Some things I learned about data-driven storytelling in Schloss Dagstuhl

Moritz Stefaner
Feb 13, 2016 · 4 min read
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I am just home after an intense week of discussions, brainstorming, writing, interviews and in , a German castle hosting weekly workshops on topics related to computer science. Ours was on .

Trick question: What do social media, business, dance, marketing, design, photography, life, film, hollywood, branding, journalism, speaking, travel, leadership, pr, folk, advertising, instagram, fundraising, country music, pitching, employer branding, and marketing your skills for a job have in common?

Well, they are all about storytelling, according to the first 5 pages of results for the .

Is any form of communication that is sufficiently interesting and engaging automatically a “story”? It’s a slippy word, defying definition like a wet piece of soap, and overly ripe with associations and assumptions.

So, as you can guess by now, I am , but I have to say the workshop gave me a new appreciation for the emerging practices of

  • weaving data presentations into traditional storytelling formats, and
  • bringing rhetorics, dramaturgy, suspense, … to data visualization.

I learned that much of data storytelling can actually be understood much better when thinking about formats like speeches, presentations, jokes, documentary film, rather than “tales” or “plots”.

Telling a story does not automatically imply a simplistic, author-driven, linear, primarily entertaining narration.

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We were flipboarding the hell out of this story thing

Really interesting stuff can happen when we inject mechanisms from these other — persuasive or entertaining — forms of communication of information. Look at the beautiful use of repetition and rhetorical questions in this lovely :

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In its widest form, storytelling is about establishing a flow of data perspectives. Defining and redefining data perspective can become a storytelling mechanism in itself, like in this .

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25'000 bike rides made in one hour in Greater London ()
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Scott McCloud’s brilliant eplanation of “framing”

Interesting things can also happen when user participation becomes part of the story told: If you need to , guess a or — putting the user right in the middle of the narrative can be a powerful mechanism:

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You draw it!

Projects like take these ideas even further, and start to blend documentary movie, graphic novels with data visualization and multi-platform experiences, weaving an atmospheric net around a topic.

So, what did we discuss, and what is still open? Well, everything, basically.

The field is widely uncharted, and there is still a lot of room to explore, debate, categorize, understand, and improve.

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Concepts, frameworks, revisions, debates. This is hard.

Our sub-group started to create a collection of narrative patterns: implementation independent mechanisms you can use to carry the story forward, raise curiosity, help people understand, and empathize. We are excited about this idea, as it could inspire people who know what story to tell, but not necessarily how to come up with fresh ideas on how to make their data presentations more interesting, memorable and emotional.

So — watch this space! :)

Thanks to for being what it is, and to the workshop organizers , , , and my workshop group consisting of , , , , , , , , and all . It was great bouncing ideas with you all.

Data Driven Storytelling

Dagstuhl 2016

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