilemma comes down to our issues with Superman, not his issues with us. So you don’t fight that, you use that. And to their credit, this is the one aspect of the take on the character offered up by Christopher Nolan, Zack Snyder, and David S. Goyer that I’d unabashadly compliment (aside from the fact that it was barely developed over the course of the two movies they gave us): the idea that he becomes a divisive figure among us humans, no matter what he does, simply because of his very existence — that is, because of how his presence in our world makes us feel about ourselves.

Credit: Warner Bros.

Do you see it already? Can’t you just picture it now?

1. The blogs- “Superman: The Pinnacle of White Male Privilege?”

2. The listicles- “13 Times Superman Actually Hurt the People He Was Allegedly ‘Saving’”

3. The punditry- “It’s so clearly obvious that Superman is a ploy by the liberal establishment to begin the process of granting amnesty to all illegal immigrants currently residing in the United States. I mean, underneath it all, that’s what he is! Am I right!? Look, you may see some kind of perverted savior in an effeminate leotard with a baby blanket wrapped around his neck, but I see a Trojan Horse filled with Mexican illegals!”

4. The “debates”- “Tonight we discuss Superman’s most recent omitting of ‘the American Way’ from his comments regarding truth and justice. Was this an honest mistake on his part? Or rather the first sign he intends to use his ‘above the law’ status to subvert the Constitution, and even possibly become some kind of figurehead for an alien coup d’état?”

5. The ironic detachment- What’s the over/under on months before hipsters start wearing some kind of kitschy “Superman Saved Me and All I Got Was This Stupid T-Shirt” shirts? Two? Three?

This all sounds about right, doesn’t it? Superman shows up to help us out, thereby also proving that we’re not alone in the universe, and we all run around like children, wondering what it all means for our frail sense of personal significance — complete with lots of pouting, lots of tantrums, lots of whining, and lots of cynicism. Not from everybody, of course, but a lot. Just way, way too many.

The Consummate Grown Up

Credit: DC Comics

So what’s Superman doing through all of this then? Being the adult, of course. He doesn’t pout back, or throw vengeful fits of his own, or ever even lecture us. He knows you don’t get down on a toddler’s level while they’re having one of their episodes, or give grand inspirational speeches to slouching, disinterested, emotional teenagers who would bash the “I Have a Dream” speech if it came from someone they felt threatened by.

Hence he just keeps on helping, because that’s who he is. And that’s what he does.

And yea, it bums him out that so many of us are being so bratty, and he wasn’t quite ready for the job to be so thankless — so much so that he struggles with it internally over the course of the first movie — but he doesn’t let it infiltrate his sense of self. He rises above it all, continuing to be himself regardless of what everybody else is doing.

Credit: Warner Bros.

And guess what? That, right there, is your first movie; that’s his arc. While he’s protecting us from and defeating Zod or Brainiac (with a bunch of epic action, of course, because these movies can still be exciting while managing to genuinely be about something), he learns to just be who he is and do what he does no matter what. The work is hard, obviously, but it sincerely fulfills him, all by itself.

He accepts he’s the grown up here, and doesn’t worry about our pissing and moaning at all anymore. He continues to save the day happily, even though we’re — for the most part — just as ungrateful and poopy-faced about it as before (which is why, for the first film, the problem needs to be Kryptonian, so any supreme act of heroism he performs is viewed through the lens of “Well none of that would’ve ever even happened if he hadn’t shown up!”). By the end, we haven’t changed, but he no longer frets over whether or not we do, because “he learned to live with it… he didn’t care.”

Where We Come In… And Grow

Credit: Guiness World Records

Our change would come in the second movie, when Lex Luthor freaks out and wreaks havoc on the entire world just to get at Superman — due to his own resulting insecurity and mistrust created by Superman’s very existence (making him the villainous personification of that lesser part in all of us) — and our hero saves the day again, at tremendous personal cost to himself. We watch our metaphorical adoptive father get the crap kicked out of him by the bully (i.e. whatever minions or machines Luthor devises) he’s busting his ass to protect us from, and we finally relent in our skepticism/suspicion.

We finally see him.

In so doing, we metaphorically become that crapped-on-by-life kid who’s routinely been disappointed by everyone in his or her life so far… who then gets a new guardian… and puts this guy through the ringer because we’re just waiting to be disappointed yet again… before finally being proved wrong by this new protector as he keeps on coming through for us over and over and over again. We realize this guy’s the real deal: an actual, real-life rewarder of faith.

That’s actually the proper close of the second movie, in fact: He loved all of us, and now we — voluntarily unified through inspiration and gratitude — love him. And if we can learn to stop fearing, and even come to love, an alien with that much power, then how hard would it be to love and learn to trust our fellow mere mortals? I mean, it doesn’t really seem like so much of a stretch anymore, now does it?

The Ultimate Test

Credit: DC Comics

The third movie could then be the appropriately set up culmination of the previous two films, as it brings in the human-race-threatening, all out alien attack from Darkseid (with the full force of Apokolips behind him). Now that we’ve finally begun to come together as a global people, our burgeoning utopia is subsequently invaded by pure evil and destruction, serving as a final exam of sorts for us. We’re tested as a species like never before — forced to fully fuse together, rise up as one, and meet the direst of challenges.

With Superman out in front, of course, looking out for and protecting us like always.

And you know what? We start looking out for and protecting him too. We shield him from Darkseid at his weakest moment, willing to defend with our very lives the man who did it so many times for us. Through the example and love of our greatest hero and surrogate parent, lighting the way for all of us, we became like him. He made us better without ever making us do anything — without even a single moment of sanctimonious preaching.

Credit: CapedWonder.Com

We get taken to the absolute brink of despair and decimation… but rally, power through, and win… with him. He saves us, from both the bad guys and ourselves.

The best example of how to use whatever power you’ve been given: that’s Superman. That’s always been Superman, and that should always be Superman.

Unless we keep screwing it up.

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Robbie Blasser
CineNation

I like to write. I’m good at writing. I’d like more people to see my writing. (Oh, I also pod: https://podcasters.spotify.com/pod/show/caroline-stephenson4