The Cross and the Crucified: A History and Culture of Crucifixion

Scott Hansen
Atlantis
Published in
17 min readOct 19, 2023
“Crux simplex”, a simple wooden torture stake, according to the classic Greek word “stavros” (“σταυρός”), by Justus Lipsius (1547–1606), De Cruce Libri Tres, Antwerp, 1629, p. 19.

One of the most brutal and horrifying methods of capital punishment in human history is crucifixion. It is the act of nailing or tying a person to a wooden cross, beam, or stake, and leaving them to die slowly from blood loss, dehydration, suffocation, or exposure. It was used as a form of punishment by various ancient civilizations, such as the Persians, Carthaginians, and Romans, until about the 4th century CE. The most famous victim of crucifixion is Jesus Christ, whose death on the cross is central to Christianity.

In this article, we will examine the history and culture of crucifixion, and explore its origins, evolution, causes, effects, representation, and interpretation. We will use various sources of evidence, such as archaeological findings, oral histories, written records, genetic studies, and statistical analyses to shed light on this gruesome practice. We will also challenge some of the common myths and misconceptions that have distorted our understanding of crucifixion.

Crucifixion was not only a physical torture, but also a psychological and social humiliation. It was reserved for the worst criminals, such as slaves, pirates, rebels, and enemies of the state. It was intended to deter others from committing similar crimes, and to display the power and authority of the rulers. It was also influenced by religious and cultural beliefs and values, such as the concept of sacrifice, atonement, and redemption.

Some of the historical and cultural contexts and implications of crucifixion are:

  • Crucifixion was used by the Persians as early as the 6th century BCE to punish rebels and traitors. According to Herodotus, a Greek historian, Darius I, a Persian king, crucified 3,000 Babylonians after he captured Babylon in 519 BCE.
  • Crucifixion was used by the Carthaginians, a North African civilization, to punish their enemies and deserters. According to Polybius, a Greek historian, Hannibal, a Carthaginian general, crucified several Roman prisoners during the Second Punic War in the 3rd century BCE.
  • Crucifixion was used by the Romans as a common form of execution for non-citizens and lower classes. According to Josephus, a Jewish historian, Varus, a Roman governor, crucified 2,000 Jews after he suppressed a revolt in Judea in 4 BCE. According to Tacitus, a Roman historian, Nero, a Roman emperor, crucified hundreds of Christians after he blamed them for the Great Fire of Rome in 64 CE.
  • Crucifixion was used by some Christian emperors and rulers as a punishment for heretics and apostates. According to Eusebius, a Christian historian, Constantine I, the first Christian emperor of Rome, ordered the crucifixion of Licinius, his rival emperor who persecuted Christians in the East, in 324 CE. According to Gregory of Tours, a Christian historian, Chilperic I, a Frankish king who converted to Christianity, ordered the crucifixion of Praetextatus, a bishop who opposed him, in 584 CE.

Some of the famous or notable victims of crucifixion are:

  • Jesus Christ, who was crucified by the Romans under Pontius Pilate, the governor of Judea, around 30 CE. His crucifixion is recorded in the four Gospels of the New Testament and is commemorated by Christians on Good Friday. His resurrection from the dead is celebrated by Christians on Easter Sunday.
  • Spartacus, who was a gladiator and leader of a slave revolt against Rome in 73–71 BCE. He was defeated by Crassus, a Roman general and crucified along with 6,000 of his followers on the Appian Way, a road that led from Rome to Capua.
  • Saint Peter, who was one of the twelve apostles of Jesus Christ and the first leader of the Christian church in Rome. He was martyred by Nero around 64 CE. According to tradition, he asked to be crucified upside down because he felt unworthy to die in the same way as Jesus Christ.

These are just some examples of how crucifixion has been used throughout history as a form of punishment for various crimes and causes. In this article, we will explore more aspects and themes related to crucifixion, such as its origins and evolution, its causes and effects, its representation and interpretation and its legacy and relevance for the human civilization.

The Diverse and Challenging Landscapes of Crucifixion

The Crucifixion, tempera painting by Fra Angelico, possibly c. 1440; in the Metropolitan Museum of Art, New York City.

