DIGITAL ART | ORIGINAL CHARACTERS | FANTASY | LGBTQ
Darklaw | Emissary in Exile Cover Detail
Detail of the fifth cover image for a series of Darklaw Stories.
Digital painting’s greatest feature is layers. For me, the primary use is to make painting parts with different colors and lighting easier. That is, a composition with overlapping parts — here we have hands over clothing and Avestine's arm over Elowyn’s face — can be completed easier and quicker without as many mistakes.
By putting the arm on a layer, I can work across the leather corset and Elowyn’s chin without the problem of pulling arm colors or blurring edges.
The Darklaw Saga is a linked story collection published at Tantalizing Tales. The Darklaw Saga can be found here…
![Fantasy painting of a woman warrior with blonde hair, angry and looking at a teenage boy who is staring back. His mother is standing with him, happy about the forest she see off the balcony.](https://miro.medium.com/v2/resize:fill:388:388/1*UNgB2uQsvCawmwJ9fWDWFw.jpeg)
![fantasy painting of two women arguing on a seaside port with ships in the harbor and wearing armor](https://miro.medium.com/v2/resize:fill:388:388/1*c5BOBhbGq5r3E5Jg__jglQ.jpeg)
![fantasy setting with very pale young woman in the background, older dark-skinned woman in the foreground both in white fur with a mountain behind](https://miro.medium.com/v2/resize:fill:388:388/1*utTEByNX87SxF79P-XT5WA.jpeg)