New York Landmarks

The Hotel Chelsea

Originally established in 1884 as a private apartment complex — an avant-garde commune of sorts — it housed a diverse community of workers, artists, intellectuals, and the affluent.

Raul Guerrero
METRO NEWS +

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Walking is an integral part of city life, and in New York, sidewalks resemble bustling highways for pedestrians. I once asked a New Yorker what annoyed her most about tourists, and she promptly replied, “Halting the flow of pedestrians to take a photo.” That act is considered the ultimate offense since people are often rushing to work, therapy, the theater, or dinner engagements. In such situations, you can expect an emphatic “move your f****** ass!”

Chealsea Map with the Hotel Chelsea nested right on 23rd St. between Eight and Seventh Avenues.

I decided to stroll eastward on 23rd Street, starting from 10th Avenue and heading towards 5th Avenue. Along the way, I stopped by one of the last remaining newsstands in the neighborhood to grab a newspaper. It’s disheartening to witness the decline of this quintessential New York institution. One bodega owner shared a poignant observation: “No one reads newspapers anymore. We sold our last New York Times back in 2003.”

Afterward, I found a table in the courtyard of the Hotel Chelsea, where I indulged in the Weekend Edition of the Financial Times. There’s something delightful about savoring a cappuccino while perusing the salmon-colored broadsheet in the heart of Chelsea.

The Hotel Chelsea’s red brick and wrought iron facade overlooks 23rd St. Photo courtesy of Creative Commons.

Cultural Landmark

The Hotel Chelsea has been a significant cultural landmark for over a century. Originally established in 1884 as a private apartment complex — an avant-garde commune of sorts — it housed a diverse community of workers, artists, intellectuals, and the affluent. The building’s owners reserved apartments for the carpenters, electricians, and other workers involved in its construction, while opening its floors to writers, painters, sculptors, actors, and dancers. The top three floors were for art galleries.

However, as is often the case with too-good-to-be-true ventures, bankruptcy soon followed. In 1905, the Hotel Chelsea emerged from the ashes under the ownership of David Bard, who converted it into a hotel. Throughout the 20th century, the Hotel Chelsea attracted an eclectic mix of artists, writers, musicians, and creatives drawn to its bohemian atmosphere and affordable rents. Esteemed individuals such as Jack Kerouac, Allen Ginsberg, William S. Burroughs, Bob Dylan, Leonard Cohen, Patti Smith, Robert Mapplethorpe, Jasper Johns, and Andy Warhol all found a home within its walls.

“I loved this place, its shabby elegance, and the history it held so possessively… So many had written, conversed, and convulsed in these Victorian dollhouse rooms. So many skirts had swished these worn marble stairs. So many transient souls had espoused, made a mark, and succumbed here.” — Patti Smith.

Andy Warhol and friends at a back table at the El Quixote in the 1960s. Warhol made films at the Hotel Chelsea with actress Viva. Photo by David McCabe, courtesy of El Quixote.

During the counterculture movements of the 1960s and 1970s, the Hotel Chelsea stood at the epicenter of New York City’s avant-garde scene. Its lobby became a gathering place for artists and musicians, and its rooms were infamous for hosting wild parties and serving as a backdrop for the unconventional lifestyles of its residents. The hotel even played a role in inspiring seminal works of literature and film, including Jack Kerouac’s “On the Road” and Bob Dylan’s “Visions of Johanna.”

In addition to its cultural significance, the Hotel Chelsea has witnessed its fair share of tragic events. One notable incident occurred in 1978 when Nancy Spungen, the girlfriend of Sex Pistols bassist Sid Vicious, was found dead in a hotel room. Although Vicious was charged with her murder, he died of a drug overdose before the case went to trial. Another heartbreaking loss was the death of visual artist and former Hotel Chelsea resident Robert Mapplethorpe in 1980, succumbing to AIDS.

Despite its rich and storied history, the Hotel Chelsea has encountered numerous challenges. In 2011, a real estate developer acquired the property with plans to convert it into luxury condominiums. This decision triggered protests from preservationists, artists, and politicians who advocated for the hotel’s preservation as a cultural landmark. In 2018, the hotel temporarily closed its doors for renovations.

Lobby of the renovated Hotels Chelsea. Photo, Aurea Veras.

It reopened in 2022. And its legacy as a sanctuary for some of the world’s most innovative minds will endure for generations to come.

An episode in the life…

The Hotel Chelsea played a significant role in providing a safe haven for Spanish refugees fleeing the Spanish Civil War during the 1930s. These refugees sought solace and shelter within its walls, and their influence is still evident in the hotel’s distinctive architecture and decor.

El Quixote restaurant, situated on the ground floor of the hotel, pays homage to the Spanish novel “Don Quixote” by Miguel de Cervantes. It served as a cherished gathering place for Spanish refugees and creatives, who sought refuge from their own experiences in middle-class America. Artists often resorted to paying for rent, dinner and their copious drinking with pieces of art, which still decorate the walls and halls.

One song

Numerous poems and songs have paid homage to the Hotel Chelsea, but one of the most iconic tributes is “Chelsea Hotel #2” by Leonard Cohen. This renowned song was inspired by Cohen’s romantic relationship with artist Janis Joplin, which blossomed during their stay at the hotel. The lyrics evoke many an intimate conversation I had throughout my life: “I remember you well in the Chelsea Hotel / you were famous, your heart was a legend / you told me again you preferred handsome men / but for me you would make an exception…”

The Hotel Chelsea, May 2023. Photo, Aurea Veras.

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Raul Guerrero
METRO NEWS +

I write about cities, culture, and history. Readers and critics characterize my books as informed, eccentric, and crazy-funny.