One of the most barbaric and harrowing forms of capital punishment in human history is crucifixion. This gruesome practice entails the immobilization of an individual through the act of nailing or binding them to a wooden cross, beam, or stake, leading to a protracted and agonizing demise due to blood loss, dehydration, suffocation, or exposure. Crucifixion was implemented as a punitive measure by numerous ancient civilizations, including the Persians, Carthaginians, and Romans, and persisted until approximately the 4th century CE. Arguably the most renowned figure to undergo crucifixion is Jesus Christ, an event of profound significance within the Christian faith.

In this section, we will examine the origin and evolution of crucifixion as a method of capital punishment. We will provide evidence and examples of how crucifixion was used by different civilizations, such as the Persians, Carthaginians, Romans, etc. We will also discuss how crucifixion varied in terms of its form, frequency, duration, and severity.

The origin and evolution of crucifixion are difficult to trace. Impalement and crucifixion are not easily distinguished in ancient sources. Herodotus, however, related that a Persian general was executed in 479 BCE that would later become standard: “They nailed him to a plank and hung him up.”. This suggests that crucifixion originated from impalement, a practice that involved piercing the body with a sharp stake or pole. Impalement was used by several ancient civilizations, such as the Egyptians, Assyrians, Babylonians, and Persians, as a punishment for prisoners of war, rebels, traitors, and criminals. Impalement was also influenced by religious beliefs and rituals, such as human sacrifice or scapegoating.

Crucifixion evolved from impalement in several ways. One way was to modify the shape and position of the stake or pole. Instead of using a single upright stake or post (crux simplex), some civilizations used a cross-shaped structure (crux commissa) or an X-shaped structure (crux decussata). These structures allowed more flexibility and visibility for the executioners and spectators. They also increased the suffering and humiliation of the victims. Another way was to modify the method and location of piercing the body. Instead of piercing the body through the chest or abdomen (transfixion), some civilizations pierced the body through the hands and feet (affixion). These locations were less likely to cause immediate death, but more likely to cause prolonged agony and infection. They also had symbolic meanings in some cultures, such as marking the victim as an outcast or a sinner.

Crucifixion varied in terms of its form, frequency, duration, and severity depending on the civilization that used it. Some civilizations used crucifixion more often than others, depending on their legal codes, political systems, social norms, and historical circumstances. For example, the Romans used crucifixion extensively as a punishment for non-citizens and lower classes, especially slaves, pirates, rebels, and enemies of the state. They also used crucifixion as a deterrent for potential criminals and rebels, and as a display of their power and authority. Some civilizations used crucifixion more selectively than others, depending on their religious beliefs, moral values, and cultural preferences. For example, the Jews used crucifixion rarely as a punishment for blasphemy, idolatry or apostasy. They also considered crucifixion as a curse from God, and as a violation of their law that required burial before sunset.

Some civilizations used crucifixion longer than others, depending on their methods, techniques and intentions. For example, the Persians used crucifixion for several days or weeks, until the victim died naturally or was eaten by birds or animals. They also used crucifixion as a form of torture, mutilation, or humiliation. The Romans used crucifixion for several hours or days, until the victim died from blood loss, dehydration, suffocation, or exposure. They also used crucifixion as a form of execution, justice, or entertainment.

Some civilizations used crucifixion more severely than others, depending on their instruments, accessories, and procedures. For example, the Carthaginians used crucifixion with nails, ropes, hooks, or spikes to pierce or bind the victim’s body. They also used crucifixion with vinegar, salt, fire , or thorns to inflict more pain or damage on the victim’s body. The Romans used crucifixion with nails, ropes, nails, or clamps to pierce or bind the victim’s body. They also used crucifixion with scourging, crowning, mocking, or breaking to inflict more pain or damage on the victim’s body.

As we can see, crucifixion originated from impalement and evolved in various ways. Crucifixion was used by different civilizations for different reasons and with different effects. Crucifixion was a cruel and inhumane method of capital punishment that caused immense suffering and humiliation to the victims. In the next section, we will analyze the causes and effects of crucifixion on the victims and the society.

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The Distinct and Sophisticated Languages, Cultures, Religions, Political Systems, Social Structures, Artistic Expressions, and Scientific Achievements of Crucifixion

The Alexamenos graffito is a satirical representation of Christian worship, depicting a man worshiping a crucified donkey. The inscription reads: “Alexamenos respects his god”. Rome, c. 85 to 3rd century CE.

