
A magical night ‘on the edge’
A review of JOMBA! On the Edge by Marcia Mzindle
JOMBA! on the Edge didn’t disappoint! I came in anticipating a thrilling night, and choreographers JC Zondi of “Classi_filed,” Kristi-Leigh Gresse of “Blank,” with Tshediso Kabulu and Thamsanqa (Thami) Majele of “Imvelo,” delivered an exceptional show. The hard work and dedication weaved into each performance gave us the makings of a magical night.
The start of the night, “Classi_filed,” was co-directed by Simphiwe “Fiddy” Ngcobo and danced by Lebohang Khoza, Londeka Zondi, Mpilo Manzini, Vuyo Ndawonde, Melissa Ngubo and JC Zondi. This performance provided us with strong imagery such as mannequins and handcuffs made from hangers; a change in body language and behaviour occurred whenever the dancers changed to different garments.
It questions the notion of how we see ourselves and others in relation to what we wear. Zondi seems to say that fashion is a freedom of expression and an obsession, to a certain degree. I second this notion, with the experience and understanding of how in our daily lives wearing the perfect outfit can make us feel good and impress while the wrong one leaves us judged and rejected. The silence within the performance was deafening — it forced one to engage, feel and possibly see yourself on stage in one of the characters.

On speaking to them briefly after show “Imvelo” choreographers Tshediso Kabulu and Thamsanqa (Thami) Majele described their work as struggle for power brought in by the different dynamics between two bodies confined in one space. The piece looks at the intimacy of human relationships. I viewed this performance as a combination of tradition and influence. Tradition because during the performance, Majele faces away from Kabulu while talking to his back; I found this symbolic of growing up black in South Africa. We were taught not to look at adults in the eye when they are talking, as this would be seen a sign of disrespect and as a challenge. Influence came through the intent of passing information through forms of ear whispering however rejected countless time. A dynamic performance, all together.
Lastly, I applaud Kristi-Leigh Gresse on her performance of “Blank.” Her portrayal of the female body as both an instrument of pleasure and power was gripping and phenomenal. An indescribable performance that answers why everyone should be a feminist!
Each of the dances were beautifully delivered and open to interpretation, depending on who and how they are viewing it, which gives a lot of room to be open-minded.
For more thoughts on JOMBA! On the Edge, read my preview here.

