Retrospective Film Review

American History X (1998) — a disturbing and still relevant portrait of indoctrination

A neo-Nazi goes to prison after killing two black youths, and upon his release vows to change and prevent his brother from following in his footsteps.

The neon lights of Venice Beach cast an eerie glow as Derek Vinyard (Edward Norton), his sinewy form cloaked in darkness, approaches an unsuspecting triad of burglars. His hand grips a Ruger P94, a menacing presence against the backdrop of the vibrant seaside town. With the stealth of a panther, he moves with feline grace, his eyes locked on his prey, his senses heightened for the kill: he will defend his house.

Derek’s attire reflects his adopted ideology — white boxers, a symbol of purity and innocence, juxtaposed with heavy, steel-toed boots, a reminder of the brutality lurking beneath the surface. His tattoos, a testament to his unwavering beliefs, adorn his skin, a stark declaration of his allegiance.