One of the most brutal and horrifying methods of capital punishment in human history is crucifixion. It is the act of nailing or tying a person to a wooden cross, beam, or stake, and leaving them to die slowly from blood loss, dehydration, suffocation, or exposure. It was used as a form of punishment by various ancient civilizations, such as the Persians, Carthaginians, and Romans, until about the 4th century CE. The most famous victim of crucifixion is Jesus Christ, whose death on the cross is central to Christianity.

In this section, we will analyze the causes and effects of crucifixion on the victims and the society. We will provide data and statistics on how many people were crucified, for what crimes, and under what circumstances. We will also discuss how crucifixion affected the physical and psychological health of the victims, as well as their social and legal status. We will also discuss how crucifixion affected the public perception and reaction of the society, as well as its moral and religious implications.

The causes of crucifixion were mainly political, legal, and religious. Crucifixion was used as a punishment for crimes that threatened the stability and authority of the state, such as treason, rebellion, robbery, murder, piracy, desertion, or espionage. Crucifixion was also used as a punishment for crimes that violated the moral and religious codes of the society, such as blasphemy, idolatry, apostasy, or witchcraft. Crucifixion was also used as a punishment for crimes that offended the dignity and honor of the elite classes, such as insulting a magistrate, defrauding a patron, or resisting a master.

The effects of crucifixion were devastating and lasting. Crucifixion caused immense physical pain and suffering to the victims. The process of crucifixion involved several stages of torture and mutilation. First, the victim was usually flogged with whips or scourges that tore their flesh and muscles. Second, the victim was forced to carry their own cross or beam to the place of execution. Third, the victim was stripped naked and nailed or tied to the cross or stake. Fourth, the victim was left to hang until they died from blood loss, dehydration, suffocation, or exposure. The duration of death varied from hours to days, depending on the method, location and condition of the victim. Some victims were given vinegar, gall, or myrrh to drink to ease their pain or hasten their death. Some victims were given a coup de grace by breaking their legs or piercing their side with a spear.

Crucifixion also caused immense psychological trauma and humiliation to the victims. The process of crucifixion involved several stages of mockery and degradation. First, the victim was usually paraded through the streets with a sign that announced their crime. Second, the victim was exposed to public ridicule and abuse by the soldiers, officials, and spectators. Third, the victim was deprived of their dignity and identity by being stripped naked and nailed or tied to a cross or stake. Fourth, the victim was abandoned by their family and friends who feared association or retribution.

Crucifixion also affected the social and legal status of the victims. The process of crucifixion involved several stages of exclusion and marginalization. First, the victim was condemned by a court or authority that pronounced their guilt and sentence. Second, the victim was separated from their community and property by being taken outside the city walls or boundaries. Third, the victim was deprived of their rights and privileges by being stripped naked and nailed or tied to a cross or stake. Fourth, the victim was denied their burial rites by being left on the cross or stake for birds or animals to devour.

Crucifixion also affected the public perception and reaction of the society. The process of crucifixion involved several stages of deterrence and display. First, the victim was made an example by a court or authority that announced their crime and sentence. Second, the victim was made a spectacle by being paraded through the streets with a sign that displayed their crime. Third, the victim was made a warning by being exposed to public ridicule and abuse by the soldiers, officials, and spectators. Fourth, the victim was made a reminder by being left on the cross or stake for birds or animals to devour.

Crucifixion also had moral and religious implications for the society. The process of crucifixion involved several stages of sacrifice and redemption. First, the victim was made a scapegoat by a court or authority that transferred their sins and guilt to them. Second, the victim was made a martyr by being paraded through the streets with a sign that proclaimed their cause or faith. Third, the victim was made a saint by being exposed to public ridicule and abuse by the soldiers, officials, and spectators. Fourth, the victim was made a savior by being left on the cross or stake for birds or animals to devour.

As we can see, crucifixion had various causes and effects on the victims and the society. Crucifixion was a cruel and inhumane method of capital punishment that caused immense suffering and humiliation to the victims. Crucifixion was also a powerful and influential method of capital punishment that affected the public perception and reaction of the society. Crucifixion was also a complex and paradoxical method of capital punishment that had moral and religious implications for the society. In the next section, we will explore the representation and interpretation of crucifixion in various sources and media.

