“HOW TAYLOR SWIFT IS THE MOST DANGEROUS TYPE OF WHITE WOMAN, EXPLAINED”

Jess Brooks
Intersectional and Crossectional
2 min readJul 28, 2016

“No one is better at this type of specifically White female performative faux melodrama — where status is cultivated and maintained through a state of perpetual exaggerated victimhood (which everyone laps up because “sad White woman” = “Let’s find our fucking capes and save her!”) — than she is.

You know that co-worker (let’s call her “Susan”) who somehow managed to use her offense at a minor breach in email etiquette (someone forgot to put an exclamation point on a sentence, which made Susan “interpret” it as a “threat”) as fuel for a raise and a promotion?

Taylor Swift is Darth Susan.

Kanye, however, would later tweet that he actually reached out to Taylor about the lyric before incorporating it in his song. And that she thought it was funny and was cool with it.

Which suggests the following:

1. They’re friends. Or, rather, friendly enough to have this conversation.

2. The entire Grammy speech was an act.

3. She’s more than willing to throw a friend under the bus for the opportunity to performative martyr.

Of course, Taylor vehemently denied that this conversation ever happened. And, of course, most of the country seemed to believe Taylor. Because Kanye is the scary Black dude. And Taylor, again, is Darth Susan.”

I just really enjoyed the exhausted snark tone of this essay

Related: “Taylor Swift and the Silencing of Nicki Minaj

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Jess Brooks
Intersectional and Crossectional

A collection blog of all the things I am reading and thinking about; OR, my attempt to answer my internal FAQs.