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On a Hyperrealistic AI Avatar (Reciting Hamlet’s Monologue), the Uncanny Valley, and the Fairy-Tale ‘Vale of Tears’

Inspired by Melissa Heikkilä’s article “An AI Startup Made a Hyperrealistic Deepfake of Me That’s So Good It’s Scary” in the MIT Technology Review

Mira G. Eliodora
Counter Arts
Published in
14 min readMay 18, 2024

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Sarah Bernhardt performing Hamlet in the titular role, London, June 1899
Sarah Bernhardt as Hamlet in London, June 1899

Melissa Heikkilä may have been unnerved and even shocked seeing her own hyperrealistic avatar created by Synthesia, a relatively new AI startup, and I was dispirited only after the first two paragraphs of Heikkilä’s article in the MIT Technology Review, but there’s no need to truly despair — or is it? I watched a video of Heikkilä’s avatar reciting Hamlet’s monologue and understood next to nothing of it, even though I was once familiar with it in its entirety and am usually capable of understanding enough of Shakespeare when recited well or performed in a theater play.

But synthetic Melissa is not the problem — only a pointer to real difficulties awaiting us ahead.

To describe a little the first video in Heikkilä’s article, the first thing that struck me is that her avatar’s recitation contained no acting — just a voice going randomly up and down and in various other directions, which was very distracting. Also, there was no gesturing to add to the words…

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Counter Arts
Counter Arts

Published in Counter Arts

The (Counter)Cultural One-Stop for Nonfiction on Medium… incorporating categories for: ‘Art’, ‘Culture’, ‘Equality’, ‘Photography’, ‘Film’, ‘Mental Health’, ‘Music’ and ‘Literature’.

Mira G. Eliodora
Mira G. Eliodora

Written by Mira G. Eliodora

Mira G. Eliodora is a sociologist, arts writer, self-growth and healthy living enthusiast, and more

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