Focusrite Interfaces At AIR Studios

Simon Hanhart Brings Red & RedNet To Focusrite’s Spiritual Home: AIR Studios

Jake Young
Focusrite // Spectrum

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Producer, mixer and engineer Simon Hanhart recently implemented a Focusrite Red 8Pre and two RedNet MP8R audio interfaces on a session at AIR Studios, the famous London complex home to Focusrite’s original Rupert Neve-designed recording console modules. Hanhart’s 24-input interconnected system took advantage of the MP8R and 8Pre’s Dante audio-over-IP technology, plus Red 8Pre’s DigiLink connectivity while in the fabled Studio 1 with a 12-piece string section, vocalist and concert pianist.

Hanhart’s impressive credits include Asia, Marillion, McFly, David Bowie, SikTh, London Symphony Orchestra, Yngwie Malmsteen, Cerys Matthews and Iron Maiden’s Adrian Smith. On this occasion, he was working with vocalist, songwriter and producer John Mitchell, pianist Dominic Ferris and Richard Cottle, who arranged the piece and conducted the London String Group. The song, ‘Made Of Paper’ was written by Tim Harbour.

Dual Focusrite MP8R Dante-enabled microphone preamps handle input duties from the floor of AIR’s fabled Studio 1 live room.

“In a situation like this, you’re working with natural instruments that need to sound like they would sound if you were standing eight feet away from them,” Hanhart said. “You’ve got to capture that, so you don’t want anything in the way of that signal path.”

During the day, Hanhart spoke highly of the Red 8Pre’s sound quality. “It just works. It sounds great. You’re not even aware of it because it’s just translating what’s happening in the room straight into the machine,” he said.

The Red 8Pre was racked in the machine room, connected to a Mac-based Pro Tools | HDX rig via DigiLink. Out in the live room were the RedNet MP8R interfaces, which were controlled by software in the control room. All the microphones for the 12-piece string section, piano and vocal went into the Focusrite mic pres, and then Hanhart monitored back through the vintage Neve console in the control room.

“It’s the next generation: one great setup that can be accessed from a number of different production rooms.”

— Simon Hanhart, Producer/Engineer

Hanhart’s Mac-based Pro Tools | HDX rig, with Focusrite Red 8Pre front end, connected via DigiLink. Analogue outputs were fed to Studio 1’s Neve console for hands-on mixing.

Having Dante in the recording facility was particularly useful to Hanhart. “It makes complete sense that you can network a number of different units together, particularly in a multi-studio facility like AIR,” he said. “You want to make sure that you have one great setup that can be accessed from a number of different production rooms or studio areas. It’s the next generation really.”

Hanhart owns a Red 8Pre, so everything was compatible when mixing the track at home. “I’m always aware that it would be nice to have a little mobile setup, and of course I could take the Red 8Pre with me, and that would be a Thunderbolt situation,” he said. “Having the options on connectivity is absolutely fantastic. It’s a unit that covers so many bases. It’s absolutely brilliant.”

Still in Studio 1: the coveted Focusrite ISA110 module, designed by Rupert Neve for AIR Studios.

Check out the Focusrite website for more information on the Red 8Pre and RedNet MP8R. Also, check out this video from the session.

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