Frances Glessner Lee at work on the Nutshells in the early 1940s. Image courtesy Glessner House Museum,
Chicago, IL

Her Deathly Dollhouses Made Her The ‘Mother Of Forensic Science’

Frances Glessner Lee’s morbid hobby revolutionized crime scene investigation

Warren Duffie Jr.
Published in
9 min readAug 10, 2020

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Almost everything was serene in the tidy farm kitchen. Floral-print wallpaper lined the room. Red-and-white lace curtains hung from a sun-splashed window. In the middle of the room, a wooden rolling pin and cutting board rested on a small table, next to a bowl containing the sticky remnants of cake batter.

A blue stove stood with its door open, a Bundt cake cooling inside. A pile of neatly folded towels with a carving knife on top of them sat on a chair. Everything in the kitchen seemed organized and undisturbed.

On the floor, however, lay the body of Barbara Barnes — a pretty, fair-skinned woman wearing a calico dress and flower-patterned apron, her auburn hair pinned tightly in a bun.

What happened to her? Did she die of a heart attack or another natural cause? Did she fight an attacker? There weren’t any marks on her body or blood spatter. In a police statement, Barnes’ husband, Fred, said she was depressed for some time and must have committed suicide. But why would she do that while baking a cake? And, if so, what was her method?

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Warren Duffie Jr.

Award-winning writer in the DC area. I’ve worked in journalism, public affairs, and corporate communications. Interests include travel, museums, and mixology.