Published in


Acts of Spatial Violation: Space at the Intersection of Refuge and Host Country Policies

by Samar Maqusi

Narrative of a Space

The Palestinian refuge has undergone a long and violent displacement — beginning with the 1948 and 1967 Arab-Israeli wars, with continuing secondary and tertiary violent displacement today — due to a precarious geography within which it resides.

Addressing spaces of refuge (refugee camps), especially as architects, has become quite a complex issue, mainly due to a protraction of refuge (including people and space), which resulted in the emergence of scenarios of inhabitation that surpass and transgress the established relief space by international and government bodies. After conducting my research and fieldwork in both Baqa’a camp in Jordan and Burj el Barajneh camp in Lebanon, it became quite clear to me that the spatial precursor to the existential testimony of Palestinian refugees today was their space-scale, built and formed by the refugees themselves, and at the same time, rebuilt and re-formed by the host governments.

Production of Space by Refugees

Constructing the Palestinian Scale — The Political Scale

From the onset, theses sites (camps) were perceived as relief sites by the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) (with the goal of resettlement), and as resistance sites for Palestinian refugees (with the goal of returning to their homeland). Today, and due to the prolonged state of refuge, the mode of resistance has taken on a purely spatial form. The following mapping tries to demonstrate the elastic and operational notion of spatial resistance inside the Palestinian camp, by which they were able to empower themselves politically, and negotiate an uncertain existence of refuge.

The “deviation” beyond the 100-square-meter plot lines, embodied in acts of spatial violation, is the actual disruption to the “relief scale,” planned as a spatial conduct of organization, surveillance, and control of the camp space. With every act of spatial violation, there is an act of political instrumentality happening at the same time, for as soon as the relief scale is relegated, it becomes a Palestinian one, and the refugee becomes less docile in that space.

Spatial Strategies by Refugees

Scenarios of Resilience and Response

A main difference between humanitarian architecture and refugee architecture is that the former assumes order through ordered generic space, while the latter creates its own ordered space. Embodied in the spatial disruption of the relief-scale through acts of spatial violation, this disruption contributes to the generation of a new order facilitating the socio-politics of everyday life, yet this new order has violence inscribed in it, as it remains exposed to the threat of destruction by external bodies (mainly host governments) to maintain spatial control.

The following mapped scenarios are testaments to refugees’ authority and management inside their camps, through a spatial capacity produced by the refugees themselves, yet existing in latent fragility due to threats of violent acts of destruction.

Baqa’a Camp (a 1967 camp)

Refugee Resilience: Four-Meter Tension

Confrontations between Palestinian refugees and the Jordanian gendarmes are common in Baqa’a camp, usually resulting from refugee collective protests, which take place inside the camp but eventually trickle outside camp borders to physically signify dissatisfaction and refusal of a status quo.

Within this four-meter tension space, a violent game of name-calling and stone-throwing (from the refugees’ side) and tear gas canisters (from the gendarmes’ side) would take place, lasting until one side retreats out of exhaustion. Nevertheless, gendarmes had reservations about entering the camp because of its dense fabric/scale (of space that) refugees produced continuously beyond the (UN) demarcations. Jordanian gendarmes felt disadvantaged inside the camp, as they were inexperienced with the camp’s spatial fabric, making attempts to arrest refugees unsuccessful.

Host Government Response

The existing scale of Palestinian camps, which hinders the government’s control over space, has forced the Jordanian government to negotiate “security” with camp leaders after conflicts take place. Recently, as a response, the Jordanian government has been adopting a mode of “rescaling” the Palestinian camp by widening existing streets that divide the camp through its middle, creating a matrix of roads at a new scale that allows for the quick entry of police and gendarme tanks into the very tissue of the camp, something the camp’s dense fabric has prevented them from doing before.

