Decolonial Mapmaking | Reclaiming Indigenous Places and Knowledge
“More indigenous territory has been claimed by maps than by guns. This assertion has its corollary: more indigenous territory can be defended and reclaimed by maps than by guns.”
— Bernard Nietschmann, geographer
Throughout time and across cultures, the thing that is often most important to a people is land. While global industrial society’s connection to the land is waning, it remains ever-present in Indigenous cultures, despite (or perhaps in defiance of) near constant pressure from colonial powers to separate Indigenous peoples from their lands. This connection is at the heart of what we call biocultural diversity.
Land theft has historically happened through various and often violent tactics, but as Bernard Nietschmann points out, colonization often begins with mapping the land. Colonial powers, without the consent of Indigenous peoples, draw up political borders that, more often than not, do not reflect any real natural or cultural boundaries. They are imaginary lines that are superimposed on the land by people who have little knowledge of the land. These people then proceed to populate their maps with names for rivers, mountains, and towns — names that are invented specifically for this purpose. Once again, these names often fail to represent anything meaningful about the local ecosystem or Indigenous culture of a precise location. They are, instead, chosen after important people (like Johannesburg, Vancouver, and Sydney), or after places from the colonial culture (like New York, New Orleans, and New South Wales). Indigenous place names, by comparison, are usually uniquely tied to a specific location — describing the landscape, or a species that proliferates in that area, or a cultural event that occurred at that location.
Early colonizers were likely well aware of what they were doing. As they made their way across the yet-unexplored-by-Europeans land, they kept fairly detailed records of where different tribes lived and the Indigenous names for local landmarks. Take the example of Henry Schoolcraft, an early 19th century U.S. Indian Agent. He learned Anishinaabemowin (the Ojibwe language) and meticulously documented Anishinaabe place names. As a geographer, he had the privilege of deciding what future generations of European settlers would call the places he went through. Rather than passing on the knowledge of Indigenous place names, Schoolcraft was notorious for creating faux Indian place names. For example, Lake Itasca, the source of the Mississippi River, was named by Schoolcraft. It has no meaning in any language. Many people wrongly assume it is Anishinaabe in origin, but the Anishinaabe name for the lake is actually Omashkoozo-zaaga’igan, which translates to “Elk Lake.” Schoolcraft and others like him probably thought that Indigenous place names were too long, and assumed that European settlers would not be able or willing to pronounce them correctly. In the instances when colonial settlers did adapt Indigenous place names, the names were dramatically altered: Šikaakonki to Chicago, Huāxyacac to Oaxaca, Misi-ziibi to the Mississippi River. While these differences may seem trivial to some, they represent a deliberate erasure of Indigenous cultures from the world map.
While global industrial society’s connection to the land is waning, it remains ever-present in Indigenous cultures.
Because so much of the way in which modern people understand the world is formed by geography, the importance of alternative cartographies cannot be understated. Mapmaking developed independently in many cultures across the globe. Although in decline, there is a large diversity of ways in which the physical world has been and is represented. In Majõl (the Marshall Islands), ancient mariners developed charts made from coconut fiber and shells to indicate the location of islands, waves, and currents in the Pacific Ocean. In Kalaallit Nunaat (Greenland), European explorers in the nineteenth century found pieces of driftwood carved by the Inuit to represent the shoreline of the island. It was only during the Age of (European) Exploration that cartography began to become standardized around the world. Today, it is not unlikely to find identical world maps in classrooms on opposite sides of the planet, in spite of very different Indigenous cultural understandings of geography. That cultural knowledge is rapidly being lost. Even though Europeans were the first people to map the world, non-European peoples do not have to forfeit their right to map their lands in their own way. Mapmaking is an art, not a science, and the rigid international standardization that has been applied to it stifles individual and cultural expression.
