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Julie and Hannah with Julie’s RAT.Systems 2017 at The New Observatory exhibition, Fact, Liverpool, 2017. Photo [©] Gareth Jones.

Julie Freeman and Hannah Redler Hawes in conversation

A conversation with ODI Art Associate Julie Freeman and ODI Associate Curator Hannah Redler Hawes

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Digital Wave, Julie Freeman (Studio Fish), 1998
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Fairytale for Sale, 2011, Natasha Caruana. Image courtesy of the artist.
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Software Exhibition, 1970
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View of Les Immateriaux, Centre Pompidou, 1985
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Three flames ate the sun, and big stars were seen, Phil Archer, Data as Culture, 2012. Image courtesy of the artist.

Data as Culture

Through articles, conversations and case studies we’ll…

British Council Creative Economy

Written by

British Council Creative Economy team. We work with artists, entrepreneurs, and creative communities globally to tackle today’s cultural and social challenges.

Data as Culture

Through articles, conversations and case studies we’ll explore the cultural weight of data and examine works that use data as an artistic material, offering perspectives on the potential that data offers and how it is shaping society around us.

British Council Creative Economy

Written by

British Council Creative Economy team. We work with artists, entrepreneurs, and creative communities globally to tackle today’s cultural and social challenges.

Data as Culture

Through articles, conversations and case studies we’ll explore the cultural weight of data and examine works that use data as an artistic material, offering perspectives on the potential that data offers and how it is shaping society around us.

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