On a summer night in August 2015, a demonstration took place in Baqa’a camp in support of Mohammed Abu Khdeir, the 16-year-old Palestinian boy who was kidnapped and burned alive by three Israeli settlers. The demonstration turned violent, and ended in the usual act of refugees burning tires at camp entrances, weakening the gendarmes’ capacity to penetrate the camp. Yet due to the Jordanian government’s rescaling of the camp, the gendarmes penetrated the camp in their tanks, and engaged in the chase and persecution of arrested refugees.

Burj el Barajneh Camp (a 1948 camp)

Refugee Resilience: Elevated Walkways

The Palestinian refugees in Lebanon underwent a violent history of existence and cohabitation, resulting in a long period of armed conflict. The worst period was the War of the Camps, during which Burj el Barajneh camp suffered a six-month siege, and heavy fighting with the Lebanese Amal militia. Confined to their camp boundary, the Palestinians had to utilize their space and spatial material to develop tactical solutions, one of which was the production of elevated walkways.

Refugees (Fedayeen) knew very well that moving on the ground level meant they were exposed to enemy bullets and rockets. Therefore, they utilized the camp’s high density, which created an intimate, intricate vertical spatiality, to devise an architectural methodology by creating openings between opposing walls above ground, and stretching wooden panels to act as bridges between the openings, eventually connecting more than 400 shelters around the camp. After the war, the camp earned a reputation for being a maze-like space, creating a living mantra of الداخل مفقود و الخارج مولود = “who enters is lost and who exists is reborn.”

Host Government Response

The Lebanese context has been the harshest among the five host areas for Palestinian refugees, mainly due to a violent history within Lebanon itself, and the onset refusal by the Lebanese government to grant Palestinians any civil rights. This oppressive sentiment led to the creation of highly dense, independent camp-spaces. Unable to penetrate the fabric of the camp, the Lebanese government devised a spatial practice of confining camps by building highways and elevated highways around them, hindering contextual accessibility. The other spatial approach has involved extensive destruction, by completely demolishing camps in scenarios of conflict — the most recent example of which was Nahr el Bared camp in northern Lebanon, which was completely destroyed in 2007. During the reconstruction negotiations with the Lebanese government, plans to relocate the displaced refugees to another Palestinian camp, as Nahr el Bared occupied a prime investment location near the ocean along a main road, failed, due to refugees’ anger and unbroken determination to return to their camp and spaces (which UNRWA used as a key argument in securing their return).

Today, and after the destruction of more than four Palestinian camps in Lebanon, Burj el Barajneh camp remains the densest camp, located just outside of Beirut, in close proximity to the ocean and along the airport highway. This very strategic and attractive site for private investors leaves it at high risk of conflict and destruction.

Negotiating Space with Refugees

Spatial Interventions

During my fieldwork and discussions with refugees in Baqa’a camp and Burj el Barajneh camp, it became clear that a physical intervention under the auspices of remedy or humanitarian aid would prove ineffective inside a space where architects blush as they look around and amaze themselves with the genius of refugee architecture, and its ability to adapt and grow within its complex material context. The question clearly emerged as: How can we create a spatial intervention with the aim of transferring space and knowledge?

Superimposition of Scale

The politics inside Palestinian camps takes on various forms, yet due to the protraction of Palestinian refuge inside camps, the political is most empowering and violent when it is spatial, meaning that space and space-making is what truly provides refugees with negotiating means with their host governments. We can claim here that the political has become a “scale,” a spatial scale inside the camp, produced once refugees transgressed boundary lines, enabled through acts of spatial violation.

The interventions were meant to negotiate space through space-making by constructing a spatial installation which directly addressed “scale” and “production of space,” thus engaging in this transfer of space and knowledge. The installation literally superimposes two camp-scales to produce a hybrid third, one that can act as an agent for “transferring space and knowledge,” and have the potential to proliferate into a new order of “power-relations.” Constructed inside both Baqa’a and Burj el Barajneh, the installation reveals the narrative of spatial production and refugee/host government relationships using spatial means.

