The Keymaker is an old program and his past is obscure

Keymaker in his shop, Hong Kong. © Cristian Kit Paul.

“The future is already here,” says Mr. Gibson, “it’s just not very evenly distributed.” Pure brilliance, of course, but reverse-engineer it and this holds equally true when observing the past: spotty and unevenly mapped, yet very much still here, solidified into time-glaciers receded into the crevices of Hong Kong like some sort of time-fjords of past one can navigate equipped with only a good pair of sneakers as a powerful time machine.

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