Homepage
Open in app
Sign inGet started

Film Courage

Sharing stories, experiences, and wisdom from the world of independent film. Check out videos, articles, podcasts and more at FilmCourage.com and Youtube.com/user/filmcourage — New videos daily

What Writers Need To Know About Breaking 3 Act Structure — Jen Grisanti

What Writers Need To Know About Breaking 3 Act Structure — Jen Grisanti

Film Courage: I believe you like to boil down story structure into four parts: trigger, dilemma, choice and pursuit?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 20
4 Writing Tools For Crime Writers — Jen Dornbush

4 Writing Tools For Crime Writers — Jen Dornbush

Film Courage: What does the acronym M.O.M. stand for and how does it affect crime writing?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 19
8 Common Character Types Writers Should Know — Christopher Vogler

8 Common Character Types Writers Should Know — Christopher Vogler

Film Courage: What are the eight common archetypes or psychological functions found in most stories?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 14
Latest
The Problem With Hollywood Movies Today — Jason Park

The Problem With Hollywood Movies Today — Jason Park

Film Courage: How did you start over in Atlanta?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 13
Creating Great Villains, Dangerous Situations, and Dramatic Conflict by Pamela Jaye Smith

Creating Great Villains, Dangerous Situations, and Dramatic Conflict by Pamela Jaye Smith

Film Courage: Pamela you teach on myth, magick and metaphyics as it relates to a writer’s media. What does this entail?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 12
What Happened To Comic Book Movies? — Scott Menzel

What Happened To Comic Book Movies? — Scott Menzel

Film Courage: What makes comic book movies great?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 11
Writers Need To Give The Story The Power Not The Medium — Tony DuShane

Writers Need To Give The Story The Power Not The Medium — Tony DuShane

Film Courage: How does a writer know if prose is better for them creatively or the screenwriting format?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 10
Two Biggest Reasons Why A Screenwriting Pitch Is Rejected — Shannan E. Johnson

Two Biggest Reasons Why A Screenwriting Pitch Is Rejected — Shannan E. Johnson

Film Courage: On average how far into a pitch would it was a pass?
Go to the profile of FilmCourage.com
FilmCourage.com
Mar 9
About Film CourageLatest StoriesArchiveAbout MediumTermsPrivacy