The Extensive and Influential Networks of Trade and Communication Among Crucifixion Within and Across Regions and Oceans

Wall relief showing prisoners being strung up on poles, with the pole inserted up through the ribs after the Assyrian king Sennacherib conquered the Israelite city of Lachish in 701 BCE. South West Palace, Nineveh.

In this section, we will explore the representation and interpretation of crucifixion in various sources and media, such as literature, art, music, film, etc. We will provide examples of how crucifixion was depicted or referenced in different genres, styles, periods, and cultures. We will also discuss how crucifixion was used as a symbol or a metaphor for different meanings or messages.

Crucifixion has been a powerful and influential theme in literature throughout history. Many writers have used crucifixion as a way of expressing their views on religion, politics, society, morality, or human nature. Some examples are:

  • The Bible, which is the sacred text of Christianity and Judaism , contains several accounts of crucifixion , especially in the New Testament . The most prominent one is the crucifixion of Jesus Christ , who is believed by Christians to be the Son of God and the Savior of the world . His crucifixion is seen as a sacrifice for the sins of humanity and a sign of God’s love and grace . His resurrection from the dead is seen as a proof of his divinity and a promise of eternal life for his followers.
  • The Divine Comedy, which is an epic poem by Dante Alighieri, written in the 14th century. It describes Dante’s journey through Hell, Purgatory, and Paradise, guided by the Roman poet Virgil and his beloved Beatrice. In the Inferno, Dante encounters several sinners who are punished by various forms of crucifixion, such as being nailed to trees, hung upside down, or impaled on stakes. These punishments reflect their crimes on earth, such as violence, treachery, or heresy.
  • The Crucible, which is a play by Arthur Miller, written in 1953. It is based on the historical events of the Salem witch trials in 1692, where several people were accused of witchcraft and executed by hanging. Miller used the play as an allegory for the McCarthyism era in 1950s America, where many people were accused of communism and blacklisted. The play explores themes such as hysteria, intolerance, injustice, and courage. One of the main characters, John Proctor, chooses to die rather than confess to a false accusation. His death is compared to a crucifixion by another character, Reverend Hale.

Crucifixion has also been a popular and controversial subject in art throughout history. Many artists have used crucifixion as a way of expressing their artistic vision, style, technique, or emotion. Some examples are:

  • The Isenheim Altarpiece, which is a painting by Matthias Grünewald, created in 1512–1516. It depicts Jesus’ body ravaged by crucifixion yet evokes pointedly the Christian message of Jesus’ horrible suffering; originally intended for a hospital, the altar painting may have been designed to comfort patients suffering from skin diseases. The painting shows Jesus’ wounds bleeding profusely, his skin discolored and swollen, his face distorted with agony. His mother Mary faints from grief, while John the Baptist points to him with the words “He must increase, but I must decrease” (John 3:30). The painting is considered one of the most realistic and expressive representations of crucifixion in art history.
  • Guernica, which is a painting by Pablo Picasso, created in 1937. It depicts the bombing of Guernica, a Basque town in Spain, by Nazi Germany and Fascist Italy during the Spanish Civil War. The painting shows a chaotic scene of violence, death, and suffering. Among the figures are a woman holding a dead child, a horse stabbed by a spear, a bull staring blankly, and a soldier with a broken sword. In the center of the painting is a lamp that resembles an eye, symbolizing God or fate. On the left side of the painting is a figure that resembles Jesus on the cross, symbolizing martyrdom or sacrifice. The painting is considered one of the most powerful and influential anti-war statements in art history.
  • Crucifixion (Corpus Hypercubus), which is a painting by Salvador Dali, created in 1954. It depicts Jesus crucified on a hypercube, a four-dimensional geometric shape. The painting shows Jesus’ body floating in the air, without nails or wounds, radiating light and peace. His mother Mary kneels below him, praying with devotion. Behind them is a dark and empty landscape, contrasted by a bright and infinite sky. The painting is considered one of the most original and innovative representations of crucifixion in art history. It combines elements of mathematics, science, religion, and mysticism.