That is why, in 2014, I started a project called the “Decolonial Atlas.” The Atlas is a grassroots mapping project, the purpose of which is to bring together maps that, in some way, challenge our relationships with the environment and the dominant culture. Over the course of the project, Indigenous language speakers from around the world have contributed their knowledge to produce maps from their particular cultural perspectives. The maps are usually borderless, with the exception of some that depict bioregional borders such as basin divides. There are maps oriented in every cardinal direction, depending on the traditions of that culture. To date, we have produced new maps in Anishinaabemowin (Ojibwe), Gaeilge (Irish), Hinono’eitiit (Arapaho), Kanien’kéha (Mohawk), Lakȟótiyapi (Lakota), Māori (Maori), Meshkwahkihaki (Fox), Myaamia (Miami-Illinois), Nāhuatlahtōlli (Nahuatl), ʻŌlelo Hawaiʻi (Hawaiian), Runa Simi (Quechua), Tamaziɣt (Berber), Tsoyaha (Yuchi), and more. They range in scale from metropolitan regions to global.
These maps almost always look vastly different from standard colonial representations of the same geographic area. It is amazing how a slight change of perspective can make the land we thought we knew unrecognizable. If we take away the political borders, turn the map so that North is no longer on top, and re-label every place in its original Indigenous language, we come to realize that not only has the land been colonized, but all the people living on it as well.
For settlers, what we call a place determines in part our understandings of the land, as well as our attitudes toward its original owners. For Indigenous peoples, place names are a source of pride, further contributing to the revitalization of their languages and cultures. The Decolonial Atlas is supportive of both settlers and Indigenous peoples using our maps to help decolonize. Stylistically, the maps are colorful and artistic, with the hope that people will enjoy them enough to download, print, and hang them on their walls. They are made in an intentionally modern aesthetic, however. Antique map styles, while beautiful, convey that the subject matter is old, whereas the Decolonial Atlas asserts that Indigenous peoples are not a footnote in history books, but are living and present in the twenty-first century.
The Decolonial Atlas is by no means the first project to explore Indigenous cartography. There have been and currently are many community-based Indigenous mapping projects, which are regularly highlighted on the website. In this sense, the Decolonial Atlas is the first “Atlas” of these projects — bringing together many local and regional maps to eventually make an Indigenous mosaic of the entire world.
Progress is being made. Recently, the U.S. government officially changed the name of North America’s highest mountain from Mount McKinley to Denali. In Australia, the continent’s largest lake was renamed Kati Thanda — Lake Eyre, combining the aboriginal Arabana and colonial English names. If enough of us insist on using these names, we can quite literally change the world. In the process, we can begin to reclaim our own cultural identities and renew our connection to the land. In this way, mapmaking is one answer to the question of how we — as individuals, as cultures, and as a species — decolonize.
Visit the Decolonial Atlas project.
Jordan Engel is a cartographer and researcher at the Decolonial Atlas project, a virtual collaboration with Indigenous peoples from around the world, which aims to bring together maps that challenge our relationships with the environment and the dominant culture.
Carapella, A. R. (2015). Tribal Nations Map: Traditional Names and Locations. Retrieved from http://www.tribalnationsmaps.com/
Gwich’in Social and Cultural Institute. (2015). Gwich’in Place Names Atlas. Retrieved from http://atlas.gwichin.ca/index.html
Lewis, G. M., & Woodward, D. (1998). The History of Cartography, Volume 2, Book 3: Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies. Chicago, IL: University of Chicago Press.
Before you go…
…did you know that Langscape Magazine is an ad-free, full-color publication that brings you unique stories about people and nature from all over the world — inspiring stories that you won’t find anywhere else?
“Langscape is the heart of the movement.” — Kierin Mackenzie, PhD Student, University of Canterbury, New Zealand
We believe there never was so important a time as now for these stories to be shared as freely and widely as possible — online as well as in print. That’s why we’ve been putting many of our stories on Medium for everyone to read.
But we are a small team with big goals. We want Langscape Magazine to continue to be brimming with global stories rather than with ads. So far, this quality has been made possible by grants, donations, and subscriptions. That’s why we are asking for your help.
“The articles are all so rich in elucidating the resilience of biocultural diversity. I appreciate all of the work Terralingua does so very much.” — Nejma Belarbi, MSc, MH, Ethnobotanist and Herbalist
If everyone who reads and likes our magazine helps support it, we’ll be able to continue to bring you these amazing stories into the future. For as little as $10, you can support Langscape Magazine — and it only takes a minute. Subscribe to the handsome print or PDF version of the magazine, or buy individual copies. Thank you for your support!
The Langscape Magazine Team