Bibliography

From Traditional to Contemporary Aesthetic Practices in West Africa, Benin and Togo

Books being sold on the campus of the University of Abomey-Calavi, Benin (photo by Luise Illigen)

Adams, Monni. “Fon Appliqued Cloths.” African Arts 13 (1980) : 28–41, 87–88.

Adandé, Joseph. “Bocio. From Nothingness to Liminality and Minimality.” Art History and Fetishism Abroad. Global Shiftings in Media and Methods. Eds. Genge, Gabriele/Stercken, Angela. Bielefeld: transcript, 2014. 177–188.

Adandé, Joseph/Tornay Serge. Gu. Un Dieu en Armes. Musee de l’Homme, Paris 1999.

Adjovi, Emmanuel V. Une Election Libre en Afrique: la Présidentielle du Bénin. Paris: Karthala, 1996.

Akinwumi, Tunde M. “The ‘African Print’ Hoax: Machine Produced Textiles Jeopardize African Print Authenticity.” The Journal of Pan African Studies 2 (2008) : 179–192.

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Bay, Edna G. “On Ouidah Asen.” African Arts 40 (2007) : 6–8.

Bay, Edna G. “Cyprien Tokudagba of Abomey.” African Arts 8 (1975) : 24–29.

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Belting, Hans/Buddensieg, Andrea/Weibel, Peter (Eds.). The Global Contemporary and the Rise of New Art Worlds. Cambridge, MA: The MIT Press, 2013.

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Bertola, Chiara (Ed.). Georges Adéagbo, Grand-Tour di un Africano. Florence: Fritelli Arte Contemporaneo, 2008.

Black, Jeremy. The Atlantic Slave Trade in World History. New York, London: Routledge, 2015.

Blättler, Christine/Schmieder, Falko (Eds.). In Gegenwart des Fetischs. Dingkonjunktur und Fetischbegriff in der Diskussion. Wien: Turia + Kant, 2014.

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Blier, Suzanne Preston. Art and Risk in Ancient Yoruba: Ife History, Power, and Identity c. 1300. New York: Cambridge University Press, 2015.

Blier, Suzanne Preston. “The African Urban Past: Historical Perspectives on the Metropolis.” African Metropolitan Architecture. Ed. Adjaya, David. London: Thames and Hudson, 2012. 14–19.

Blier, Suzanne Preston. The Royal Arts of Africa: The Majesty of Form. London: Lawrence King, 2012.

Blier, Suzanne Preston. “The Art of Voodoo.” Apollo 173 (2011) : 32–37.

Blier, Suzanne Preston. “Autobiography and Art History. The Imperative of Peripheral Vision.” RES: Anthropology and Aesthetics 39 (2011) : 24–40.

Blier, Suzanne Preston. “The Art of Assemblage. Aesthetic Expression and Social Experience in Danhomè.” RES: Anthropology and Aesthetics 45 (2004): 186–210.

Blier, Suzanne Preston/Morris, James. Butabu: Adobe Architecture in West Africa. Princeton: Princeton Architecture Press, 2003.

Blier, Suzanne Preston et al (Eds.). A History of Art in Africa. Upper Saddle River, N.J.: Prentice Hall, 2000.

Blier, Suzanne Preston. “Vodun Art, Social History and the Slave Trade.” The Visual Culture Reader. Ed. Mirzoeff, Nicholas. London/ New York: Routledge, 1998. 323–328.

Blier, Suzanne Preston. “Benin: The Place where Vodun was Born.” Natural History October (1995) : 40–47.

Blier, Suzanne Preston. African Vodun: Art, Psychology, and Power. Chicago: University of Chicago Press, 1995.

Blier, Suzanne Preston. African Vodun. Art, Psychology, and Power. Chicago, London: University of Chicago Press, 1995.

Blier, Suzanne Preston. “The Path of the Leopard. Motherhood and Majesty in Early Danhomè.” The Journal of African History 36 (1995) : 391–417.

