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AI, Copyright, and the Human Edge

New Copyright Report Rethinks AI Authorship

Cezary Gesikowski
Bootcamp
Published in
6 min readJan 31, 2025

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Image by the author | ink on paper + photo | This is image can be copyrighted [no AI was used to produce it]

Imagine waking up one day to find that lines of code can produce the next best-selling novel, chart-topping song, or award-winning painting. That’s the world artists, writers, and musicians are discovering, and fearing, thanks to artificial intelligence (AI). But as AI gains popularity and creative prowess, it sparks a question we haven’t had to ask in quite this way before: who really owns what a machine creates?

Recently, the U.S. Copyright Office released its second major report on Copyright and Artificial Intelligence, Part 2: Copyrightability. It examines everything from the ethics of scraping countless copyrighted works for AI training to whether your carefully worded prompt is enough to grant you full ownership of the AI’s final output. Despite all the excitement around cutting-edge technology, the report underscores a timeless principle: the law sees creativity as an endeavour for humans.

Let’s explore how this new report shapes creative industries, highlighting real-world insights and future scenarios for creators, tech innovators, and investors standing on the frontier of machine-made art.

The Human Factor: Why Copyright Still Needs People

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Bootcamp
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Published in Bootcamp

From idea to product, one lesson at a time. To submit your story: https://tinyurl.com/bootspub1

Cezary Gesikowski
Cezary Gesikowski

Written by Cezary Gesikowski

Human+Artificial Intelligence | Photography+Algography | UX+Design+Systems Thinking | Art+Technology | Philosophy+Literature | Theoria+Poiesis+Praxis

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