Chapter 3: Shaping

James Roha
Death of Species
Published in
4 min readSep 9, 2024
Undernearth a voxel world. Render credit: Roha

This essay follows Death of Species Part 2

There is a quiet art that threads itself through the making of things. It is the work of shaping, of building the hidden frameworks upon which all else rests — the skeleton that supports the flesh of invention and the spirit of innovation. In the realm of artificial intelligence, as in many others, this art often goes unnoticed, but its invisibility makes it no less essential. It is the craft of worldbuilding, and though it does not shout its presence, it shapes every breath we take within the worlds we create.

Worldbuilding, at its heart, is the making of context. It is the slow and careful laying of foundations, the crafting of spaces where thought, action, and life can unfold. In stories, it is the lands and seas, the mountains and cities where characters walk, work, and dream. Yet it is just as present in the domain of technology, though it hides beneath the polished surfaces of devices and the smooth flow of data. Here too, it builds worlds — digital and abstract — but worlds nonetheless, with hands that shape both human and machine.

In artificial intelligence, worldbuilding is the deeper work of constructing the invisible environments where AI lives and moves. Without these structures — without this careful worldbuilding — AI would be adrift, unmoored in a sea of possibility, without direction or purpose.

There is a certain subtlety to the way worldbuilding operates in artificial intelligence. Like the bedrock beneath the hills or the roots beneath the forest, it is there, unseen, yet it holds everything in place. AI does not float in a void; it moves within the spaces we create for it, spaces defined by the data it is given, the algorithms that shape its learning, and the assumptions that guide its design. These are its pathways and its walls, the limits and freedoms that shape its world.

To build an AI system is not simply to teach it tasks or set goals. It is to create the world in which it will act — a world built from our choices and values. In this way, worldbuilding in AI is not so different from worldbuilding in fiction. Both require the careful construction of rules, structures, and boundaries that guide behavior and interaction. Both create spaces where stories — whether of characters or of data — can unfold.

Map generated by Midjourney version 3

Yet, unlike the crafted worlds of fiction, the worlds we build for AI are not always visible. They reveal themselves in subtle ways: in how an AI responds to a question, in the decisions it makes when faced with ambiguity, in the biases it inherits from the data it consumes. These are the quiet signs of a world built by human hands, even if we don’t always see the scaffolding we have erected.

The invisibility of this craft is part of what makes it so powerful. It shapes without being noticed, influences without calling attention to itself. But this invisibility also carries danger, for if we are not mindful of the worlds we build, we may find ourselves caught in their unintended consequences — a silent framework of agendas.

The worlds we build are not static things. They shift and change, just as the lands do with the seasons, just as the sea ebbs and flows. The future of artificial intelligence is not a fixed point on the horizon; it is a world that we are building, moment by moment, choice by choice. And in this act of building, there is great power.

Worldbuilding in AI is not simply about designing systems to function efficiently or solve problems. It is about shaping the future we wish to inhabit. The systems we create today will become the frameworks for tomorrow’s innovations. The decisions we make now about how AI interacts with humans, how it processes information, how it makes choices — these are the stones and mortar of the future.

But we must remember that we are not just building for ourselves. The worlds we create will outlive us, shaping the experiences of future generations.

To be mindful worldbuilders is to take responsibility for the worlds we create — both visible and invisible — and to shape them with care, intention, and foresight. It is to understand that every choice we make in crafting these frameworks carries consequences, not only for the technologies themselves but for the humans who will live within the worlds they define. It is to understand the implications of an initial agenda.

As we move forward, let us not be passive architects of this new age. Let us approach the task of worldbuilding with wisdom and caution, knowing that once a world is built, it cannot easily be undone. The future is not a distant land we must travel to; it is the world we are shaping now, and it is in our hands to craft it with thoughtfulness, creativity, and care.

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James Roha
Death of Species

Treading grounds of a brightening— once dark forest, James Roha works as gardener of fictions and simulations. Currently building the world of Sorn-Lai