Blier, Suzanne Preston. “King Glele of Danhomè, Part Two. Dynasty and Destiny.” African Arts 24 (1991) : 44–55, 101–103.

Blier, Suzanne Preston. “King Glele of Danhomè, Part One. Divination Portraits of a Lion King and Man of Iron.” African Arts 23 (1990) : 42–53, 93–94.

Blier, Suzanne Preston. “Words about Words about Icons. Iconologology and the Study of African Art.” Art Journal 47 (1988) : 75–87.

Blier, Suzanne Preston. “Melville J. Herskovits and the Arts of Ancient Dahomey.” RES: Anthropology and Aesthetics 16 (1988) : 125–142.

Blier, Suzanne Preston. The Anatomy of Architecture. Ontology and Metaphor in Batammaliba Architectural Expression. Cambridge: Cambridge University Press, 1987.

Blier, Suzanne Preston. “Antelopes and Anvils Tamberma Works of Iron.” African Arts 17 (1984) : 58–63, 91.

Blier, Suzanne Preston. “Houses are Human: Architectural Self Images of Africa’s Tamberma.” Journal of the Society of Architectural Historians 42 (1983) : 371–382.

Blier, Suzanne Preston. “Houses Are Human. Architectural Self-Images of Africa’s Tamberma.” Journal of the Society of Architectural Historians 42 (1983) : 371–382.

Blier, Suzanne Preston. “The Dance of Death. Notes on the Architecture and Staging of Tamberma Funeral Performances.” RES: Anthropology and Aesthetics 2 (1981) : 107–143.

Boucher, Martine. Bois Sacré. Exh. Catalogue, Dak’art Dakar, 09/05/2014–08/06/2014. Dakar: Dak’Art, 2014.

Braunholtz, H. J. “The ‘Charles Beving’ Collection of Textiles.” British Museum Quarterly 8 (1933/4) : 151–152.

Casid, Jill/D’Souza, Aruna (Eds.). Art History in the Wake of the Global Turn. Williamstown: Sterling and Francine Clark Art Institute, 2014.

Centre Culturel Français. L’Harmattan 2000: Art Contemporain au Bénin. Cotonou: Centre Culturel Français de Cotonou, 2000.

Claffey, Patrick. “Kérkou the Chameleon.” Staging Politics: Power and Performance in Asia and Africa. Eds. Strauss, Julia/O’Brien, Donal. London: I.B. Tauris, 2007. 91–110.

Clarke, Clifton (Ed). Pentecoastal Theology in Africa. Eugene, OR: Pickwick, 2014.

Cooper, Frederic. “What is the Concept of Globalization Good for? An African Historian’s Perspective.“ African Affairs 100 (2001) : 189–213.

Couao-Zotti, Florent. “Etats et Eclats d’une Nouvelle Génération.” L’Harmattan 2000: Art Contemporain au Bénin. Cotonou: Centre Culturel Français de Cotonou, 2000. N.p.

Cronberg, Anja Aronowsky. “The Story of Vlisco and Real Dutch Wax: From Helmond to Accra to Paris and Back Again.” Vlisco Fabrics. Eds. Gerards, R./May Sho, S. Arnhem: ArtEZ Press, 2012. 310–314.

Cubitt, Geoff. “The Brookes — Visualising the Transatlantic Slave Trade.” Institute for the Public Understanding of the Past/Institute of Historical Research 2007. 01 Aug. 2016 <http://www.history.ac.uk/1807commemorated/exhibitions/museums/brookes.html>.

Daavo, Cossi Zéphirin. “Approche Thématique de L’art Béninois, de la Période Royale à nos Jours.” Ethiopiques. Littérature, Philosophie,Aart et Conflits 71 (2003) : 225–243.