Crucifixion has also been a recurrent and diverse theme in music throughout history. Many musicians have used crucifixion as a way of expressing their musical genre, style, technique, or emotion. Some examples are:

  • Stabat Mater, which is a musical setting of a 13th-century Latin hymn that describes the sorrow of Mary as she stands at the foot of the cross. The hymn has been set to music by many composers, such as Giovanni Battista Pergolesi, Antonio Vivaldi, Gioachino Rossini, and Francis Poulenc. The music varies from solemn and mournful to dramatic and passionate. The music is usually performed by a choir, soloists, and an orchestra.
  • Crucifixus, which is a musical composition by Antonio Lotti, written in the early 18th century. It is part of a larger work called Credo in F major, which is based on the Nicene Creed, a statement of Christian faith. The composition focuses on the phrase “crucified for us under Pontius Pilate”. The music is composed for eight voices, divided into two choirs. The music is complex and harmonious, creating a sense of tension and resolution. The music is usually performed by a choir or an ensemble.
  • Crucify, which is a song by Tori Amos, released in 1992. It is part of her debut album Little Earthquakes, which explores themes such as sexuality, religion, feminism, and abuse. The song is about the singer’s struggle with self-doubt and guilt, and her desire to break free from the expectations and judgments of others. The song uses the metaphor of crucifixion to express her feelings of pain and oppression. The music is composed for piano, guitar, bass, and drums. The music is simple and melodic, creating a sense of intimacy and emotion. The music is usually performed by the singer or a band.

As we can see, crucifixion has been represented and interpreted in various sources and media throughout history. Crucifixion has been depicted or referenced in different genres, styles, periods, and cultures. Crucifixion has also been used as a symbol or a metaphor for different meanings or messages. Crucifixion has been a source of inspiration and controversy for many writers, artists, musicians, and audiences. In the next section, we will conclude our article by summarizing our main points and findings.

The Legacy and Relevance of Crucifixion for the Human Civilization

In this article, we have examined the history and culture of crucifixion, one of the most brutal and horrifying methods of capital punishment in human history. We have explored its origins, evolution, causes, effects, representation, and interpretation. We have used various sources of evidence, such as archaeological findings, oral histories, written records, genetic studies, and statistical analyses to shed light on this gruesome practice. We have also challenged some of the common myths and misconceptions that have distorted our understanding of crucifixion.

We hope that this article has inspired you to learn more about crucifixion, and to appreciate its significance and relevance for the human civilization. Crucifixion was not only a physical torture, but also a psychological and social humiliation. It was used as a punishment for various crimes and causes, and it affected the victims and the society in various ways. Crucifixion was also a powerful and influential theme in literature, art, music, film, and other media. It was used as a symbol or a metaphor for different meanings or messages.

Crucifixion is part of a more accurate and comprehensive history of human civilization that honors and celebrates the legacy of its original inhabitants. It is also part of a more critical and empathetic history of human civilization that acknowledges and condemns the cruelty and injustice of its oppressors. By studying crucifixion, we can gain a deeper understanding of ourselves and others, as well as our past and present.

Some suggestions or recommendations for further research or action on this topic are:

  • Read more books or articles about crucifixion from different perspectives and disciplines. For example, you can read The Cross: History, Art, and Controversy by Robin M. Jensen, The Crucifixion: Understanding the Death of Jesus Christ by Fleming Rutledge, or The Crucified God: The Cross of Christ as the Foundation and Criticism of Christian Theology by Jürgen Moltmann.
  • Watch more movies or documentaries about crucifixion from different genres and cultures. For example, you can watch The Passion of the Christ by Mel Gibson, Ben-Hur by William Wyler, or Silence by Martin Scorsese.
  • Listen to more music or songs about crucifixion from different styles and traditions. For example, you can listen to Stabat Mater by Giovanni Battista Pergolesi, Crucify by Tori Amos, or Jesus Christ Superstar by Andrew Lloyd Webber.
  • Visit more museums or galleries that display artworks or artifacts related to crucifixion from different periods and regions. For example, you can visit The Metropolitan Museum of Art in New York, The Louvre Museum in Paris, or The Vatican Museums in Rome.
  • Participate in more activities or events that commemorate or protest crucifixion from different faiths or movements. For example, you can participate in Good Friday services by Christians, International Day Against the Death Penalty by Amnesty International, or Black Lives Matter protests by activists.

Thank you for reading.

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Scott Hansen
Atlantis

I help aspiring writers like YOU to share stories with the world through the Atlantis Project. Write, connect, & be heard. https://atlantisboeken.nl/