Gotokuji Temple: A Monument of 1000 Cats

The origin of the Maneki-neko (“beckoning cat”) figurine

Jessica Craven
Japonica Publication
4 min readMay 7, 2023

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Up-close shot of the Maneki-neko figurines. Photo from Unsplash.

Gotokuji temple is famous across Japan as the supposed origin of Maneki-neko, the “beckoning cat” figurine, which you may have seen in shops or restaurants across Japan or even abroad.

Due to the temple’s somewhat secluded location within Setagaya ward, it is seldom ventured by international tourists but is worth the trip, especially for cat lovers. The title “A Monument of 1000 Cats” may seem like an exaggeration, but actually, it’s an understatementーGotokuji is home to several thousand Maneki-neko figurines of varying sizes.

The history of Gotokuji temple

Gotokuji is a well-preserved feudal lord cemetery of the Edo era, making it one of the most iconic architectural landmarks and national historic sites in the area. Legend has it that Naotaka Ii, the lord of the Hikone domain, was invited into the temple by a cat beckoning him at the gate. A thunderstorm suddenly broke out, so the lord was impressed by the good luck the cat brought him at just the right time. As such, he donated money to restore the temple and make it more glorious than ever before. The renovations were completed in 1633.

Later, the Shofuku-den was constructed as part of Gotokuji temple to enshrine the cat that brought good fortune, bestowing it with the name “Maneki-neko”. Ever since, many people visit Shofuku-den every year to pray for the well-being of their families, prosperous business, luck, and happiness. The pagoda Sanju-no-to on the temple grounds features sculptures of the 12 animals of the Chinese Zodiac and several cats.

The symbolism behind the Maneki-neko

The symbol of the Maneki-neko is somewhat of a charming paradox. The statue does not bring one happiness directly. Instead, it grants one a chance to form connections with certain people, but in the end, the result is up to one’s own efforts. The message behind the Maneki-neko is that if you live in constant gratitude, luck and happiness will come to you spontaneously. The true wealth of man is not found in money but in how he spends his time to help and cooperate with others. That is the foundation of a prosperous society supported by all of us.

Thousands of Maneki-neko figurines ©Jessica Craven

Other temple features and seasonal attractions

The numerous cat figurines of all sizes are located in a small corner of the temple. Dozens of white cats striking the same waving pose will make for a great photo of your trip during any season! I like the scenery most during the autumn because the red maple leaves contrast nicely with the white cat figurines and echo some of the colors in their red collars. In early summer, the temple grounds are also in bloom with many bright azaleas.

One can also visit the cemetery on the temple grounds, the resting place of the Ii clan, who made the temple their best-known legacy. The cemetery is also home to many famous Japanese figures, including the karate master Oyama Masutatsu and several previous Prime Ministers. Surrounding the temple monuments are beautifully well-tended gardens that make the visit a serene retreat from the normal hustle and bustle of Tokyo.

Gokokuji’s Maneki-neko shop

If you visit Gotokuji and wish to have a memento of the trip, there is a small souvenir shop on the temple grounds selling Maneki-neko of all sizes. The smallest one costs only around 300 yen and you can also add it to the massive cluster of figurines already guarding the temple if you wish.

Visitors can also purchase wooden ema plaques (from the same building) to write their hopes and prayers on. Then, you can hang them on the temple grounds in hopes that your wish will come true. The famous Maneki-neko of the temple decorate these boards, so maybe good luck will be on your side!

Superstitions aside, a trip to Gotokuji Temple is well worth the visit!

Another Maneki-neko monument ©Jessica Craven

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Jessica Craven
Japonica Publication

Writer, translator, and artist residing in Tokyo. Fascinated by both traditional and contemporary Japanese art forms and what they reveal about society.