David, Catherine. “Learning from Beirut. Contemporary Aesthetic Practices in Lebanon.” Homeworks. A Forum on Cultural Practices in the Region. Egypt, Iran, Iraq, Palestine and Syria. Compiled by Tohme, Christine/Abu Rayyan, Manu. Beirut: Ashkal Alwan, 2003. 32–39.

David, Catherine. “Introduction/Vorwort.” Documenta X: Short Guide/Kurzführer. Ed. Paul Sztulman. Ostfildern-Ruit: Hatje Cantz, 1997. 6–13.

Davis, David Brion. The Problem of Slavery in the Age of Emancipation. New York: Knopf, 2014.

Drewal, Henry John. “Gelede Masquerade. Imagery and Motif.” African Arts 7 (1974) : 8–19, 62–63, 95–96.

Eckert, Andreas. “Rezension: Frankfurter Allgemeine Zeitung, 29.07.2014, S. 10.” Frankfurter Allgemeine Zeitung 29 Jul 2014. 25 Jul. 2016 <http://www.gbv.de/dms/faz-rez/FD1201407294326287.pdf>.

Egharevba, Jacob. A Short History on Benin. Ibadan: Ibadan University Press, 1968.

Eiblmayr, Silvia (Ed.). Georges Adéagbo. Archäologie der Motivationen-Geschichte Neu Schreiben. Ostfildern-Ruit: Hatje Cantz, 2001.

Enwezor, Okwui. “Networks of Practice: Globalization, Geopolitics, Geopoetics.” Contemporary African Art since 1980. Eds. Enwezor, Okwui/Okeke-Agulu, Chika. Bologna: Damiani, 2009. 23–28.

Fillitz, Thomas. Zeitgenössische Kunst aus Afrika. 14 Künstler aus Côte d’Ivoire und Bénin. Wien: Böhlau, 2002.

Fondation Zinsou. “Ouidah, Le Musée.” Fondation Zinsou 2016. 25 Jul. 2016 <http://fondationzinsou.org/ouidah-le-musee/>.

Fondation Zinsou. Le Sondage. Exh. Catalogue, Fondation Zinsou Cotonou, 20/02/2011–15/05/2011. Cotonou: Fondation Zinsou, 2011.

Fondation Zinsou. Le Roi s’en-va-en Guerre. Cyprien Tokoudagba. Exh. Catalogue, Fondation Zinsou Cotonou, 08, 14, 29/11/2010, 10/02/2011. Cotonou: Fondation Zinsou, 2010.

Fondation Zinsou. Benin 2059. Exh. Catalogue, Fondation Zinsou Cotonou, 28/09/2008–18/02/2009. Cotonou: Fondation Zinsou, 2005.

Forte, Jung Ran. “‘Ways of Remembering’: Transatlantic Connections and African Diaspora’s Homecoming in the Republic of Benin.” Social Dynamics 33 (2007): 123–143.

Foster, Hal/Krauss, Rosalind/Bois, Yves Alain/Buchloh, Benjamin (Eds.). Art since 1900. Modernism, Antimodernism, Postmodernism. London: Thames and Hudson, 2004.

Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. New York: Random House, 1965.

Gaba, Meschac/Wolfs, Rein (Eds.). Meschac Gaba. Museum of Contemporary African Art. Köln: Walther König, 2010.

Gaba, Meschac (Ed.). Museum of Contemporary African Art, Vol. 1: Library of the Museum. Amsterdam, New York: Artimo, 2001.

Gell, Alfred. Art and Agency. An Anthropological Theory. Oxford: Clarendon Press, 1998.

Genge, Gabriele/Stercken, Angela (Eds.). Art History and Fetishism Abroad. Global Shiftings in Media and Methods. Bielefeld: transcript, 2014.

Gerards, R./May Sho, S. (Eds.). Vlisco Fabrics. Arnhem: ArtEZ Press, 2012.

Gikandi, Simon. Slavery and the Culture of Taste. Princeton: Princeton University Press, 2011.

Green, Toby. The Rise of the Trans-Atlantic Slave Trade in Western Africa, 1300–1589. Cambridge, UK: Cambridge University Press, 2014.

Green, Toby (Ed.). Brokers of Change — Atlantic Commerce and Cultures in Precolonial Western Africa. Oxford: Oxford University Presss, 2012.

Greenberg, Kerryn (Ed.). Meschac Gaba, Museum of Contemporary African Art. Exh. Catalogue, Deutsche Bank KunstHalle Berlin, 09/20/2014–11/16/2014. Ostfildern: Hatje Cantz, 2014/London: Tate Publishing, 2013.

Grenouilleau, Olivier. Qu’est-ce que l’esclavage? Une histoire globale. Paris: Éditions Gallimard, 2014.

Grill, Bartholomäus/Henatsch, Martin/Roth, Daniela. Romuald Hazoumè. My Paradise — Made in Porto-Novo. Ostfildern-Ruit: Hatje Cantz, 2010.

Grool, Aalders. Vodun Stories of the Fon (Benin). Köln: Rüdiger Köppe, 2014.

Haehnel, Birgit/Ulz, Melanie (Eds.). Slavery in Art and Literature: Approaches to Trauma, Memory, and Visuality. Berlin: Frank & Timme, 2010.

Harding Leonhard. Geschichte Afrikas im 19. und 20. Jahrhundert. München: Oldenbourg, 2006.

Hazoumè, Romuald. Romuald Hazoumè. Exh. Catalogue, Fondation Zinsou Cotonou, 06/06/2005–17/09/2005. Gent: Snoeck-Ducaju & Zoon, 2005.

Herskovits, Melville J./Herskovits, Frances S. “The Art of Dahomey: I — Brass-Casting and Appliqué Cloths.” The American Magazine of Art 27 (1934) : 67–76.

Holler-Schuster, Günther/Pakesch, Peter (Eds.). Romuald Hazoumé. Beninese Solidarity with Endangered Westerners. Exh. Catalogue, Kunsthaus Graz, 09/21/2013–01/12/2014. Köln: Walther König, 2013.

Houénoudé, Didier. “Les Plasticiens Béninois: Survivance de la Thématique Vodun?” Africa e Mediterraneo 67 (2009) : 57–61.

Hudson, Lynn M. “Exhibition Review.” The Journal of American History 94 (2007) : 886–891.

Igbafe, Philip Aigbona. Benin under British Administration. The Impact of Colonial Rule on an African Kingdom, 1897–1938. New York: Humanities Press, 1979.

Jagoe, Rebecca. “Contemporary Art in Benin: A History in Ten Artists.” The Culture Trip 2013. 01/02/2015 <http://theculturetrip.com/africa/benin/articles/contemporary-art-in-benin-a-history-in-ten-artists/>.

Jennings, Judith. The Business of Abolishing the Slave Trade, 1783–1807. London, Portland: Frank Cass, 1997.

Kazeem, Belinda/Martinez-Thurek, Charlotte/Sternfeld, Nora (Eds.). Das Unbehagen im Museum. Postkoloniale Museologien. Wien: Thuria + Kant, 2009.

Kelly, Kenneth. “Indigenous Responses to Colonial Encounters on the West African Coast. Hueda and Dahomey.” The Archaeology of Colonialism. Eds. Lyons, Claire/Papadopoulos, John. Los Angeles: Getty, 2002. 96–120.

Keshmirshekan, Hamid. Contemporary Art from the Middle East. Regional Interactions with Global Art Discourses. London: Tauris, 2015.

Kim, Christine Y. Meschac Gaba: Tresses. Exh. Catalogue, Studio Museum Harlem, 26/01/2005–27/03/2005. New York: Studio Museum in Harlem, 2005.

Latour, Bruno. Sur le Culte Moderne des Dieux Faitiches. Paris: La Decouverte, 2009.

Law, Robin. Ouidah: The Social History of a West African Slaving ‘Port’, 1727–1892. Athens, OH: Ohio University Press, 2004.

LeVine, Keiron. “Deciphering the Traditional Symbology of Contemporary Masks.” Another Africa 2015. 01/02/2015 <http://www.anotherafrica.net/art-culture/deciphering-the-traditional-symbology-of-contemporary-masks>.

Lopez, Sébastian. “The Museum Space.” Meschac Gaba. Library of the Museum of Contemporary African Art. Eds. Steevensz, Bert/Stork, Gijs. Amsterdam: Artimo Foundation, 2001.

Maharaj, Sarat. “Dislocutions: Interim Entries for a Dictionnaire Elémentaire on Cultural Translation.” Reverberations: Tactics of Resistance, Forms of Agency in Trans/Cultural Practices. Ed. Fisher, Jean. Maastricht: Jan van Eyck Editions, 2000. 32–48.

Mayrargue, Cedric. “Democratisation Politique et Revitalisat Ion Religieuse: L’Exemple du Culte Vodun au Benin.” Religion et Transition Democratique en Afrique. Eds. Constantin, Francois/Coulon, Christina. Paris: Karthala, 1997. 135–162.

Mbembe, Achille. Critique de la Raison Nègre. Paris: Éditions la Découverte, 2013.

Metzner, Manfred/Thoss, Michael M. Pierre Verger. Schwarze Götter im Exil. Heidelberg: Das Wunderhorn, 2004.

Meyerowitz, Eva L.R. “The Museum in the Royal Palaces at Abomey, Dahomey.” The Burlington Magazine for Conoisseurs 84 (1944) : 146–151.

Monroe, J. Cameron/Janzen, Anneke. “The Dahomeyan Feast — Royal Women, Private Politics, and Culinary Practices in Atlantic West Africa.” African Archaeological Review 31 (2014) : n.p.

Monroe, J. Cameron/Ogundiran, Akinwumi (Eds.). Power and Landscape in Atlantic West Africa. Archaeological Perspectives. Cambridge, UK: Cambridge University Press, 2012.

Mulligan, William. “The Global Reach of Abolitionism in the Nineteenth Century.” A Global History of Anti-slavery Politics in the Nineteenth Century. Eds. Mulligan, William/Bric, Maurice. Houndsmills, New York: Palgrave Macmillan, 2013. 1–16.

Norman, Neil L. “Hueda (Whydah) Country and Town. Archaeological Perspectives on the Rise and Collapse of an African Atlantic Kingdom.” The International Journal of African Historical Studies 42 (2009) : 387–410.

Oguibe, Olu. The Culture Game. Minneapolis: University of Minnesota Press, 2004.

Osborne, Peter. Anywhere or not at All. Philosophy of Contemporary Art. London, Brooklyn: Verso, 2013.

Oshineye, Brigitte Kowalski. “Migrations, Identities, and Transculturation in the Coastal Cities of Yorubaland in the Second Half of the Second Millennium: An Approach to African History through Architecture.” Movements, Borders and Identities in Africa. Ed. Falola, Toyin/Usman, Aribidesi. Rochester, NY: University of Rochester Press, 2009. 126–150.

Pedro, Franck Raoul. “Bénin: ‘Dominique Kouas, une Cheveille Ouvrière de l’Art Béninois’.” Autre Quotidien 2008. 15 Jan. 2015 <http://fr.allafrica.com/stories/200802050459.html>.

Petit, Lucas Pieter. Archaeology and History in North-Western Benin. Oxford: Archaeopress, 2005.

Pietz, William. “ The Problem of the Fetish IIIa: Bosman’s Guinea and the Enlightenment Theory of Fetishism.” RES: Anthropology and Aesthetics 16 (1988) : 105–124.

Pietz, William. “ The Problem of the Fetish II: The Origin of the Fetish.” RES: Anthropology and Aesthetics 13 (1987) : 23–45.

Pietz, William. “ The Problem of the Fetish.” RES: Anthropology and Aesthetics 9 (1985) : 5–17.

Piqué, Francesca/Rainer, Leslie H. Palace Sculptures of Abomey. History Told on Walls. Los Angeles: Getty, 1999.

Ran Forte, Jung. “‘Ways of Remembering’: Transatlantic Connections and African Diaspora’s Homecoming in the Republic of Benin.” Social Dynamics: A Journal of African Studies 33 (2007): 123–143.

Rebentisch, Juliane. Theorien der Gegenwartskunst. Zur Einführung. Hamburg: Junius, 2013.

Rizvi, Kishwar. The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East. Chapel Hill: University of North Carolina Press, 2015.

Rodatus, Verena. Postkoloniale Positionen? Die Biennale DAK’ART im Kontext des Internationalen Kunstbetriebs. Frankfurt a. M.: Peter Lang, 2015.

Roese, Peter M./Bondarenko, Dimitri M. A Popular History of Benin. The Rise and Fall of a Mighty Forest Kingdom. Frankfurt a. M.: Peter Lang, 2003

Roth, Daniela. Romuald Hazoumè. Mister Kanister und die Orale Postmoderne. München: Fink, 2013.

Rush, Dana. Vodun in Coastal Bénin. Unfinished, Open-Ended, Global. Nashville: Vanderbilt University Press, 2013.

Rush, Dana. “Contemporary Vodun Arts of Ouidah.” African Arts 34 (2001) : 32–47, 94–96.

Schankweiler, Kerstin. Die Mobilisierung der Dinge. Ortsspezifik und Kulturtransfer in den Installationen Georges Adéagbos. Bielefeld: transcript, 2012.

Schmidt-Linsenhoff, Viktoria. Ästhetik der Differenz. Postkoloniale Perspektiven vom 16. bis 21. Jahrhundert. Marburg: Jonas, 2010.

Schmidt-Linsenhoff, Viktoria. “Re-Lokalisierung des Ateliers. Zur Produktionsästhetik und Rezeption der Installationen von Georges Adéagbo.” Topos Atelier. Werkstatt und Wissensform. Diers, Michael/Wagner, Monika (Eds.). Berlin: Akademie Verlag, 2010. 151–173.

Schmidt-Linsenhoff, Viktoria. “Produktionsästhetik A-Z.” Georges Adéagbo. L’explorateur et les Explorateurs devant L’histoire de Ll’exploration! Le Théâtre du Monde. Exh. Catalogue, Museum Ludwig Köln, 30/10/2004–20/02/2005. Eds. Friedrich, Julia/König, Kasper. Köln: Walther König, 2004. 9–16.

Sebald, Peter. Die deutsche Kolonie Togo 1884–1914 — Auswirkungen einer Fremdherrschaft. Berlin: Ch. Links, 2013.

Sève, René/Sève, Viviane. “Les Pluriels de Cyprien Tokoudagba /The Multiples of Cyprien Tokoudagba.” Dahomey, Kings and Gods. Exh. Catalogue, Fondation Zinsou Cotonou, 02/05/2006–02/09/2006. Cotonou: Fondation Zinsou, 2006. 17–40.

Soumonni, Elisée. “Afro-Brazilian Communities of the Bight of Benin in the Nineteenth Century.” Trans-Atlantic Dimensions of Ethnicity in the African Diaspora. Ed. Lovejoy, Paul E./Trotman, David V. London: Continuum, 2003. 61–71.

Sparks, Randy J. Where the Negros are Masters. An African Port in the Era of the Slave Trade. Cambridge, MA: Harvard University Press, 2014.

Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” The Post-Colonial Studies Reader. Eds. Ashcroft, Bill/Griffiths, Gareth/Tiffin, Helen. London, New York: Routledge, 2006. 28–36.

Stearns, Peter (Ed.). The Encyclopedia of World History. Boston: Houghton Mifflin Company, 2001.

Stone, Ruth (Ed.). Africa — The Garland Encyclopedia of World Music. Vol. 1: Africa. New York/ London: Garland, 1998.

Strickrodt, Silke. Afro-European Trade in the Atlantic World. The Western Slave Coast c 1550–1885. Western Africa Series. Woodbridge, Rochester: James Currey, 2015.

Tall, Emmanuelle Kadya. “On Representation and Power: Portrait of a Vodun Leader in Present-day Benin.” Africa: The Journal of the International African Institute 84 (2014): 246–268.

Tchibozo, Romuald. “Catalyzing Artistic Space, Legitimization, or Ideological Cohesion: The Case of the Former German Democratic Republic and African Countries.” Aesthetic Practices and Spatial Configurations. Historical and Transregional Perspectives. Eds. Baader, Hannah/Becker, Martina/Dinkar, Niharika. Bielefeld: transcript, 2016. forthcoming.

Tchibozo, Romuald. “L’art Contemporain d’Afrique dans l’ex-République Démocratique Allemande: Entre Influence Idéologique et Légitimation.” Studies in Visual Arts and Communication: An International Journal 1 (2014) : 1–28.

Tchibozo, Romuald. “Le Gèlèdè, un Argument de Développement Artistique Sous-régional : Cas de la République du Bénin (Afrique de l’Ouest).” IMO- IRIKISI 1 (2011) : 43–52.

Tchibozo, Romuald. “Dynamiques de l’évolution de l’art Plastique Pendant le Règne du Roi Toffa 1er .” Annales de la Faculté des Lettres, Arts et Sciences Humaines (UAC) 16 (2010) : 28–41.

Tchibozo, Romuald. “L’art Plastique au Bénin au Detour du XXIè Siècle.” Afrika und die Kunst. Einblicke in deutsche Privatsammlungen. Eds. Hecht, Dorina/Kawik, Günther. Bottrop: Kawik, 2010. 126–131.

Tchibozo, Romuald. “A Point About the Seminar.” Is Art History Global? Ed. Elkins, James. New York: Rouledge Taylor & Francis Group, 2007. 232–235.

Tchibozo, Romuald (Ed.). Harmattan 2005: Art Contemporain au Bénin. Cotonou: Centre Culturel Français de Cotonou, 2005.

The British Museum. “Charles A Beving (Biographical Details).” The British Museum Website 2015. 22 Jul. 2015 <http://www.britishmuseum.org/research/search_the_collection_database/term_details.aspx?bioId=41572>.

The British Museum. “Collection Donated by Charles A Beving.” The British Museum Website 2015. 22 Jul. 2015 <http://www.britishmuseum.org/research/collection_online/search.aspx?people=41572&peoA=41572-3-9>.

Turner, Jane (Ed.). The Dictionary of Art Vol. 1: Africa. London: Macmillan Publisher, 1996.

Viatte, Germaine. La Bouche du Roi. Exh. Catalogue, Musée du Quai Branly, 12/09/2006–13/11/2006. Paris: Flammarion, 2006.

Vincent, Cédric. “Friction in Benin.” E-Flux 2012. 01/02/2015 <http://www.e-flux.com/journal/friction-in-benin/>.

Vlisco. “Stories.” Vlisco Website 2015. 22 Jul. 2015 <https://stories.vlisco.com/en/>.

Walvin, James. Crossings — Africa, the Americas and the Atlantic Slave Trade. London: Reaktion Books, 2013.

Westerman, Mariët (Ed.). Anthropologies of Art. New Haven, London: Yale University Press, 2005.

Wood, Marcus. Blind Memory: Visual Representations of Slavery in England and America, 1780–1865. Manchester: Manchester University Press, 2000.


This bibliography was compiled by Philip Geisler.