15/21

Jenna Sutela, “YAMSUSHIPICKLE,” 2021

A video vanitas featuring the emblematic foods of decentralized finance rotting away, her work reminds us not only of the fleeting nature of worldly pursuits but that even crypto projects are themselves alive

Jenna Sutela, “YAMSUSHIPICKLE,” 2021 (still)
Jenna Sutela, “nimiia cétiï,” 2018 (still)
Jenna Sutela, “I Magma,” 2019 (photo: Theresa Hahr / Moderna Museet)
Jenna Sutela, “From Hierarchy to Holarchy,” 2015 (photo: Mikko Gaestel)
Jenna Sutela, “Foreign Sequence / Birth Mantra,” 2020 (still)
Jenna Sutela and Markus J. Buehler, “Wet-on-Wet,” 2021 (still). View the video on e-flux architecture here.
Jenna Sutela, “Sporulating Paragraph,” 2017 (photo: Istvan Virag / Momentum Biennial)

ART FOR THE NEXT 100 YEARS