Madlib Made “No More Parties In L.A.” With an iPad

“I Didn’t Have Anything, I Just Had My Dad’s Records”: The Pause-Tape Origins of Ohbliv

Erykah Badu’s “Honey” Was a Five-Year-Old 9th Wonder Fruity Loops Beat

“Public Enemy No. 1” Is A Pause-Tape Beat

During the 1980s Public Enemy’s in-house production team The Bomb Squad revolutionized…

“This Time I Wanted to Feed the World”: The Making of Rakim’s “The 18th Letter”

“Strange Tales From the Forest”: The Making of Purple Dialect’s ‘Forest Fortress’

Was Bob Marley’s “I Shot The Sheriff” About Birth Control?

Dear Micro-Choppers,

A Micro-Chop Premiere: “Beats, Mines and Life: An Instrumental Journey” on Coalmine Records

STLNDRMS’ Controllerise Event is Coming to the A3C Festival in Atlanta

The “Stranger Things” Soundtrack, Nas’s “One Love” Turns 23, and Two Massive Instrumental Playlists