Baqa’a Camp Intervention, Jordan, August 2015

The spatial superimposition was based on a map overlay of the two camps, both scaled to the same scale. Baqa’a camp’s spatial scale (in yellow) still largely retains UNRWA’s grid layout of 100-square-meter plots due to the Jordanian government’s control over space inside the camps. Yet in Burj el Barajneh camp, and due to the government’s invisible role inside the camp’s space, the scale has reached a density beyond any visible “humanitarian boundaries.” The superimposition of maps clearly shows the intense encroachment and utilization of space in Burj el Barajneh camp, as compared to that of Baqa’a camp, whereby one yellow shelter plot in Baqa’a camp can contain multiple shelters from Burj el Barajneh camp.

The idea was to promote a spatial dialogue by re-creating a spatial scale, taken from Burj el Barajneh camp, and rebuilt within Baqa’a camp’s spatiality, to begin a negotiation based on what the Palestinian camp’s spatiality really means on the ground, and what scale it needs to reach to provide the optimum negotiating agency for the Palestinian refugees, one which is very much political, including the creation of new terms with host governments.

The initiative was meant to transfer space and knowledge from Burj el Barajneh camp into Baqa’a camp in the form of an installation, including material data that address Palestinian camp-spaces on a larger scale by integrating spatial maps and spatial documentaries into the installation, whereby refugees are able to walk around the new scale and engage with the material. Films were projected on adjacent building walls in an attempt to employ another form of superimposition, one that directly uses the camp’s existing material-form.

Burj el Barajneh Camp Intervention, Lebanon, August 2016

In Burj el Barajneh camp, the installation needed to be built on the ground in a common area, which has a pragmatic and continuous daily use. This obviously being to produce a superimposition of scales which could not only define the existing scale with a set of existing spatial knowledge, but offer new knowledge emanating from the existing one, which allows for the production of new spatial scenarios and potentially new subjectivities. By constructing new scales — in the form of installations — on existing ones, not only is the existing form interrupted, but the existing spatio-movement and circulation are altered as well, forcing the inhabitants to address the intervention as part of their daily inhabitation of the camp.

Different modes of scale-superimposition were utilized as part of the installation. Mode 1 was based on extending the existing scale (form lines) to project a future scenario of increased space. Mode 2 was a superimposition of the “original” UN scale the camp started from — which was the 12-square-meter (3 x 4) zinc room UNRWA provided for each refugee family — over the existing camp-scale. This retraction to the original “applied” scale-form in the camp allows us to retract our spatial dialogue to that first moment of scale-making, and demonstrates a superimposition of an “original” scale of efficiency, control, and surveillance over that of protracted refuge, organized armed struggle, and resilience.

Mode 3 involved a more clearly Foucauldian exercise of stacking the existing grid onto itself while applying a “shifting,” to intentionally mask (cover) certain areas on the ground and reveal new ones in the form of new, potential space.

When established, these camps were a visible humanitarian crisis (in the form of displaced refugees and space) that ensured political mobilization (and here I mean International aid as well) toward not only addressing the problem but intervening in it. Yet, after 68 years of protracted refuge, the refugees proved to be independently resourceful, and successful builders, consequently camouflaging the crisis. So, if there is to continue to be a political dialogue and intervention, there must be a crisis — a visible one. I believe today “space” remains a crisis, more than the refugee as “political/non-political” being. As long as space remains in crisis, the political remains negotiable. And here I do not mean the crisis of dilapidated space or threatening infrastructure (without undermining its seriousness), but the crisis here is less humanitarian and more political, where space is a threat, both violent and economical.

[1] In some Host Countries, straw-mud or zinc sheets were used for constructing the 12-square-meter room walls.



Get the Medium app

A button that says 'Download on the App Store', and if clicked it will lead you to the iOS App store
A button that says 'Get it on, Google Play', and if clicked it will lead you to the Google Play store