Banksy goes to Bethlehem

The famously anonymous artist is making his presence felt in the West Bank city. He tells Jan Dalley what he believes his art might achieve.

The Financial Times
Financial Times

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A Palestinian security force officer holds his rifle next to a painting, allegedly by British artist Banksy, depicting a peace dove wearing a flak jacket, before the arrival of French President Nicolas Sarkozy in the West Bank city of Bethlehem, Tuesday, June 24, 2008 — AP Photo / Kevin Frayer

By Jan Dalley

Bethlehem, December 2017. Rockets are screaming up into the night sky, exploding with ear-splitting bangs, again and again. The sounds of a battleground. But on the night of December 2, these are only fireworks, and the occasion is the annual lighting-up of the giant Christmas tree in Bethlehem’s Manger Square.

A huge crowd of people cluster around, their upturned faces caught in the flickering light of thousands of smartphones held high, chanting a countdown as a light show streaks across the tree, before a canopy of bulbs overhead, and the whole tree itself, flash into gaudy colours and the firework show begins. All to the thumping beat of Arab pop.

It’s an event that might have sent the original ox and ass running for the hills: more Atlantic City than “O Little Town”. Across the square, however, in a small arched doorway, another Christmas message has appeared — silently and unnoticed, in the past day or so. Painted on the door in cursive English script, it reads: “Peace on Earth”. There follows an asterisk, in the shape of a Bible-storybook star, and underneath, in much…

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