Days Between Stations: Revitalizing Progressive Rock
The duo recently stopped by Thunderlove Studio.
Days Between Stations, the Los Angeles-based progressive rock duo of Sepand Samzadeh and Oscar Fuentes, has consistently pushed the boundaries of art rock since their debut in 2007. Blending the genre’s classic roots with contemporary creativity, they have become a vital force in modern progressive rock. Drawing inspiration from seminal acts like Yes, Genesis, and Marillion, the duo bridges the grandeur of the past with the innovation of the present.
Like Yes, Days Between Stations crafts intricate, symphonic arrangements that elevate rock as a storytelling medium.
Their latest album, Perpetual Motion Machines, exemplifies this tradition, weaving complex compositions with thematic depth. Similar to Genesis during the Peter Gabriel era, their music is theatrical, creating vivid, often surreal soundscapes imbued with emotional intensity.
Marillion’s neo-progressive style finds a modern parallel in Days Between Stations’ ability to balance accessibility with ambition. Their songs explore existential and philosophical themes, remaining melodically engaging while resonating with listeners. This blend of depth and relatability ensures their relevance in a genre that thrives on innovation.
The duo’s cinematic approach, integrating sweeping orchestration and dynamic soundscapes, amplifies emotional resonance.
Their mastery of blending emotive guitar work with expansive keyboard arrangements highlights a balance of technical precision and heartfelt expression, appealing to traditional prog fans and newcomers alike.
In an era dominated by fleeting musical trends, Days Between Stations revitalizes progressive rock by honoring its roots while expanding its horizons. Perpetual Motion Machines stands as a culmination of their journey and a testament to the enduring power of ambitious music.
Sepand and Oscar stopped by Thunderlove Studio recently to discuss their career and their new album, Perpetual Motion Machines.
Here is my conversation with Sepand and Oscar:
