Sitemap
Full Frame

The home of enthusiastic supporters of Fine Art Photography. We respect its history, admire its present form, and look forward to its future.

In Praise of Chasing a Futile Endeavour

How a photography passion project in Paris changed my (commuting) life and drove me up the wall

8 min readSep 30, 2025

--

A blindfold for the ages. All photos taken in 2025 by the author.

For the last five years, I’ve been photographing ripped-up posters in the Paris metro. It’s a pretty pointless pursuit, if I may say so myself, and yet I can’t stop myself pursuing it.

It all began with a glance. While catching the underground during the dark days of the pandemic, I began to notice vandalised ads on the walls. At the time, as the number of commuters was at an all-time low, the torn-up posters seemed to stay in place for months on end, their rips gradually decaying for all to see — if anyone was there to see them.

Passing more and more of these ripped specimens, I eventually had the idea of photographing them. And why not? Some of them were weirdly beautiful, after all. And even if the photos were of the most ephemeral of things — prints destined for the recycling bin — there was something poetic about immortalising them, as if a photo could bear testimony to their existence long after they had disappeared.

So every time I spotted a torn-up poster in the wild, I would feel an instant jolt of excitement, before whipping out my phone and taking a photo. In engaging in this hobby, I thought I had found a way to transform the…

--

--

Full Frame
Full Frame

Published in Full Frame

The home of enthusiastic supporters of Fine Art Photography. We respect its history, admire its present form, and look forward to its future.

William Sidnam
William Sidnam

Written by William Sidnam

New Zealand creative based in Paris. Advertising copywriter & photographer with 3 Medium Staff Picks. Documenting metro posters at www.instagram.com/metrotears/

Responses (9)