Imaginary Latvian Kokle-Playing Bruveris Family
in Jeffrey Eugenides’s The Marriage Plot (2011)
And plus it wasn’t all heavy, the heavies. Leonard was funny. He told hilarious stories in a deadpan voice. His head sank into his shoulders, his eyes filled with rue, as his sentences drawled on. “Did I ever tell you I play an instrument? The summer my parents got divorced, they sent me to live with my grandparents in Buffalo. The people next door were Latvian, the Bruverises. And they both played the kokle. Do you know what a kokle is? It’s sort of like a zither, but Latvian.
“Anyway, I used to hear Mr. and Mrs. Bruveris playing their kokles over in the next yard. It was an amazing sound. Sort of wild and overstimulated on the one hand, but melancholy on the other. The kokle is the manic-depressive of the string family. Anyway, I was bored to death that summer. I was sixteen. Six foot one. One hundred and thirty-eight pounds. A major reefer smoker. I used to get high in my bedroom and blow the smoke out the window, and then I’d go out to the porch and listen to the Bruverises playing next door. Sometimes other people came over. Other kokle players. They set up lawn chairs in the backyard and they’d all sit there playing together. It was an orchestra! A kokle orchestra! Then one day they saw me watching and invited me over. They gave me potato salad and a grape Popsicle and I asked Mr. Bruveris how you played a kokle and he started giving me lessons. I used to go over there every day. They had an old kokle they let me borrow. I used to practice five, six hours a day. I was into it.
“At the end of that summer, when I had to leave, the Bruverises gave me the kokle. To keep. I took it on the plane with me. I got a separate seat for it, like I was Rostropovich. My father had moved out of the house by then. So it was just me, my sister, and my mother. And I kept on practicing. I got good enough that I joined this band. We used to play at ethnic festivals and Orthodox weddings. We had these traditional costumes, embroidered vests, puffy sleeves, knee-high boots. Me and all the adults. Most of them were Latvian, some Russians, too. Our big number was ‘Otchi Tchornyia.’ That’s the only thing that saved me in high school. The kokle.”
“Do you still play?” Madeleine asked.
“Hell no. Are you kidding? The kokle?”
Jeffrey Eugenides, The Marriage Plot (2011), pages 61–62.