Recruitment Gone Wrong 2017, Thomson & Craighead, The New Observatory exhibition, Fact, Liverpool, 2017. Photo [©] Gareth Jones.

Commissioning artists to work with data as a material

By Julie Freeman and Hannah Redler Hawes

Divorce Index / Curtain of Broken Dreams, 2017, Natasha Caruana. Photo [©] Gareth Jones.

Data as Culture

Through articles, conversations and case studies we’ll explore the cultural weight of data and examine works that use data as an artistic material, offering perspectives on the potential that data offers and how it is shaping society around us.

Creative Economy

Written by

London/Glasgow-based British Council Creative Economy team. We co-create international projects for cultural&social impact #art #culture #tech #hubs #enterprise

Data as Culture

Through articles, conversations and case studies we’ll explore the cultural weight of data and examine works that use data as an artistic material, offering perspectives on the potential that data offers and how it is shaping society around us.